The Beatles weren't that good a live act


Sure, they were sonically innovative in the studio and wrote some classic songs, but beneath the screaming girls and hype the playing was fairly stiff and unimaginative - the harmonies hit their mark, George got through his Carl Perkins-style solos, that's about it.

Live they were absolutely smoked by the Stones, the Who, the Band, the Hendrix Experience, Zep, and any number of bands (the arthritic rehearsals during the Let It Be sessions show how ordinary they truly were without tons of studio effects and overdubbing). I guess this will be a nice period piece for those who went to the actual shows (my mom sat a few seats down from Bob Dylan at the Beatles 1964 Carnegie Hall concert), but it shouldn't confuse musical phenomena with actual playing ability.

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The Beatles made their name with their live act in Liverpool and Berlin, with raw performances and unsophisticated music. They were trailblazers. To break into the big time they had to drop the leather gear and be less basic, but their music was so original and so good it didn't need to be overshadowed by overperformance. They paved the way for the Stones and others to build on the beach head they created in popular culture, in both live and studio work. It's been said "The Beatles didn't ride the 60's bus, they WERE the bus". I'm going to assume you're too young to have been there and that you haven't researched a thing, particularly in time context.

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The songs weren't so amazing that they coast on middle-of-the-road playing, though they did, thanks to the screaming chicks, and actually, other than start the British Invasion and innovate backwards tape loops, they rode the '60s bus pretty hard, following every 60's trend going: The deeper songwriting and folk music of Dylan with Rubber Soul, the psychedelic scene of San Francisco with Sgt. Pepper, the heavier guitar sound of Hendrix and the Who with the heavier songs on the White Album, and the back-to-roots movement of The Band's Big Pink album with their Get Back/Let It Be sessions (which themselves were imitative of the Stones live Rock N' Roll Circus special a month earlier in Dec. '68).
By the end they were lifting the Who's Rock Opera style of stitching together unrelated pieces of music with their grand medley on Abbey Road, lifting the entire sound of Fleetwood Mac's Albatross for Sun King, and getting into legal trouble lifting Chuck Berry's "Here come old flat-top/he come groovin' up with me/slowly" on Come Together. I've read more Beatles books than you can count, and know the band's history backwards and forwards. Sorry 😛

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You may have read, but you didn't comprehend. You have no idea of the time and situational context of practically everything you've said. For that matter, your attempt at musical context is all over the place as well. Plus you've chosen to list a few unsubstantiated and unsupported rumours and lies - more ignorance of the facts and the reality. I'm obviously wasting my time trying to educate you, so I've chosen to delete what I originally drafted to try to help you out.

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I agree bpayne, Binkconn has got things wrong all over the place.

If it wasn't for the Beatles inspiring everybody else with everything from music to non-conformist hairstyles, nothing would have occurred the way it did, nothing.

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The Beatles were hampered by screaming, sometimes violent crowds and the limited technology of the era. They often noted that they often couldn't hear each other playing. They were the best band we will ever see. Studio, road, rooftop....the best.

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So The Beatles were a rather pedestrian live band according to Binkconn. Perhaps you might wish to consult with members of the audiences at the Cavern Club and the various clubs they played in Hamburg. These gigs were devoid of the constant screaming of Beatlemania. Out of all the groups that were playing in the UK at that time, The Beatles conquered America first. The only competition in the beginning here in the States was the DC5, an underestimated group since Mike Smith possessed a fabulous rock and roll voice as did both John Lennon and Paul McCartney. Dave Clark's band was finally inducted into the R&RHOF but not before Smith had passed.

The first Stones tour of America was a dud. They drew a crowd on the coasts but they played many a half-filled venue and this was with Brian Jones, the most talented musician in the group by far. At least they did the T.A.M.I. show and a recording session at Chess. I saw them in '65, girls screamed but not to the point they overshadowed the music. I very much enjoyed the 60's R&B Stones but all they have been for years are parodies of their former selves combing the planet for additional pounds sterling.

The Who's first U.S. tour was even worse. I've seen them many times but you are comparing concerts using late Sixties and early 70's technology to what The Beatles had to contend with in the mid-Sixties. This statement applies to Zep as well. Not a really fair comparison is it?

Jimi had the talent, Chandler knew how to promote him and he exploded onto the American music scene at Monterey during the Summer of Love. I saw him after "Experienced" was released in the acoustically perfect Chicago Opera House and yeah, he was exciting. Saw the Beatles as well in '66 at Busch Stadium in St. Louis. Impossible to compare the two gigs. The Beatles show was a spectacle, the music secondary to the fact that they were physically there in the same place as you were. They could not give a high quality concert in that venue just as they couldn't at Shea.

Why mention The Band when Bob Dylan, along with John Lennon, Brian Jones and Jimi Hendrix are in the Pantheon of Rock and Roll Gods. He is the poet of our generation. Have never seen him live but have all his best SACD's. Of course Lennon and McCartney pinched stuff from him as well as other artists whose music they enjoyed. If you haven't heard, most songwriters do this.

Do you really think the Let It Be sessions are relevant as to how good a group the Beatles were live during their prime? Check out the new CD, "Live At The Hollywood Bowl", it just might surprise you and these concerts were performed with no stage monitors, recorded using primitive three-track decks, of course no Beatle is wearing headphones, and all above the din of thousands of hysterically screaming girls.

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I did mention Dylan, in how the Beatles followed his deeper songwriting with Rubber Soul on.

The Beatles conquered America first because they cleaned up their image, wore cute matching suits, big smiles, and played toothless fluffy pop songs for the whole family. The Stones weren't as popular because they played dark, edgy blues songs by 'colored people' that were threatening to every mom, pop, and granny in the suburbs the way the Beatles weren't. Thrown out of hotels, already facing court charges, they are the template for modern rock, not Lennon and the Chipmunks.

Even Pete Townshend, in a '66 clip from "The Kids Are Alright" documentary, relates how ordinary the Beatles were live. "I listened to one of their albums and turned down the vocals so you could hear only the backing, and it was flippin' awful." The timing of the Kennedy assassination made it the perfect time for a group of smiling British Perry Comos with electric guitars to take America out of its doldrums, but again that shouldn't be confused with masterful musicianship. Ron Howard just wants to recount one 'the girls were screaming so loud it was crazy' story after another. Whatever.

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Refer to my last post. Go away.

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Wow you figured it all out!

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The Beatles conquered America first because they cleaned up their image, wore cute matching suits, big smiles, and played toothless fluffy pop songs for the whole family. The Stones weren't as popular because they played dark, edgy blues songs by 'colored people' that were threatening to every mom, pop, and granny in the suburbs the way the Beatles weren't. Thrown out of hotels, already facing court charges, they are the template for modern rock, not Lennon and the Chipmunks.


The Rolling Stones will always be The Beatles' jealous baby brothers. The Stones could not accomplish in something like 53 years all that The Beatles did in a mere 7 .

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You are welcome to your opinion -- just make sure that you realize that your opinion goes against the judgment of just about ever single music journalist of the time. The main problem with seeing a Beatle's performance had very little to do with The Beatles themselves, who were consummate professionals. but with the sheer volume of noise generated by their enthusiastic fans.

Another issue was that they were experimenting with a lot of different things in their music, some of which could not be reproduced easily on stage -- and by the way, they weren't the only ones that have encountered similar problems. Some of their songs could not be performed live, for that reason.

I'm not going to get into an argument about who was the best live band. And maybe Jimi Hendrix, had he lived, would have outshone the Beatles -- I doubt it, but ok, when playing What If, you can pick and choose your alternate history as you wish. And I know that some people prefer the Stones -- I won't argue with that either. They are both great. But in the years that the Beatles were active, they simply dominated rock and roll. Everyone is going to have their favorite band, and it's ok if yours isn't the Beatles. Just don't try to rewrite history. Just look at the albums -- Rubber Soul, Revolver, Sgt Pepper, Abbey Road, were all Genius. Every song on each of those albums were genius. Most bands are lucky to have one pure, solid, absolutely perfect album. There's 4. No one else has done that.

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Yes, they dominated it, but as a cultural phenomenon, not as straight, live musicians. And no, not every track on those albums is genius; some - What Goes On, Run For Your Life, Within Without You, Maxwell's Silver Hammer, She's So Heavy - were actually mediocre or quite tedious, when not soullessly overproduced like much of Revolver was.

Again, the echo chamber of hype surrounding the band just blown completely out of proportion by Boomer critics and their fans compared to the actual thing - a clever skiffle group that slapped together the songwriting, band set-up (and many recording innovations) of Buddy Holly and the harmonies of the Everly Brothers, had a genius producer to introduce them to strings and develop the studio ideas they had on their own, and followed the songwriting/folk/rock trends of the '60s until they collapsed beneath Yoko and Allen Klein. Strip the hype, look at the reality.

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Beatles Critics:


Binkconn "a clever skiffle group..........."

Rolling Stone Magazine 100 Greatest Artists 1. The Beatles

by Elvis Costello


"I first heard of the Beatles when I was nine years old. I spent most of my holidays on Merseyside then, and a local girl gave me a bad publicity shot of them with their names scrawled on the back. This was 1962 or'63, before they came to America. The photo was badly lit, and they didn't quite have their look down; Ringo had his hair slightly swept back, as if he wasn't quite sold on the Beatles haircut yet. I didn't care; they were the band for me. The funny thing is that parents and all their friends from Liverpool were also curious and proud about this local group. Prior to that, the people in show business from the north of England had all been comedians. Come to think of it, the Beatles recorded for Parlophone, which was known as a comedy label.

I was exactly the right age to be hit by them full on. My experience — seizing on every picture, saving money for singles and EP's, catching them on a local news show — was repeated over and over again around the world. It was the first time anything like this had happened on this scale. But it wasn't just about the numbers.

Every record was a shock when it came out. Compared to rabid R&B evangelists like the Rolling Stones, the Beatles arrived sounding like nothing else. They had already absorbed Buddy Holly, the Everly Brothers and Chuck Berry, but they were also writing their own songs. They made writing your own material expected, rather than exceptional.

John Lennon and Paul McCartney were exceptional songwriters; McCartney was, and is, a truly virtuoso musician; George Harrison wasn't the kind of guitar player who tore off wild, unpredictable solos, but you can sing the melodies of nearly all of his breaks. Most important, they always fit right into the arrangement. Ringo Starr played the drums with an incredibly unique feel that nobody can really copy, although many fine drummers have tried and failed. Most of all, John and Paul were fantastic singers.

Lennon, McCartney and Harrison had stunningly high standards as writers. Imagine releasing a song like "Ask Me Why" or "Things We Said Today" as a B side. These records were events, and not just advance notice of an album release.

Then they started to really grow up. They went from simple love lyrics to adult stories like "Norwegian Wood," which spoke of the sour side of love, and on to bigger ideas than you would expect to find in catchy pop lyrics.

They were pretty much the first group to mess with the aural perspective of their recordings and have it be more than just a gimmick. Before the Beatles, you had guys in lab coats doing recording experiments in the Fifties, but you didn't have rockers deliberately putting things out of balance, like a quiet vocal in front of a loud track on "Strawberry Fields Forever." You can't exaggerate the license that this gave to everyone from Motown to Jimi Hendrix.

My absolute favorite albums are Rubber Soul and Revolver. When you picked up Revolver, you knew it was something different. Heck, they are wearing sunglasses indoors in the picture on the back of the cover and not even looking at the camera ... and the music was so strange and yet so vivid. If I had to pick a favorite song from those albums, it would be "And Your Bird Can Sing" ... no, "Girl" ... no, "For No One" ... and so on, and so on....

Their breakup album, Let It Be, contains songs both gorgeous and jagged. I remember going to Leicester Square and seeing the film of Let It Be in 1970. I left with a melancholy feeling.

The word "Beatlesque" has been in the dictionary for a while now. I can hear them in the Prince album Around the World in a Day; in Ron Sexsmith's tunes; in Harry Nilsson's melodies. You can hear that Kurt Cobain listened to the Beatles and mixed them in with punk and metal.

I've co-written some songs with Paul McCartney and performed with him in concert on a few occasions. During one rehearsal, I was singing harmony on a Ricky Nelson song, and Paul called out the next tune: "All My Loving." I said, "Do you want me to take the harmony line the second time round?" And he said, "Yeah, give it a try." I'd only had 35 years to learn the part. It was a very poignant performance, witnessed only by the crew and other artists on the bill.

At the show, it was very different. The second he sang the opening lines — "Close your eyes, and I'll kiss you" — the crowd's reaction was so intense that it all but drowned the song out. It was very thrilling but also rather disconcerting. Perhaps I understood in that moment one of the reasons why the Beatles had to stop performing. The songs weren't theirs anymore. They were everybody's."


Binkconn bonafides............?


Elvis Costello bonafides.......

"He has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male Singer. In 2003, Costello and the Attractions were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time." Wiki

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In other news... Einstein was a complete chancer, Mozart stole all his best tunes and Michelangelo couldn't even colour in pictures without going over the lines.

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Comparing the 'boyband who discovered Dylan and drugs' to those three is a wild overestimation of the Beatles skills. Like the time John said "we're as good as Beethoven!" Sure, John, now go work on that sound collage with Yoko....

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Right, the usual lemming best-of lists. Plenty of others including Ronnie Spector that say the Stones were far more exciting stage performers than the Beatles, that their white-bread chipmunk harmonies weren't the definition of rock, and their music became horrible lite-fm muzak and their live skills were ordinary (longtime Rolling Stone contributor Ed Ward and Uncut writer Ray Lewis in Uncut's latest Beatles special, to name two). But Jann Wenner has to have his lips wrapped around Lennon's crank for eternity, so they get the knee-jerk worshipful, 'greatest thing since air' praise.

And Elvis Costello hasn't done anything relevant in over thirty years. End of story.

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Not only are you an idiot, you are obviously a deeply disturbed one.

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Intelligent response to a valid, hyperbole-stripped argument.

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You came on the board strictly to troll Beatles fans with your comments. Only a disturbed immature individual would do that. You compare The Beatles live performance with performances that aren't comparable. Only an idiot would do that. The facts speak for themselves. It must suck to be you.

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"white-bread chipmunk harmonies". Those singles are meant to be played at 45 RPM not 78. Adjust your turntable and a whole new vista will open up for you.

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Yeah, right, as if their harmonies sound ballsy and tough at normal speed on Please Please Me, Thank You Girl, Love Me Do, etc.

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"the usual lemming"
"white-bread chipmunk harmonies"
"horrible lite-fm muzak"
"lips wrapped around Lennon's crank"

Is this What you consider a valid, hyperbole-free answer?
.
you have just revealed yourself as at troll, a pure unadultered troll.
Just give it up, every further sentence coming from you will just cement
your position as a bad-tempered ignorant teenager.

"I have read a lot of Beatles books"

books will only get you so far kid. now go to bed.





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You really need to read up on your Beatle history regarding their early touring days.

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Since The Beatles invented Stadium Rock concerts they were at a tremendous disadvantage...THEY HAD NO STAGE MONITORS!! I'm thinking they were the first rock group to even attempt to play for 30,000 people. Stage monitors weren't even a thing then. They had been used in a few smaller venues by acts like Judy Garland and others, but never at a stadium concert...UNTIL their Atlanta concert, when a local sound company (Baker Audio) provided monitors and a monster P.A. system for the first time on their tour. You can even hear Paul comment on the sound a couple of songs in ("It's loud, isn't it. Great!") Lennon also comments a couple songs later. Just before "Baby's in Black" somebody can be heard saying "What a show!" I believe they asked the sound guy (Duke Mewborn) to finish the tour with them. He apparently had no interest in being on the road.

It's a lot different than playing in a club or even a theater. And when you have a theater full of a thousand people, or a stadium with 20 or 30 thousand people, all screaming at the top of their lungs you wouldn't hear a thing if you had the stage speakers more than a foot away from you. (Listen to their performance for TV shows or theater concerts and it's quite a bit different.)

During their tours they probably gave up trying to display their playing ability...they were there to do their 20 minutes or so and get out alive. (I've wondered where and when they got a chance to rehearse their live show.)

None of those bands you mentioned, Binkconn, had to deal with that kind of crap...for a reason. They weren't The Beatles.

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[deleted]

File the OP's post under "I haven't got the time to destroy you in an anonymous forum that requires too much time on my part and for little gain." However, I will humor the young, dumb, and full of cum troll a bit.

First, the obvious. The Beatles were the REASON that you have ever HEARD of the Stones or The Who, two excellent bands with very easy backing harmonies compared to the Beatles, and whose early songs were much easier to perform live because there was very little singing and playing of instruments simultaneously and each of these bands had one true lead singer who truly carried the vocal part of the show and played tambourine or maracas, nothing more. And admittedly, even THAT can be challenging rhythmically, so hats off to Jagger and Daltrey. I'm in a band that does a lot of simple and complex vocal harmonies and I can tell you that it is an entirely different thing to play and sing complex harmony at the same time. That is why there are so many 3 and 4-chord blues bands around with one singer, maybe one backup if they are lucky. Take a look at the Beach Boys 1964 concert at the Santa Monica Civic Auditorium and you will truly see the greatest live band of the time. It's on YouTube, I'm sure. Now THAT is skill, only topped by the Four Freshmen, Brian Wilson's main vocal influence. They were not R&R, though. They sang and played instruments live, all four of them, and the harmonies are beyond even the Beach Boys in difficulty. Give the Beatles Live at the Hollywood Bowl a listen and remember that they could not even hear themselves play and sing, yet Ringo kept a steady beat and the harmonies and singing were first rate. Oh, I'm already bored. Someone else take over for me.

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Someone once mentioned that the technology we take for granted in big stadium rock touring came into being about 20 minutes after the Beatles gave up live gigs.

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Yes also I think the comparisons are mostly with the Stones and Who in the late 60s early 70s when live concert performances really evolved

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You seem to be pretty ignorant about playing ability. I make my living playing music. Guess how many professionals share the opinion of your amateur ear and lack of music knowledge? Can't stand when the "know-it-all" online tries to talk as if he's the expert at something that he doesn't have a clue about...

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Not gonna read through all these replies but to respond to the original thread. I won't say The Beatles weren't a good live act so much as the big-sound stadium technology didn't exist yet. Today we have all this state-of-the-art sound equipment that can play audio over crowds of tens of thousands of people. If they had access to even half the audio technology we have today, they probably would have put on stellar live performances.

If you seen Paul McCartney place live as well (which I have) you will learn the man is a musical legend and can actually put on a great show. Sure, he got 60~ years of experience under his belt now versus his years in music as a Beatle in the 60's. But I think all four of the Beatles were perfectly competent musicians who could play music like no other during their time. I think it's rough to call them not a good live act.

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Also, by the time The Beatles hit the shores of America in 1964, they had played live so many times in England and Germany that they knew their songs extremely well. This is one of the reasons that when they recorded their first LP, they were able to do it in one marathon session with few retakes. They were simply recording the best of their live act.

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The OP I a contrarian. Lots of that going around lately.

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Guess how many professionals share the opinion of your amateur ear and lack of music knowledge?

Some dude named Keith Richards, I don't know if you heard of him http://www.nme.com/news/music/keith-richards-2-1202722

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