CLOSING THE GAP BETWEEN ART AND SCIENCE
It’s hard not to love Penn & Teller. For decades their shows and commentaries have been hugely entertaining. As such I always take note when they are working on a new project and ensure I make a point of watching/reading it.
In this case they’ve created an impressive documentary about a friend who will go to extreme lengths to explore his passions and to try to prove a theory about how Johannes Vermeer was able to paint in a way that was unlike any of this contemporaries.
His theory is that Vermeer used optical devices of his own design to develop a unique process which was able to capture light to an extent never before seen, and that would rival many cameras that were still centuries away from invention.
To support his case Tim Jenison sets about building a similar device and recreating one of Vermeer’s most famous paintings in his own LA workshop.
What follows is the painstaking process over many months of Jenison trying to create his reproduction, and in doing so is able to reflect on the nature genius, obsession, and perhaps most interestingly, the false post-enlightenment divide between art and science.
And it is in this final point that the influence of, and relevance to, Penn & Teller’s work becomes most obvious.
Yet because of this connection I am unsurprised that several reviewers have questioned whether the whole film is a hoax. Personally, I doubt it. This is simply because Penn & Teller have traditionally been extremely open about when they are preforming a trick and when their are being honest. As such I don’t suffer from the same level of uncertainty which I would were this film made by someone like Derren Brown or David Blaine.
To sum up, Tim’s Vermeer is well worth a watch as it manages to be hugely entertaining despite the fact that for the majority you are genuinely watching paint dry.
NEW AND FULL REVIEWS: http://awelshmansblog.wordpress.com/2014/07/11/friday-film-review-no-2 8-tims-vermeer-2013/