Wanted to like, but couldn't
The only takeaway I got from this film was that the milquetoast husband and his kvetching wife should never have married! It was painful to watch them together. It was boring to watch the interaction between the husband and his ex-girlfriend, Robyn. All the dialogue and a brief, pathetic sexual encounter led to nothing being resolved. The introduction of Robyn's estranged husband was pointless. He reminded me of the overly aggressive runt chickenhawk in the Bugs Bunny cartoons. The French/French Canadian mom and son were equally unimportant other than titillating everyone with an inferred lesbian encounter between the cougar and milquetoast's wife, Sue.
The blonde, female coworker and her boyfriend and their banter were the only times I felt the urge to chuckle.
The meeting between milquetoast and Sue, presumably after they divorce, is truly cringeworthy. Who does this? Why subject oneself to the torture of meeting an ex-wife for a coffee? To reinforce what douchey characters they both are? What was the purpose of the flashbacks at the very end? To remind us of how painful it was to be married to Sue? The last words spoken in the film were of a flashback to a dinner table scene earlier in the film where she tells milquetoast to *beep* himself. Or was that directed at the audience?
I've not seen many art-house films, so perhaps the symbolism was lost on me. I just couldn't make myself like this movie, despite a interesting premise.