MovieChat Forums > La grande bellezza (2014) Discussion > Does the Stripper Die, How?

Does the Stripper Die, How?


Good Movie.

Does the Stripper Die, How?

All one hears is someone offering their condolences to her father.

Was it an Drug O.D.?

How is the viewer suppose to assume this?

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From what I got from it, she died of some debilitating illness. She said she spends all of her money on "curing" herself. This may be some type of underground drug that cures her or something along the lines of chemotherapy although she wouldn't look as good as she did if she was on it.

At first I thought "curing" meant some type of plastic surgery since the film is mostly about the internal struggle of aging and clashing against it throughout the last half of one's life. However, we then are told that she past away, signifying that "cure" was literal and not figuratively coinciding with the thesis of the film.

I don't think it had anything to do with illicit drugs since her father mentioned earlier that she does not care for them otherwise "They would actually have something in common."

Let me know if this helps

Best,
Lucas M.

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May I help? There are no doubts in Italian: "spendo tutti i miei soldi per curarmi" means she spends all her money on curing herself, chemo probably.


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E'sempre nuda o mezza nuda e di sicuro non è chemio. Io avevo pensato che parlasse di un problema psicologico e che si fosse suicidata ma non sembra nemmeno quello...

'What has been affirmed without proof can also be denied without proof.' (Euclid)

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Qualcuno ha parlato di un problema cardiaco che potrebbe spiegare la morte subitanea e la soluzione mi piace, anche per come appare in scena. Meglio tornare all'inglese, perché temo non apprezzino l'uso di altre lingue! saluti, è sempre bello poter scambiare un'idea in italiano

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Maybe not! Curing could mean ending a terrestial torment. The cure would be something that would just end up killing her at an early age-powerful sedatives most likely.

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AIDS- it explains why she is a "sophisticated stripper" now and leaves the sex to the Poles (and why her father is concerned about where her money goes of all things!), as well as why she and Jeb don't make love, but spend the night loving.
Perhaps she chooses to end her life after experiencing all Jeb offers her: the society, art, beauty, and even depth, instead of going back to her squalid life and fighting a debilitating disease that is a death sentence, but suicide is not particularly obvious, nor is the time-frame of her death.
Also, with Dallas Buyers Club coming out in 2013 too, showing sex workers spending all their money to cure themselves, it seems to be a current theme.
I was confused by the promised showing of the "Sea Monster" however. Any ideas?

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In Italy AIDS drugs are passed by the state, one doesn't need to spend a lot of money to get them, the state does.

BAD CGI RUINS MOVIES!!!

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Yeah, but if it's provided by the State, it's probably very ineffective and doesn't really do anything to help you. You would probably need to spend even more money to get appropriate drugs smuggled in from America to harness the power of the free market.

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Are you joking? Please tell me that's a joke. Please tell you don't actually believe that.

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I will say I am pretty certain this person is NOT joking. One political party here in the US has convinced its people that all things government from the state are bad, terrible, awful etc. Which makes little to no sense ... as they themselves are politicians benefiting from the state; but their main priority is to convince people "the state" is bad so that they will instead embrace their crony friends who own businesses offering up the same thing. They want to make money off of people instead.

Why offer up something free when they can make money off of it?

These people are delusional and hop at the bidding of those with billion's of dollars as they are apparently completely unaware that they are doing this to make those few people even more money.

The "state" has been labeled as socialistic and bad ... because they believe nothing should be free or provided to its citizens.

It is a shame.

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ROFL the drugs that are passed are exactly the same you get in the USA. From the same companies.

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1) The "Sea Monster" is the beached ship, the Concordia. Jep's editor has been after him to do a story on it for a year, but he hasn't. Now that he has met Ramona, he has changed his mind, and is eager to see it with her. Part of his reluctance, of course, is that he associates the sea with his lost Elisa; that he is willing to take Ramona there indicates that he is in love with her (as I believe he more or less admits, as he talks about love with her in the abstract).

After he finds Ramona dead in his bed, he fantasizes (probably at some later point in time) that he had successfully awakened her, and that she was able to see the sea on his ceiling, as he does when he thinks back to Elisa. If you remember the scene where he was telling Ramona the Elisa story, he has so much difficulty completing it that Ramona leaves without hearing what Elisa said to him ("I want to show you something"). So this fantasy, I think, is his wish that Ramona might be the first person to understand what Elisa meant to him. He was probably hoping to finish telling her the story if she had lived to go with him to the Concordia, since he would likely explain that his editor had been after him to do the story, which would mean explaining his reluctance.

Of course, in reality, he is just as likely to have been unable to do any of the explaining. It's an irony that this challenge to his ability to share the meaning of the story never becomes real. And this ties in with the fact that Elisa's diary, which may hold the answer to the question that haunts him -- why she left him if she still loved him -- has been burned. Why Elisa left hm, and whether Ramona could have filled that void -- both of these are unknowable.

It strikes me now that the different roles of meaning and beauty in our lives is one of the film's great themes.

2) It's a reference to La Dolce Vita, which ends with the characters visiting a literal beached sea monster.

Prepare your minds for a new scale of physical, scientific values, gentlemen.

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Simply fascinating explanation. Thanks for sharing

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I want to thank you very much, emvan, for sharing your insight into Ramona's death. I rewatched that scene, and related sequences, and not only agree with your interpretation, but found the situation even more moving than before - which in turn made the rest of the film more affecting. Your post really contributed to my experience and appreciation of this film, which I think is a masterpiece, a term I rarely use.

Some details on revisiting the scene: After Jep asks Ramona if she sees the sea on the ceiling, she looks up and there is a soft sound of gulls and she says she can see it. Then she closes her eyes. Next we see above - naturally assuming this is from her POV - but this time we there isn't an image of the sea, only the blank white ceiling in a panning shot. Then we cut to a close, still shot of Ramona's bare foot, with the open window in the middle ground, the window itself and drapes moved by a breeze, with the ruins of the Coliseum in the distance.

The next scene is slow-mo, reflecting Jep's acute sensitivity to the moment which slows time and draws out the sharp experience as he reacts to smoke shop/cafe patrons who look to him with sympathy. He clearly feels self-conscious singled out due to their knowledge of his loss. A song plays (Damien Jurado, "Everything Trying") with the chorus "I'll be sailing on your deep blue eyes." A barman gives him a look as he walks past, stretched by the slo-mo/Jep's consciousness. He smiles to see a couple being silly together, then a man turns from the TV to look at him sympathetically. Jep's heading to the bathroom, but a woman reaches out and takes his hand and looks up at him with a sympathetic look. He is stunned by this, emotion rises in him, and he smiles with what I took to be gratitude. He withdraws his hand and instead of continuing to the bathroom, he turns to leave. But he's stopped when the woman says "Who's going to look after you now?"

Then we see the mother of the disturbed son sitting in an enormous dining room at the end of a long table, with a dog at her side and a waiter standing ready to serve. Her son was last seen in driving at night, pressing down the accelerator and closing his eyes. So the implication in the context of Jep's loss and the cafe woman's question is that he killed himself, leaving his mother all alone. Then there is Ramona's grieving father receiving a condolence, and a photographer snaps a shot outside his bar, probably from a tabloid.

Then we are with Jep on the cliffs above the beached ship.

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Thanks hugely for that great shot-by-shot rundown. I had missed the details of the song, which is a great insight.

A masterpiece it is. In fact, I believe it is the movie that has most deepened on repeat viewings of any I've ever seen. On my list of all-time favorite movies, it went from roughly 60th, to 30th, to 15th. That basically never happens.

Prepare your minds for a new scale of physical, scientific values, gentlemen.

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I have been asking myself about this as well. Maybe cancer or maybe a heart condition...when one has a faulty heart it's likely that one might die in one's sleep or suddenly fall asleep and die rather than having a big tragic death...

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A faulty heart.... very interesting. She asks Jep where's the sea. Ramona can only see a white ceiling, then she closes her eyes, stops breathing, immediate silence, no traffic noise from the window nor seagulls, an open window and a breath of wind moves the curtain. That's Ramona's death.

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>>
I was confused by the promised showing of the "Sea Monster" however. Any ideas?
<<

No ideas, only certainty: the sea monster is a nod to the last few minutes of La Dolce Vita.

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To me the "sea monster" is the Concordia's wreckage. Jep's editor Dadina had asked him an article about it.

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The director and screenwriter, Sorrentino, said that Ramona's death is deliberately sudden and uncertain to reflect life itself (i.e. some people do in fact die unexpectedly). He also said that Ramona's death doesn't merit a funeral unlike Andrea's because it comes unexpectedly. You can find these quotes in this website.

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The director and screenwriter, Sorrentino, said that Ramona's death is deliberately sudden and uncertain to reflect life itself (i.e. some people do in fact die unexpectedly).


It's interesting, but not very clear in the film. And since Jep doesn't seems to hurt or mourn at all, it seemed a bit cold to me.

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Actually, Jep is completely shattered by her death. But the film jumps forward in time and doesn't show us his initial reaction. Why? Because he is suppressing his degree of hurt.

That he is emotionally numb is very clear in the scenes immediately following -- I looked for that specifically when I saw it a second time. He's just going through the motions for a bit. (Next time, I have to note what it is that has him snap out of this. The wedding where he meets the Cardinal?)

Prepare your minds for a new scale of physical, scientific values, gentlemen.

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(Next time, I have to note what it is that has him snap out of this. The wedding where he meets the Cardinal?)

Hi again emvan,

I think the "snap" for Jep was the experience on his deck with the Saint and the flamingos.

The Saint first says to him, "Did you know… that I know the Christian names of all these birds?" Then she asks - as so many others have before - why he never wrote another book (she was a fan of his only novel). This time he answers truthfully, "I was looking for the great beauty. But I never found it." She then explains to him - intuiting his need - why she eats only roots. She says, "Because roots are important." Then she smiles, and blowing softly sends the flamingos on their way, migrating west to the sunset.

The next shot (of Jep) is him on the ferry heading to the island where he had that defining experience with his first love.

******

This was the culmination of the prior sequence, which seems to me a barrage of contrasts, specifically fake/real, shallow/profound. Being a nerd, I itemized them here. Pardon for the length...

- The experience of the disappearing giraffe, which, contrasting with the later flamingo scene with the Saint, is impressive but a fake miracle. Interrupting this event is the abrupt departure of Romano, Jep’s best friend, who tells him he’s finally made an honest work of art which was received with “bravo’s” and applause. He’s over his obsession with the heartless and shallow actress.

- The dual discoveries that he can’t find out why Elisa left him by reading her diary, and that her former husband is now with a new girlfriend; Jep is moved by their down-to-earth relationship. Also, the camera lingers on the cheap decor; the place is in bad taste and most humble, but the inhabitants are genuine.

- Yet another party at Jep's, but this time he’s distanced from it. The festivities aren’t presented as celebratory, but debased and empty. The couple’s performance-fornication on his bed, the conga line outside, none of it captures him. Instead he sits with his housekeeper and dismisses the scene as empty. He says to her – really to himself – that unlike Balzac he can’t write about nothing. Then he compliments her on the coffee, a "roots" moment, I suppose.

- For once he is deeply moved by a modern art exhibit, part of another interview assignment he’d put off. This one the endless photographs documenting most of a man's life.

- The shallowness of the Cardinal in the park. Also in this scene, Jep’s reunion with Stefania, the friend he'd alienated by calling her on her hypocrisy, insisting that her life was in tatters just like the rest of them.

- He tells Ragazza that everything is dying and she finishes his sentence with “And you’re suffering. And you don’t understand.” Then she asks “How do you like the soup, little Jep?” He asks why she called him that, he hasn’t heard it in centuries; she says “Because a friend, every now and again, needs to make their friend feel as they did as a child.”

- The Cardinal’s shallowness at dinner with the Saint, and afterward, reinforcing the impression from the park.

- After dinner with the Saint, Jep is deeply shocked to stumble across her sleeping under a sheet on his bedroom floor – a situation obviously reminiscent of Ramona’s death.

And then the flamingos. (The Saint must have stayed through the day…)


******

Among those scenes was an omniscient POV after the dinner, following the aristocrats-for-hire returning home. The Countess leaves her husband to visit the part of their mansion now a museum, and at a bassinet listens to a recording that describes a baby's death and the family's impoverishment. Camera holds on her grieving face. My impression was that her life had stopped, like Jep's, and she just kept going over the memory she could not move past.

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@Whatlarks
just a minor correction: when the Countess visit the nursery, it's her own cradle she's staring at, and the recorded voice talks about her mother who died giving her birth and how she spent a careless childhood in those rooms before her father's economic problems forced him to sell the house.

--
www.tradewhileyougolf.com
Let your money work for you on the financial markets.

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The cause for Ramona's death is unimportant. It's purposedly portrayed as being sudden to show that people around Jep inevitably come in and out of his life like a stroll in the park. Jep was hurt by Ramona's death, but being the king of the socialites who have lived with the moveable feasts for 40 years, he has always worn a fake grin to hide his internal fragility. The fact that they don't have sex doesn't necessarily mean that Ramona had AIDS. Jepp has reached a point in his life where mere physical intercouse doesn't cheer him up, like he said sth like: "At my age, beauty is not enough". After Ramona's death, Jepp was hurt but he moved on quickly, like the way he has always been in terms with the vanity and pointlessness of lives. Every lines spoken by Jepp, every gesture and action makes sense and they come together to portray a world-weary old artist who's disillusioned with fake art and how everything around hime is dying.

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Thank you. What is this website? I would love to understand more of the film.

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Cheers for the spoiler.


-We've survived yet again-
-We've lost yet again-

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While Italy has universal healthcare, that is really considered class B healthcare. Anyone who can afford it, uses privatized clinics where they can get the best service money can buy.

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[deleted]

[deleted]

Sorry to continue in an off-topic vein, but I can't let this comment go unchallenged. My wife and I spend our summers in Italy and our Italian friends are not the least bit hesitant about using the national healthcare system. The above comment reflects bourgeois snobishness and the neo-liberal(read Lega Nord) agenda.

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Cheers for the spoiler.


If you haven't seen it, maybe you should stay off the boards

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People aren't allowed on boards without first having seen the film? Anyway you don't need to even go onto the boards without seeing the titles of these posts; they're on the main page for the film.


-We've survived yet again-
-We've lost yet again-

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Hmmm I actually think is was some kind of drug she died from. Not aids or cancer. Both diseases would be covered by national healthcare and wouldn't necessarily cost her all her money. Curing herself can mean psychological as well. I think she has been trying to cure herself, her mental problems, for years with drugs and she basically overdosed. Someone with cancer and doing chemo wouldn't look like she does. Aids don't think so.

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I actually like that we don't know exactly, only that it is sudden. I think this makes it more relatable as most of us will experience a sudden death at some point whether it comes from a disease or accident or drug OD , etc. All that matters is that it is painful.

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At first I hadn't understood that the stripper had died. The scene's so subtle and hinted.
And the following scene in the bar didn't help either. It made no sense to me. What was Jep doing there? What was the connection with Ramona's death? Why was he smiling?

--
www.tradewhileyougolf.com
Let your money work for you on the financial markets.

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The shot of her lying there still with her eyes open and unresponsive is pretty clear, but the part that's confusing is that he then imagines her responding and looking at the ceiling with him.

My take on the scene in the bar is that he's still in shock about her death, which is why everything is in slow motion. It's not really important why he's there. He stares at the young guy walking away from the bar, but after he closes his eyes he sees that the man is actually old. Jep is preoccupied with the passage of time and with mortality. Like someone commented, the woman in the corner also reaches out to comfort him, and at the end of the scene someone asks him who will take care of him now.

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