The Green Inferno had miserable cinematography and the cinematographer previously shot Aftershock, which was truly amateur quality. The DP and Roth collaborated again on Knock Knock, which for the most part was competently shot, with only a few shots falling apart in low light and looking like crummy video. It's a damn shame that Roth captured what must have been a grueling shoot deep in the amazon with such amateurish results -- there's plenty of decent digital cameras that would have produced better results, but he cheapened the beautiful environment with the crappy Cannon C300. Roth made Cabin Fever for peanuts and the film looks fantastic, the Hostel films are very classy looking movies (regardless of what you think of the films themselves) made for about what he shot The Green Inferno for. This was barely broadcast quality and certainly not big screen quality.
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victor-p-c
8 years ago
The Green Inferno had miserable cinematography and the cinematographer previously shot Aftershock, which was truly amateur quality. The DP and Roth collaborated again on Knock Knock, which for the most part was competently shot, with only a few shots falling apart in low light and looking like crummy video. It's a damn shame that Roth captured what must have been a grueling shoot deep in the amazon with such amateurish results -- there's plenty of decent digital cameras that would have produced better results, but he cheapened the beautiful environment with the crappy Cannon C300. Roth made Cabin Fever for peanuts and the film looks fantastic, the Hostel films are very classy looking movies (regardless of what you think of the films themselves) made for about what he shot The Green Inferno for. This was barely broadcast quality and certainly not big screen quality.
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Behind every great man is a woman rolling her eyes.
Jim Carrey
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