The zombie wall ...
... is effective only for people who are too ignorant/stupid to know the zombie makeup trick. The gangsters are neither, and they'd waltz right through that field of zs, so who is the wall for? Dumber sociopaths?
share... is effective only for people who are too ignorant/stupid to know the zombie makeup trick. The gangsters are neither, and they'd waltz right through that field of zs, so who is the wall for? Dumber sociopaths?
shareThe zombies know there are delicious people on the other side of a fence. Why are they milling about? Why aren't they pressing in TOWARD the colonia? Why haven't they crushed the fences down the way they were in TWD at the prison?
shareBecause of the human sacrifices provided by the pharmacist messiah.
Those near death deliver themselves to the dead and join the wall.
Our brothers, our sisters protect them.
They protect us.
Zombies do not stop attacking if they managed to get one person in the group. An occasional sacrifice (how many they can give every week?) wouldnt make the zombies calm down for so long and not attack the fence.
shareZombies do not stop attacking if they managed to get one person in the group.
An occasional sacrifice (how many they can give every week?) wouldnt make the zombies calm down for so long and not attack the fence.
Seriously, if you reduce the argument to "writers can do anything", there is no point even discussing anything. inconsistency should not be an excuse.
And yeah, They do have a way to block the view, but they were playing football in the colony. The sound would atrack the zombies.
Seriously, if you reduce the argument to "writers can do anything", there is no point even discussing anything. inconsistency should not be an excuse.
Ok, aav, if you meant that comment about the writers can as a critic, sure. The board will really narrow down to this kind of arguments.
Even if we compare TWD and Fear, we can notice there is a better level of script and production on TWD. Naturally, more money, better technicians. I agree that it is plot driven, but I believe it is a cheap plot driven. There are problems of continuity that boil down to production, but the writing is also the cause of many problems. There is simple technical stuff like cliffhangers being misused. Of course, I have no desire to clash with arguments as the 3 you numbered, but...
1 - I write for a brazilian website about TV series. I cover Walking Dead and Fear. So that is why :D
2 - This argument is silly even when we are dealing with highest form of art. People who are smart enough to get what Shakespeare meant are usually good enough to talk about it. They may be snappy, arrogant, but they love to talk about it.
3 - Yes, and Odissey is about cyclops and people turned into pig, Divine Comedy about a man descending and leaving hell, etc. Deads coming back is just fantasy, a use of artistic language. We get it and we get in fantasy you are demanding realism. Which is completely different from demanding technical consistensy, etc. I also know it is just enterteiment. So were the Beatles and they knew how to play.
I sounded snob enough, but a good example is: it is not because it is about zombies, that the actors can be that bad. Ask Sissy Spacek if her acting was amiss just because she was a fictious monster in Carrie.
Fear is really a B movie, Romero's Night of Living Dead spawned several imitations, few are even close to the quality (yes, it had) of the original movie. Fear is a bit like those imitations to TWD (which is nowhere near the quality of Night of Living dead, mostly because terror stories and zombies do not boil well in a format with 12 chapters, imo)
First, your English is very good. I wouldn't have known unless you said something.
1 - I write for a brazilian website about TV series. I cover Walking Dead and Fear. So that is why :D
There are problems of continuity that boil down to production, but the writing is also the cause of many problems
Sure, here is the link:
http://sctdo.com/author/joao-camilo/
Yeah, the discussion should be fun, but the "competition" even between spin-offs is a reason to keep away from the boards.
At this point, i have to say the only way they have to be anyway original or interesting is to make short spin-offs, specific sittuations that would last 3-4 episodes. TWD is already worning off the formula of the drama that accidentally have zombies.
If the zombies eat the human sacrifices, how are they able to join 'the wall'? There wouldn't be anything left.
In order to 'join the wall', the colonia would need to wait until they are dead, then put the corpse in a 1/2 way point to keep the already dead from eating it, then after it comes back, let it out into the wall area (somehow).
Otherwise, you still have the same number of zombies in between the fences, only fatter zombies.
I don't pretend to understand how any of this nonsense works. I was just answering the question based on what the viewer is presented in the show.
sharespielbertoThe zombies know there are delicious people on the other side of a fence. Why are they milling about? Why aren't they pressing in TOWARD the colonia? Why haven't they crushed the fences down the way they were in TWD at the prison?In TWD, the girls were luring them to the fence with lunch meat and other leftovers. share
....and outsiders can easily turn that trick against them. So yeah, it's not guided by any smart idea, but rather by the leap of faith fueled by Alejandro : the dead are just another step of life, the dead are protecting them, and the ones who won't die will be the next purged generation.....
Yeah, this storyline is kinda boring, ...The Colonia was already a messed up place, and then Nick came and provoked a gang nearby, stupidly....why would anyone like Nick's character anyway ?