On an Albert Pyun movie, "One Take, No Edits" is NOT a good thing . . .

That tagline is plastered on the poster for this thing, but anyone familiar with Pyun's work will know right away that he's one of the laziest filmmakers going, and frequently shoots scenes -- and entire movies -- in as few takes as possible, despite NOTHING in the screenplays actually justifying it. While the concept here sounds intriguing, I can just imagine the execution. Mind you, here we are in 2016 and it appears to be sitting on a shelf somewhere, not unlike so many of his pictures. Once upon a time, Pyun showed glimmers of promise, but the last 25 years have not been kind.