Maybe they paid the union actors what they're entitled to. And as you said, that's a completely unverified number. I know other filmmakers who do make interesting, cool movies with other talented people for less money (and I've worked on one or two), but sometimes it is pretty obvious that there wasn't enough money. In Arizona and other right-to-work states, it's easier. Where permits and insurance are costly, it's difficult.
Bad sound is something I find especially annoying -- as a longtime stagehand, seat-of-the-pants sound designer, and theater director and performer, I know that expertise and technology exist to do it right. I haven't seen A Talking Cat yet but it's coming to Phoenix for a one-day "fun" engagement with a comedian host and a costume contest, I get to write about it for part of my living, so I'm here to glean what I can . . . thanks for starting an interesting conversation.
Edited to add: In the old days (i.e., when there were more people in the upper middle class, not just struggling people and billionaires), people needed "tax shelters" -- side businesses that appear to just eat money. I never knew exactly how it worked, but I'd rather share my giant "boxer briefs horror" film income with my fellow film artists that pay more of it to the IRS than is legally necessary.
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