New replaces old. But does it really?
This is clearly a well-polished modern Disney entertainment product. It's nice. Casting, acting, directing, special effects story, even the villain -- are all . . . nice. It is a well-chewed, not-a-lot-to-think-about, desert-like, modern offering. There's not a lot of work needed to digest it.
But the original was so much more. It was a well-balanced multi-course meal with humor, morals, life-lessons; and left a lot of life-significant-lessons to talk about afterwards with the kids. It was liberally seasoned with lessons like the true nature of friendship and love; commitment to another and hope defeating despair; finding joy in everyday tasks; tolerance and consideration of others; the difference between loving someone and just using them. Plus there was this wonderful motif of Elliot's "noble purpose" -- to help a kid in trouble then fly off to help another. (The modern movie just "ends", with no nobility in Elliot, no continuation of the mission. Elliot retires, gets a mortgage).
They've abandoned so many of the things that gave the original an "automatic audience" 39 years after-the-fact. What endearing appeal with this new offering have that will draw audiences back to it in 2055? Has Disney studios perhaps betrayed the legacy of Walt? What critics back in 1977 called "a marginal success" still had incredible staying-power, because it seemed Walt was interested in far far more than just puerile entertainment that socked in the bucks. Even his "ho-hum" successes sought to leave the audience with far more than just a fuzzy green feeling.
Your thoughts?