Why another one?


3 adaptions to this book have already been made until now, why a fourth?

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Who will play poirot? Any idea? Will it be David Suchet or someone else

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I think Kenneth Branagh has signed up as director as well as starring as Poirot. Personally the last one made with David Suchet was so superior nothing else can beat it.

There must be another Poirot story not done to death that can be transferred to the big screen.

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Totally disagree, Suchet's version was rubbish and a total disapointment. I mean, ever since I first saw Suchet as Poirot, 26 years ago, that I'd been looking forward for his version of MOTOE - the most famous Poirot story with the perfect Poirot, right? You can imagine my disapointment when I saw that "thing" he made. Talk about frustrated expectations! And talk about a wasted oportunity!
But I agree, there are other Poirot stories that could be adapted, like "The Murder of Roger Ackroyd", "Murder in Mesopotamia" or "Appointment with Death". Still, I don't mind another go at this one, maybe this time they will get it right (I love the Sidney Lumet 1974 version, it's only a pitty Albert Finney was so wrong as Poirot).

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You had me until you disparaged Finney...Finney is the best Poirot so far. He was totally charismatic, commanded the screen and got the character just right. Suchet is a bore in the role and Ustinov was amusing but more Ustinov than Poirot. They choose MOTOE because of the exotic location, the wide array of characters and the surprise ending...

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You had me until you disparaged Finney

I'm going to join the OP in disparaging Finney. I saw it at the cinema when it was first released and found Albert Finney, usually rather good, to be extremely disappointing.

As for the surprise ending, my mum, who read a lot, but not Agatha Christie as she didn't like Christie, leant over and correctly anticipated the anding halfway through the film.

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You can have your opinion of Finney, but all critics, Christie experts and the Academy disagreed with you. He still is the best portrayal of Poirot and I am confident Branaugh will be excellent too.

Good for your mother - who cares.

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You can have your opinion of Finney, but all critics, Christie experts and the Academy disagreed with you. He still is the best portrayal of Poirot

1. Yes, it is my opinion. How about adding the same rider to yours? It is after all, only your opinion, not an an absolute.
2. Oh, yes. We all know that critics, etc never make mistakes, and always come to a consensus.

Good for your mother - who cares.

Don't denigrate others simply because you are a plodding thinker and have no imagination/idea of applying logic.

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Christie herself said Finney matched her idea of Poirot completely.

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Christie herself said Finney matched her idea of Poirot completely.

Reference, please? Only if it's a book on the cinema, not a biography of Christie, thanks.

Wikipedia (I know, not always accurate) states: 'In the end, according to Christie's husband Max Mallowan, "Agatha herself has always been allergic to the adaptation of her books by the cinema, but was persuaded to give a rather grudging appreciation to this one." Christie's biographer Gwen Robyns quoted her as saying, "It was well made except for one mistake. It was Albert Finney, as my detective Hercule Poirot. I wrote that he had the finest moustache in England — and he didn't in the film. I thought that a pity — why shouldn't he?'

I love the use of the word "grudging".

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Albert Finney is a magnificent actor and he did a wonderful job as Poirot. Peter Ustinov and David Suchet were fine too.

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You are entitled to think whatever you wish.

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Christie herself said Finney matched her idea of Poirot completely.


If that's true, I'm shocked that she would say it. She wrote about a man who's so obsessively neat that he wouldn't eat two boiled eggs unless they were the same size and then calls Finney's portrayal a perfect match when, early in the film, he makes a big song and dance of tearing up a menu and throwing it up in the air, laughing boomingly like an ogre as he did so.

Finney was completely over-the-top as Poirot. Another misguided aspect in his portrayal was his constant mordant laughter. Not Hercule Poirot at all.

The only actor so far who really got the character was David Suchet. What some claim to dislike about his portrayal tends to sound like what they dislike about the character itself. Ustinov was just Ustinov and the less said about Alfred Molina the better. I agree the version they made with Suchet was a letdown, but the 1974 Lumet film is far from the masterpiece people's nostalgia-tinted specs are making them believe it is. There's definitely room for improvement, even if it's difficult to imagine something truly refreshing.

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Suchet suffers because the adaptations he is in are so lifeless. He also has no charisma or magnetism. His high pitched voice sounds feminine and he is a boring actor. Finney was absolutely not boring...he held the screen throughout the movie.

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Well, if that's how you feel - ie that he's boring - then fair enough I suppose. But you still provide no quote from Christie saying Finney was exactly what she imagined (she didn't live to see Ustinov or Suchet anyway). Most Christie fans regard Suchet's portrayal as definitive; and the things you see as faults in his version are actually far closer to the character in the books than Finney, whose performance was absolutely 100% pure smoked ham and resembled Poirot in appearance only.

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Smoked ham by one of the leading actors of his generation is leagues better than a prissy old bore like Suchet. Sorry, I can't find the quote. Was from a book about Christie where she said Finney fit her idea of Poirot perfectly except for the moustache.

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Smoked ham by one of the leading actors of his generation is leagues better than a prissy old bore like Suchet.

Hmm, what an eloquentlyy expressed opinion. So Albert Finney, because he is "one of the leading actors of his generation" is always going to be the better choice for a role.

Would you like me to throw in a few "quotes" of how Christie was "appalled" at Finney's performance?

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Please do because I've read every word every written about Christie and have never heard anything except how she praised Finney and the film so I think your quotes are probably not genuine.

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I've read every word every written about Christie

https://www.theguardian.com/books/2009/apr/03/agatha-christie-alzheimers-research
If she actually did say that Finney was the best thing since sliced bread, this throws her judgment into question.

I do hope you are not implying that I am actually lying about the section I quoted from Wikipedia. I did add the rider that that was the source.

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Seconded!

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I'm still curious to see a reference to a quote from Christie lauding Albert Finney as Poirot.

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!d!, Hope you're not still waiting, because I don't think one's coming...

...

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Christie herself said Finney matched her idea of Poirot completely.

Didn't Lee Child say something similar about Tom Cruise as Reacher?

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Tom Cruise as Jack Teacher is one of the most ridiculous actor castings of all time. By about 9 inches and 100 plus pounds. And the wrong sort of road weary toughness and ability to both think and intimidate. Robert Mitchum would have been perfect.

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Yes, Tom Cruse was about as far from Reacher as you could imagine, and he actually cast himself in the role. But, most annoying was Lee Child's spin about how Reacher's size was a metaphor for his inner strength, blah, blah, blah. Why couldn't Child be honest and say I want the money and attention that goes with the making of a movie - plus all that lovely free promotion for my books?

Actually. I've not thought of him, but you"re right: Robert Mitchum would have been good as Reacher. Mitchum could be great - forget Robert DeNiro as Max Cady. Mitchum was the original and best and terribly threatening. He's sadly largely forgotten by the general public.

I always thought that Dolph Lundgren of about 20 years ago would have made a good Reacher. Perhaps not a STAR or the world's best actor, but physically appropriate. I also think that in Person Of Interest", Jim Cavaziel has the right air of menace (or did, haven't watched it for a few years).

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Cheers Terry, and Jim would be very cool in the role, but might need to add a few pounds, but I like him and we enjoyed PoI until the short final season. I am sure we could find a 100 actors better than Cruise. Mitchum in Night of the Hunter or Cape Fear, but with a touch of The Sundowners character or any of his war or western films would have hit the spot, both in size, but also style. Laconic but tough as Childs should have admitted (just as you said) It's weird because if Childs isn't making enough money writing the Reacher series to be able to say what he likes, then he has a bad manager, is scared of Scientology or is just a weak **** for selling out what will become an iconic book series, but for book fans a laughable movie series. I do like many of Tom's movies, but when he has to stand on a box like the legendary Alan Ladd to kiss the leading lady then you know something is awry!!! Which is the main reason Ladd made so many movies with (the equally vertically challenged) Veronica Lake (plus their chemistry together)

I don't mind your idea of Dolph, but he tends to mumble too much to play the role of Reacher who would have to testify in a military court and would be clearly and strongly spoken and without a trace of an accent.

Some people don't like Daniel Craig as Bond simply because of his hair colour!!! Wheras I think his persona is the closest to both Fleming's Bond and Connery's perfect Bond. Connery was a working class Scot, but not many people complain about his upbringing. I just hope Craig "does it for the money" but gives us three more great Bond films. Along with some better writers. And a better villain next time. I really like Christoph Waltz, but I think he sleep walked through Spectre. I am not sure if he did this because he really thought a Bond villain should act like he did, or because he didn't give a **** but compared to many of his other performances, his character had all the substance of spoonful of Vegemite in a bucket of water.

Anyway, you have a great Christmas and thanks for the cool response.

May the movies be great in 2017 and the trolls become an extinct species.

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I agree! I love Albert Finney's portrayal of Poirot, I wish he'd played him more than once! He really captured the character's inner gravitas. That version of Murder on the Orient Express is my favorite Christie adaptation, hands down! I really think it's the best. It should really be interesting to see how Branagh's version turns out.

Keeper of Rumpelstiltskin's walking stick
Lady Gold

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Suchet is Poirot.

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As for the surprise ending, my mum, who read a lot, but not Agatha Christie as she didn't like Christie, leant over and correctly anticipated the anding halfway through the film.

You're saying that your mother, who had never read the book, correctly anticipated that every suspect on the train committed the murder only halfway through the film? How is that possible?

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I will reply with pleasure: as I said "As for the surprise ending, my mum, who read a lot, but not Agatha Christie as she didn't like Christie, leant over and correctly anticipated the anding halfway through the film."

We saw it together at the cinema, when it was first released, so no one had told her how it ended. As I said, she muttered in my ear that she bet that they had all done it. Had she had any prior knowledge of the ending, she certainly would not have said this to me, as she was not the sort of smug person who felt that they needed to be a know-it-all.

I was a teenager, and my main reaction to the film was how gorgeous both Sean Connery and Vanessa Redgrave (the latter, I thought, overshadowed the lovely Jacqueline Bisset) were, and that I didn't like Ingrid Bergman in her role - and I don't care if the Academy Awards disagreed with me. I thought the whole film was a bit ho-hum and never have wanted to watch it again, even though it has some of my favourite actors in it eg Richard Widmark.

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I guessed that everyone had done it as well. Seemed pretty obvious when they mentioned how many times he had been stabbed.

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I'm amazed that Finney and Suchet are the only ones who have been mentioned in this thread. To me, Peter Ustinov was by far the best Poirot, and his three movies are my favorite Christie adaptations.

Not that I don't like the 1974 Murder on the Orient Express. I also like the Joan Hickson Miss Marples. And quite a few of the Suchet TV shows, although not the most recent set.

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He did more than three and the latter ones are appalingly bad.

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It's not a surprise ending anymore!

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I completely agree with you about Finney. It was a total miscast. Poirot can be portrayed either somewhat ridiculous like did Ustinov, but this is not the real personality of the character, or like Suchet who did a perfect impersonation because as he explains in a documentary accompanied by Christie's heir, he took the precaution of reading all the novels prior to choose how to act. He found the right accent to speak English which is not so easy and made of Poirot what it should be a serious person who can't be mocked for his accent as a superficial study of the character could lead to. He can be sometimes frightening and that's how with his logic and keen intelligence and capacity to find the contradictions or the little evidence which will bring him to find the truth. From that point of view part of Finney's interpretation is right, but physically and the accent he uses he is wrong. I don't believe a minute Kenneth Branagh capable of playing this character too he has neither the physic or the voice to do it right whatever his talent as a great actor he may have.

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Especially because the amazing Suchet series screwed up Ackroyd so hugely!

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Sorry but the Suchet version was a complete and utter disaster. It was boring, cut out half the plot and the whodunit aspect. See on youtube an interview with John Curran, the Christie expert, who trashes the Suchet version and for good reason. It was appalling...

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The same reason we are also getting another version of Little Women, because they can.

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The 1973 version was stylistically the zenith of all Christie movies. Wonderful actors, excellent artwork, superb direction, amazing music. You just can't top this jewel.

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The 1974 version was perfect, with one notable exception: Albert Finney as Poirot. He was simply wrong for the part. Now if we had Suchet playing Poirot in his stead, the film would have been absolutely perfect.

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Why do you say Finney was wrong for the part? Finney held the screen and had much more charisma than Suchet has. Suchet is a bore as a Poirot...he is just irritating and acts badly. Finney is so far the only good Poirot and is one reason why MOTOE is the best Christie adaptation bar none.

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I do have to disagree. I'm not trying to say anything against Finney, it's just that Suchet is literally perfect as Poirot. It simply can't be done better. Of course, that doesn't mean that MOTOE with Suchet was great. It felt like they coasted, expecting it would automatically work.



"I'm not arguing that with you. I know he can get the job, but can he do the job?"

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I have never liked the character of Poirot--too foppish for me--and avoid watching any film or TV adaptation of Christie that feature him.

But I was just a kid when I first saw MOTOE with Finney and thought the film was a masterful whodunnit thriller...my opinion hasn't changed over the years when I've watched the film again. I consider the odds to be against anyone remaking this story and attempting to best the 1974 film...I just don't believe it can be done.




"I was cured all right!"

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I completely agree.

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Why not? Why do they keep remaking Pride and Prejudice?

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Here's a quote from Hilary Strong, CEO of Agatha Christie Ltd., that should answer the OP's question:

One of the criticisms that I keep getting levied at me is that [the previous film adaptations] were so amazing. 'How can you remake Murder on the Orient Express?' They're iconic films, but they are of their time, and there is a new cinema audience that won't watch films that were made in 1957 or 1974, and we want them to hear her stories.

I honestly don't think I agree with that. If this new film was a completely new take of the story (like the new Ben-Hur), I would understand. But, if they're just doing the same thing over again just because they think people don't wanna watch a 40-year-old film, then that's just pointless. I mean, I'm still gonna see the new one, but I'm just saying.

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Biggest problem is that because of the other versions,most people know "who done it".
So much so that it has become an Internet mime in discussing any issue where many different people are to blame for a bad outcome..."It like Murder On the Orient Express:Everybody did it".

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Biggest problem is that because of the other versions,most people know "who done it".



I would hazard to guess that most people under 40 have not seen the original, have no idea who did it, and barely know who Agatha Christie was.

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So let me get this straight. You, and if you're right the producers of this version, think young people will turn out for a Kenneth Brannagh/Dame Dench Agatha Christie adaptation? Sorry. Not bloody likely.

This doesn't sound like the film that'll do that. Maybe a younger take on it but as is? NO.

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You, and if you're right the producers of this version, think young people will turn out for a Kenneth Brannagh/Dame Dench Agatha Christie adaptation?

They will if said Kenneth Brannagh/Dame Dench Agatha Christie adaptation had a cast that includes Daisy Ridley, Johnny Depp, Josh Gad, and (if they're Hamilton fans) Leslie Odom Jr.
Also, what do you mean by "young people"? Because, I'll be 26 when the movie is released.

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Yep. PLease let them be smart enough to give us a new ending. What's the point of a whodunit that's been spoiled in multiple media for years. Movies, tv movies, anime and comics, radio broadcasts...

This is my biggest beef with this production.

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The only problem with a new ending is that if you're going to alter the ending, you're doing so in an attempt to attract jaded viewers who you think otherwise wouldn't watch. But to get them to watch the "new" version, they have to know it has a twist. Which then ruins the ending, because they now know there is a twist coming.

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Why? Because someone else would like their vision of this novel to come to life. As long as studio execs greenlight these films, there will continue to be more reimaginings of popular novels and movies. Besides, I've never seen any version of this so I am looking forward to it, especially since M. Pfeiffer was cast.

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Why not? It's a good story and this version will have Michelle Pfieffer in it!
Reason enough for me.

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Hopefully it doesn't trot out the hoary ending for the 4th time! Change the ending.

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Why even make that comment? 1. They will not change the ending. 2. It is a classic of the murder mystery genre and justifiably so and 3. No Christie would go see it if they changed the ending.

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