Baby...


I read a review in which it states that Macbeth and his Lady bury their child early on in the movie, and that it's that inability to have children spurs his downward spiral. In the play being infertile played a part, but it was played down and only really came to light twice; once where Lady Macbeth mentions suckling a child and dashing its brains out, the other where Macbeth hears from the witches that Banquo will sire heirs. It wasn't the focus... does this addition ruin the movie and amazing insight into the torments of the mind?

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I fell in love with him the way you fall asleep: slowly, and then all at once.
-TFiOS

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Hmm, I don't think it ruined the movie. If anything I think it helped it to some extent. Certainly with regards to Lady Macbeth it definitely humanizes her a great deal more than any other version of the story I've seen. You might call it a simplification of their psychology, but I'd say it's a sort of modernizing rationalization.

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http://www.youtube.com/watch?v=0S2EI48Qa84&t=1m38s

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Their son's funeral is part of the opening montage and, if I remember correctly, Lady MacBeth returns to the site and sees his ghost as she's giving her final (and largest) speech of the film.

I think Macbeth and his wife's lack of children is important since it drives, among other things, Macbeth's jealousy of Banquo, so I don't think it's necessarily overdone. But since the film sidelines Lady Macbeth throughout, her character is more or less reduced this regret over her lack of children.

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I think it's hinted at in the original text. It's an interesting inclusion in this version.

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It's not the first adaptation to take this idea and run with it. Historically, the child that Lady Macbeth refers to in that speech is her son by her previous marriage, Luloch ("the Simple"), who actually succeeded Macbeth mac Findleach for a time as king.

But it's hard for directors to resist the temptation of playing up the "childless marriage" business, hinting that this barrenness is what causes Lady Macbeth to focus so much on political ambition, with little else to love in her life--only to realize that without a son to leave the throne to, it's not worth it anyway. It also gives a reason that she loses it after hearing about the slaughter of Macduff's family ("The Thane of Fife had a wife, where is she now?")...realizing that her actions have caused the deaths of children no different from her own.

And since the story of Macbeth belongs as much to legend as to history now, it's not such a big deal that they alter some of the history behind it.

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I think Macbeth and his wife's lack of children is important since it drives, among other things, Macbeth's jealousy of Banquo, so I don't think it's necessarily overdone. But since the film sidelines Lady Macbeth throughout, her character is more or less reduced this regret over her lack of children.
Hmmm, all of this is inferred by Shakespeare whose play makes paternity and what makes a man more important than childless couple driven to murder. Lady Macbeth in this film is an anaemic version of her dramatic self and Macbeth is as unsubtle as a brick.
A bird sings and the mountain's silence deepens.

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I have suckled a baby, and I know how sweet it is to love the baby at my breast. But even as the baby was smiling up at me, I would have plucked my nipple out of its mouth and smashed its brains out against a wall if I had sworn to do that the same way you have sworn to do this.


Lady Macbeth is often called the anti-mother. By asking the spirits to unsex her, she is killing the woman inside her in order to achieve her ambition. In this new 'version', every word she may say on the subject of children now clashes with the vision the writers have for her (a mother who never recovered from the loss of a child, sees him in her final moments of life and basically shows any signs of ambition in a couple scenes only).

It was like the writers thought they should give it extra 'depth' to the characters (and believe it or not, some critics backed them on this!) and it may have somehow been interesting if no one was really evil in this version, nor the mortal characters, nor the witches (looking at the dying Macbeth with sorrow).. no one. This way, no one's action really make sense, nor does the plot.

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if no one was really evil in this version
That's because the Weinsteins are the producers and this is intended for a mass (read dumb) audience. It would not be possible to have a woman plotting to murder children, denying her sex and wishing to make herself monstrous. Such things do not have in the unthinking world.
A bird sings and the mountain's silence deepens.

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