MovieChat Forums > Annihilation (2018) Discussion > Is Alex Garland a lackluster director?

Is Alex Garland a lackluster director?


I wasn't a big fan of Ex Machina, I went in expecting too much and it just wasn't for me, but something that really bothered me was the acting. It seemed too stiff, aphatetic, as if they were tired or reading direct from a script. Of course there were moments when emotions showed, but they were brief and well, lacking. The "fight" scene was a bit awkward too, and I couldn't put my finger on why exactly until I watched Annihilation.

Here the problem with the stiff acting happens again. I brushed it aside as a first timer mistake in Ex Machina, but in his second movie, and with a larger cast, the problem persists, and it shows. I could kinda get it in the first movie, since the characters weren't really the relevant part of it, but Annihilation is way more character driven, so the fact that those very human personalities were put into actors who looked like walking potato sacks felt awkward thoroughly. While it might be intentional (the most emotional of the bunch was the junkie, for obvious reasons), I wonder if it was a good idea. At the beginning where Portman is at class it looks more like an student making a presentation while reading off a paper than a teacher.

And yeah, the reason I found the fight scene in Ex Machina awkward shows in Annihilation with that last scene. This seems to be an unpopular opinion among fans of the movie (yeah, I liked it, don't get me wrong) but that scene didn't really do anything for me. The whole concept was impressive, but the conceptual dancing plus the lack of emotions of the scene made it uninteresting and, well, boring to watch.

And I mean, I don't have any problem with slow scenes attempting to create some kind of, uh, visual poetry. I like Tarkovsky, Werckmeister Harmonies is one of my favourite movies, but I think Garland just don't have it in him to control these kind of scenes.

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Totally agree. Weird stiffness all around. His direction is not (yet) flowing well. "Like walking potato sacks felt awkward thoroughly," sums up quite nicely lol.

Give him time. He's cultivating his "style." May not for everyone, but has potential nevertheless. He's not ready for AAA sci-fi yet, but a couple of smaller films with smaller name quality actors like Ex Machina would be fine.

I think about on par with Neill Blomkamp.

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I didn't hate my time with the movie but it's also something I won't be returning to. And I do think it's the direction/acting. It wasn't terrible, but it could use a jolt of more creativity in the shot selection and more vitality and believability in the acting.

I get that many characters are listless due to either the Shimmer or humanity at a crisis point, but the entire film did feel like rather stiff. I'm all for slow scenes and few words if there is a lot of internalized acting and subtext going on underneath the surface. Just recently saw Moonlight (a budget of only $1.5 million) and there are scenes that will live with me forever.

So I don't think Alex Garland is suffering from a small, restrictive budget (I believe Annihilation's budget was around $40 million) when foreign films made for nothing have much better acting. Alex Garland could probably spend more time with the actors and try to bring out even better performances next time.

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It’s his second film and the impression I get is that Garland is uncomfortable with being hands-on with actors.

Thus, the actors who instinctively grasp the material look great but other actors who could use more direction (like Natalie Portman) look lost.

“Annihilation” was a complete mish-mash of acting styles.

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No, Garland isn't a lackluster director----that is simply his style---which seems to be more low-key, quiet, and observant, instead of the usual Hollywood style big dramatic over-the-top action packed thriller stuff. That's what makes his films so interesting.

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No.

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Garlands films are fine performance wise, quite good even, I'm not seeing what you're seeing.

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Alex is great as was Annihilation!

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