Anyone remember Go! ?


Go! was the first movie in which I saw Sarah Polley. It was one of the earlier multiple thread genre movies and is always fun to watch again.

(At least) three people stood out in that movie:
Katie Holmes
Timothy Olyphant
Sarah Polley

And they've proven, over time, why they caught our eye.

Katie Holmes is cute, and a fine actress and all, though, to me, she stands out as someone who had the guts and intelligence (common sense?) to walk away from a scientology relationship.

Timothy Olyphant. Well, all I need say is "Deadwood" and "Justified." Girls like him. Guys want to be him.

And Sarah Polley. That expressive face in Go! (for those of us who saw her for the first time therein) gave little indication of the multi-talented creativity within. You can't NOT be affected by "Away From Her." And "Stories We Tell" is, in a non-fictional way, another directing effort that makes us look at facets of our own lives. And maybe question what we've heard or how we've described things ourselves.

(May be spoilers below.)
I'm not naive, but it was very late in the movie before I questioned how many home movies the Polley family must have taken. Not to mention the assorted outside witnesses who all seemed to have 8mm cameras handy for visual scenes to match the dialogue. Upon reflection, it was clear that actors must have been used.

However, to me, it was a clear indication that I was wrapped up in the stories told instead of the mechanics of the cinema re-telling. I think the merging of real life with reel life (faux and real) to advance the story was extraordinary because of its subtlety. Without the seemingly real family footage, we'd be left with an audio book.

Had no clue what this movie was whcn I saw it on the RedBox kiosk. But when I saw that Sarah Polley created it, I had no hesitation in clicking "Rent Me." This movie will continue that automatic impulse to see whatever she has a hand in.

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I had read a few reactions to this documentary prior to watching it.

Mention had been made of the fortunate nature of having all those home videos still existing and, at a certain point while watching the documentary, I realized that not all of the home videos were true ("true" in the sense that actors had been paid to create a particular impression).

However, I felt that this choice of hers (to employ actor and "create" home videos) reflected artistically something of what Ms. Polley wanted to communicate thematically; for example, I felt it facilitated a sort of critical response to what is presented as history (critical of what we see but also what we hear) and how that critical capacity can open ourselves to something more.

http://mymusingsonfilm.wordpress.com/2013/09/14/stories-we-tell/

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Isn't she great in GO? And SWEET HEREAFTER? And EXOTICA? etc... She's been in far fewer films than I realized, but because she makes such a huge impression in each one, I always assumed she'd had a huge acting career.

I'm just happy to see her in anything, as she is almost invariably wonderful. She's always got this combination of innocence and cynicism in her work that makes her fascinating. Her directing work radiates a similar attitude. I'm looking forward to more from Polley on both fronts.

The war is not meant to be won... it is meant to be continuous.

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Yes, I loved "Go!". But at the time, I think I was thinking, "Oh... this has that girl from Baron Munchausen!"

This film, I mean, I think it's like... the full circle has come full circle. Many, many, many of the choices she makes are above simple filmmaking, they are like genius, layers on layers, you go back and think "oh. oh... thats... oh. oh my". She saying something, then she's saying something on top of that something. And she is dead on correct.

Film itself is as inexact as people's memories, and as a viewer you are in this wash of the middle of stories.

And most of all, Comedy is always waiting in the wings.

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Loved her in Go but my fave Sarah Polley movie is My Life Without Me. I could watch it whenever it is on!

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