I know this is long after your posts, and whatever you were responding to has been removed. Nevertheless, I must respond to this:
"The acting in this is just a bridge between one musical number to the next just like the acting in a porno is a bridge between one scene and the next."
That kind of attitude and approach is a big part of what has sullied the reputation of Rodgers & Hammerstein, and of musicals in general. Sure, you can do a very surface, corny production of most musicals from the R&H canon, and if the music, singing and dancing aspects are handled well enough, it can still yield a rather good time. BUT, that is a great disservice to these men and their collaborators, who actually were artists, and knew what they were doing. When you see a show like SOUND OF MUSIC, or SOUTH PACIFIC, or just about any of their shows (I've never seen ME & JULIET or PIPE DREAM, so can't address them) produced with real excellence, with good actors taking the characters seriously (by which I do NOT mean removing the humor, making the stage dark, or removing or adding things because someone thinks they know so much better than these masters), while also handling the comedy and musical elements with expertise, then you see how wrong an attitude that dismisses the acting is for these shows. There's actually a lot going on with most of the main characters in R&H shows, a lot of emotion, conflict, and complexity, and it takes skilled actors to get that across within the framework of a musical. When it really happens, it's glorious!
So, no, Carrie Underwood was not an example for an acting masterclass, but I agree with giving her a bit of a break. Her heart was clearly in it, she was giving it her all, and there were some moments of a kind of honesty. And, to be realistic, her box-office clout is a big part of what got this show made and on the air, and released on DVD, and I rather enjoyed it.
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