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Was anyone else incredibly moved by the S4 finale opening sequence?


I thought it was incredibly powerful, given everything we have seen and learned about the brothers McGill over four seasons.
This sequence was a perfect encapsulation of their relationship. In detail after detail. Let's review my observations and then please ADD YOUR OWN:

1. The different natures of the brothers. Jimmy is comfortable around people, in social settings, drinking and having fun. Chuck is more awkward, sits off to side, straight-laced and anxious to get back to his home (his comfort zone).

2. Jimmy's worship of his big brother. He wants his pride and acceptance.

3. Chuck's envy of Jimmy's love-of-life, people skills and the love people have for him. He just doesn't exude the same energies as his little brother. As they sing karaoke, Chuck commandeers the microphone because he doesn't want to be outshined by his brother. We know that their mother never gave him the same love as she did Jimmy; and this "mommy issue" has festered since his formative years. HOWEVER...

4. Chuck loves and takes care of his little brother (relationships can be complicated). He wants to leave, but immediately changes his mind when Jimmy tells him he's going to sing on stage. He takes a drunk Jimmy home, removes his shoes, puts him in bed, gives him water. Then he decides to spend the night in case Jimmy needs it. He OFFERS to make breakfast in the morning. And then the two brothers enjoy singing themselves to sleep.

5. The choice of song. Almost every line in that song is a commentary on the brothers' relationship and a foreshadowing of Jimmy's story arc. And I mean pretty much every line. If you think about it, it also foreshadows (I believe) the relationship between Kim and Jimmy.

6. Symmetry. "People love symmetry(cality)," as Jimmy says. He drunkenly dreams of renaming the firm to HHMM, a more symmetrical (kind of) acronym. So let's look at two more examples of symmetry here. One, the name of the band who sings the "Winner takes it all" song. ABBA. A symmetric and palindromic name (and if you look at their logo, it is even more perfectly symmetric). The usual attention to detail by Gilligan and Co. make me suspect this is intentional. BUT MORE IMPORTANTLY... the episode is symmetric. It both begins and ends with Jimmy in front of a panel deciding on whether to license him to practice law. Both scenes involve Chuck helping him. In the first scene Chuck vouches for Jimmy. In the last scene, Chuck's letter (and the emotional fakery of not being able to read it) prove to be a posthumous influence by Chuck on the board. Only, tragically, in the first scene we see two brothers with love (warts and all) for one another and the promise of good things to come. The last scene is about a man who's falling out with his brother and the latter's death have broken his soul. Now they don't even share a name. He will go rogue, be a criminal (literally) attorney and we know there is no promise of good things to come. We know where this is going. Nowhere good.


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You wrote such a nice review and one I mostly agree with that I hate to say... um... no to your question. I'm not going to crap on the story telling how Chuck was presented in a more favorable light and as a regular guy in the cold open. He is presented as a "caring" big brother to his little brother Jimmy in a very creative way. There were times in their life that Chuck was good to Jimmy and showed genuine affection.

However, we know that it's not completely true when we saw what else Chuck did to him in Season 3. We also know that Jimmy wasn't good either although he was good with people and his parents liked him more than Chuck. What makes me not completely buy into the story telling is that we've seen it before. In one episode, we are led to believe that deep down Chuck is just as bad to Jimmy in being judgmental about his actions. The story telling is so clever that it can make you think one way one episode and the complete opposite in the next. It's not a consistent story arc and eventually it kind of falls apart.

Yet, what we see is bottom line, Chuck was right about Jimmy. Jimmy was deep down no good. Even Kim said the same thing about Jimmy in that she was "always" helping Jimmy get out of messes and that Jimmy was always "down." Season 4 finally led us to Jimmy become Saul Goodman, but it's hard to trust the story tellers if this is final and we won't see Jimmy again. For one, we are again led to believe that Kim and Jimmy are going to finally break up. The back and forth story telling made Season 4 not really resonate with me even though there were some top-notch episodes. The overall story arc left a lot to be desired as it see-sawed its way to its end-of-season conclusion.

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I was also thinking about what you brought up, regarding "it's hard to trust the story tellers if this is final and we won't see Jimmy again."
I know what you mean. Personally, though, if I had to guess, they might try and use the the present (or future) day story of his third incarnation as "Gene the Cinnabon Manager" to perhaps give him some redemption or at least a chance at it.


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In addition to the above, I'd like to bring up Ernie's karaoke song. If you listen to the words, it describes and foreshadows Werners fate:

Werner pines for his wife:
"every now and then I get a little bit lonely and you're never coming round
...
And I need you now tonight
And I need you more than ever
And if you only hold me tight
We'll be holding on forever
And we'll only be making it right
'Cause we'll never be wrong together
...
I really need you tonight"


Werner was an emotional wreck during the blasting episode, getting the shakes and losing it:
"Turnaround, every now and then I get a little bit nervous"
...
Turnaround, every now and then I get a little bit terrified
...
but every now and then I fall apart.
"


Werner talking to Mike and the moment he realizes he is going to die:
"And then I see the look in your eyes."


What Werner does to allow Mike to give him a clean death:
Turn around.


The stars above new mexico:
Bright eyes.


Werner's death and his zero options of getting out of it:
We can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
...
I'm always in the dark
...
Forever's gonna start tonight
...
And there's nothing I can do
A total eclipse of the heart
Once upon a time there was light in my life
But now there's only love in the dark
Nothing I can say
A total eclipse of the heart."


Bonus: Werner's job for Gus and Mike (and also the volatility of the whole situation):
"We're living in a powder keg and giving off sparks."


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When he's working in the cell phone store and refers a client to Hamlin, Hamlin, McGill and the guy asks "McGill, isn't that you?" and instead of saying his brother founded the firm Jimmy says it's just a coincidence, the melody from The winner takes it all is playing in the background.

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Nice catch!

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