Atom Egoyan - A cautionary tale for every 'auteur' out there
Egoyan ripped off his own biggest hits and remixed them while adding
some mainstream elements that don't fit his aesthetics.
He even changed the title from "Queen of the Night" to the genre-typical "The Captive"...
The most ridiculous thing by far was the 'car chase' where this stupid woman
could easily shoot Reynolds, but instead always shoots at the lights or engine...It doesn't make any sense.
-Or Mika the über-pedophile visiting his pal in prison and no one of the super-detectives takes notice...
-Or Rosario Dawson being kept in a cold van in a cold garage and not even shivering. She behaves like being in a 'Club Med' or something...
-Or the black-hair-lady putting stuff in drinks in front of 100 people
and not worrying about being caught at all...
Sane people don't behave like this, Atom.
Most things about the plot and people were lazily written, cheaply executed, lacking in logic, generic or even an offensive stereotype:
The pedophile of course has to be again a shy and odd-looking guy with speech pattern problems and a thin moustache, who loves classic music and gay gestures...
A mix of Hannibal Lecter and Buffalo Bill: The same cliches since "The Silence of the Lambs" repeated again and again and again...
Sorry, but those perverts that keep girls captive are nearly always
normal-looking, heterosexual, middle-class men with limited interests
in music and the arts...THATS really scary, but probably not interesting for the Egoyan's of our world.
Check out the real life cases of Natascha Kampusch, the Belgian pedo Marc Dutroux or the many American cases like Ariel Castro: These freaks are freakin' 'normal', not like this stereotypical caricature.
They are your neighbors and friends, not typical 'odd' outsiders or social outcasts.
This movie had many problems, especially the far-fetched, absurd premise of the 'surveillance grief porn ring' and the homophobic and stereotype Mika character, but the main problem is really the director:
Atom Egoyan is not capable of directing a thriller.
Or action and suspense scenes.
He shouldn't even try.
Instead he sells out and compromises his once unique vision with more and more crappy mainstream elements.
Nobody can defend this kind of 'filmmaking': It's worthless *beep*
Atom Egoyan ruins his reputation and legacy if he carries on
doing pseudo-genre crap like his last 3 failed films.