I guess what's happening here is you're making distinctions I don't believe in. The idea that there's an 'artful' way to handle something and then what I imagine you perceive to be the more corny 'Star Trek" kind of way. (For the record, I don't even believe the word 'art' has any sort of positive connotation to it. Art is merely a thing that be both good OR bad. I don't believe directing something "artfully" makes it better art than something done in a more standard way.)
I also don't believe either approach needs to be distinct, and that they can easily overlap. Annihilation plays out like a very straightforward horror story, that stuff is easy to film. The more abstract moments can then be relayed through editing techniques. Overlapping footage, filters, unique camera angles and perspectives, there are a lot of ways to portray things on screen that are meant to be hard to comprehend. Filmmakers have been been making abstract and experimental films since the medium was invented, and mainstream filmmakers have borrowed those same techniques, especially when it comes to horror films like this one. (Speaking of that, I find the Star Trek comparison kind of off. People are obsessed with viewing this series as sci-fi when it's clearly a horror/sci-fi hybrid, with a STRONG emphasis on the cosmic horror. I think people wanting a sci-fi experience will be disappointed by the film, just like they were with the book's sequels.)
And if you want to talk about them "wasting" the novel, Garland has already confirmed some unfortunate creative choices. My enthusiasm for this film has waned the more I read about it. It's going to be a loose adaptation.
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