SPOILERS: season 1 finale problem
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(you've been warned)
I'm a fan of both Don McKellar and Kim Cattrall, and I adored this strange and lovely show—until the last episode.
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(last warning)
...but it made zero sense to me that Davina (Kim Cattrall) would hook back up with the gross piano-teacher guy, particularly after he called her "Mummy" during their last clinch. His older-woman/mother fetish was fabulously skeeve-worthy, so I found it baffling that she would then choose him for her marriage-destroying affair. What about the pompous writer guy from the swingset in the park? Or anyone else, really? So, that was an odd note for me.
And when they killed off Davina's husband Al (Don McKellar)—or at least seemed to—in the very last moments of the episode, I felt betrayed. I get how it looks like a strong plot choice (will force Davina to deal with consequences of her actions, appreciate what she lost by dumping this interesting man, then push her to explore other avenues/adventures in her midlife crisis, etc.), but I feel the same result could have been accomplished without also losing such a great character. Why not keep Al alive (it's no biggie to come back from a flatline; just push 50 of epi, as anyone with even a passing familiarity with the standard medical procedural knows), have him flip it and reverse it by dumping her once he regains consciousness, and continue on being so wonderful and surreal and beautifully vulnerable in a guest-star/parallel storyline of The Ex? (e.g., imagine him and the quack doctor doing more energy healing; imagine him and Davina's sister having the unsexiest of revenge affairs; imagine him and the son doing/discussing [anything]..)
****NEW SPOILER: This one's about Kingsman: The Secret Service. If you haven't seen it, skip the spoiler block. If you have, I feel your pain. (And it's safe to hover over the redacted part and unblock.)
It's not often that I get angry with filmmakers/tv makers/dreambreakers for killing off a character (although, whoever in Kingsman: The Secret Service thought it was a good idea to kill off Colin Firth's character? And in such a blink-and-you-miss-it cavalier way? Seriously.), but I felt like I'd been kicked in the chest when Al flatlined. And not in a good "wow, this is so intense and powerful" way. In a you've-got-to-be-kidding-me way. (Also, it threw off the tone for me, too. The show went from awkwardly funny/close-to-the-bone uncomfortable to horror film in zero to sixty.)
I realize this is primarily Davina's story (and that the entire thing is based on a preexisting show), but I'm hoping there's still time for the showrunners to realize they don't have to remain beholden to the original concept and that Al and his story became pretty damn interesting, too. Can't we all just get along?