MovieChat Forums > Barefoot (2014) Discussion > Have screenwriters never heard of police...

Have screenwriters never heard of police radios?


In other threads on this board, folks have complained about the unrealistic portrayal of movie mental hospitals in this film and others. I can't speak to that issue, but another recurring piece of evidence for indicting screenwriters involves any sequence (pick your movie, including this one) in which the protagonist is being pursued in a car chase by police. Even if one is able to swallow the ridiculousness that an individual driving a motorhome could lose a police cruiser on a highway, that's the stuff "suspension of disbelief" is made of, radio technology has been around long enough--and I hope it is fairly widely known that police have access to such technology--that...

I'm sorry. I just couldn't finish that statement. If you can't figure out how it ends, then maybe there's a screenwriter position waiting for you in Tinseltown.

On a somewhat related rant, it seems movie police officers (even staties and elected sheriffs) are required to have a level of intelligence that is less than that of an average toad stool (and I'm not talking about mushrooms). No, I've never been employed as a peace officer, but some of the most insightful folks I have ever known were. Maybe some writers need to put away the mind-altering substances and try getting some insight-improving experiences.

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It's true that it's unlikely that the couple in the very distinct-looking motorhome could successfully elude the police for as long as they did and that the other police officer that investigates them while parked in a rural area is portrayed as too naive and easily duped, but keep in mind the nature of the film; it's a quirky romcom road movie and obviously farcical to some degree. In other words, it can only be taken so seriously. You're supposed to roll with it and have a good time.

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