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The Spider Motif Decoded


Director Denis Villeneuve made the cast of Enemy (2013) sign a confidentiality agreement that prohibits them from discussing with the media the meaning of spiders in the film. When I read this, I knew I had to tackle this subject.

The constant references to spiders is not the theme of Enemy, per se. Instead, it’s a motif, which is defined as an “image, sound, action or other figures that has a symbolic significance and contributes toward the development of theme.” This is why there are so many references of spiders, both direct indirect, throughout Enemy. But what do they mean?

Let’s look at spiders and what they symbolize in the broader sense. Female spiders are one of the few animals that kill and devour their male partners soon after mating. The idea of the female destroying and eating her mate is horrific to humans, whose society is built upon the concept of a man and a woman mating and remaining together as partners to co-raise their children. Why do you think women who murder their husbands/boyfriends/lovers are often called “Black Widow” killers in the media? This calls upon the connotation of destructive female energy, particularly where men are concerned. It is this interpretation of the spider that Denis Villeneuve sought to invoke.

The "Spiders" in Anthony/Adam's Life
Throughout the film, the most direct appearances of spiders are always in reference to women. In particular, spiders are used to symbolize Anthony’s wife and his mother, as well as Adam’s girlfriend. is spider motif is used in reference and relation to Adam’s girlfriend as well as Anthony’s mother. Other, smaller references to spiders are made throughout the film, but I believe these are used to reinforce Anthony’s fears of women. Example: The wires above the city merge together to appear similar to a spider web, the spider-web like cracking of the car’s windshield during the accident scene, etc.

Let’s break down the major appearances of spiders and how they relate to the women in the film:

1. The first time we see a spider is in the very beginning of the film. Anthony is at a sex club and a tall, blond who looks a lot like Adam’s girlfriend, Mary (Melanie Laurent). The blond model sets a platter with a rather large, furry spider down upon the stage. She looms wearing only high-heeled shoes. As the spiders crawls off the platter and onto the stage, the model’s foot looms over it and begins to descend, as if to crush the spider.

Meaning: This scene of a blond model crushing a spider at a sex club symbolizes Anthony’s fantasies of revenge that he harbors toward women. Although it’s not revealed yet chronologically, Anthony projects all his animosity he has for his wife, Helen (Sarah Gadon) into the spider, as Helen has “trapped” Anthony in her web of marriage and pregnancy. The affair Anthony has with Mary, symbolized by the blond model, is his chosen instrument of revenge against Helen, personified by the spider. (Yes, I said that Mary is Anthony’s girlfriend as well as Adam’s. I’ll explain that in a bit.)

2. The next time we see a spider, it is a huge monstrosity that looms over the city. Anthony sees it while looking out the window of his mother’s house, not long after his mother chastises him about his failed acting career.

Meaning: Anthony’s dysfunctional relationship with his narcissistic and controlling mother – brilliantly hinted at in this scene – is the cause of his dark feelings about women. It makes sense that the spider he sees here is the largest one of the four arachnids in the film. Like most men, Anthony’s mother serves as the most significant female role model in his life. As such, his relationship with her helps shape his views about women and how he interacts with the ones in his life. This symbolism is rather ominous within this context.

3. The next significant spider motif is featured in the dream sequence of Anthony. In his dream, he is back at the sex club and he sees the same model from the film’s first scene. This time, however, she’s walking on the ceiling and her face is no longer her own. Instead, atop her shoulders is the hideous, fanged face of a spider. This dream occurs after we see Anthony’s car accident with “Adam’s” girlfriend following their argument in a hotel room.

Meaning: This scene happens near the film’s end, and it’s no coincidence that he has this dream following the argument and car crash scenes that proceeded it. Remember I mentioned that the model looks like Mary? Well, in this dream sequence, the model’s face is now a grotesque spider face. This symbolizes Anthony’s anger toward Mary for leaving him. That’s what their fight was about, and Anthony did everything he could to get Mary to stay, to no avail. The narcissistic and out-of-touch Anthony doesn’t see his own neediness and grasping for Mary. Instead, he projects these flaws into Mary, transmogrifying her into a spider, i.e., another evil woman who trapped him in her web and has since devoured him and moved on.

4. Which brings us to “Enemy’s” bizarre and abrupt ending and the use of the spider motif there. Anthony finds the key to the sex club in his coat and is once again tempted by his secret life of infidelity. (The sex club symbolizes his desires for sex outside his marriage.) Helen gets out of the shower and walks into their bedroom. Anthony mentions that he wants to “go out” that evening but Helen doesn’t reply. (Keep in mind, Helen KNOWS about Anthony’s past indiscretions and is concerned about him having another affair.) Getting no answer from Helen, Anthony goes to check on her… only to find that she has become a huge tarantula. The massive spider, which practically fills their bedroom, becomes so frightened of him that she backs into the wall and cowers there.

Meaning: This moment symbolizes a change in the power dynamic of Anthony/Helen’s relationship, at least from Anthony’s perspective. She’s still the web-weaving, evil female spider who wants to trap and devour him – in his mind – but now, she’s also trapped in a sense and dependent upon him. (She is six months pregnant in the film.) Her fear that he might cheat again gives him a certain amount of power in the relationship, at least in the present moment. Anthony realizes this, too. Watch his face during the last, fleeting moment of his closeup: He nearly breaks out into a wicked grin before the screen goes black.

Infidelity and the Relationship Power Dynamic

From my perspective, the relationship between infidelity and the power dynamic of relationships seems to be the theme of this film. For more about Enemy's theme, visit:

https://thetraumacentral.wordpress.com/2016/01/12/enemy-2013-women-as-trappers-destroyers-of-men/

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Great post

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Thanks, Robert. Glad you enjoyed it.

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Very interesting.

Also it is noticable that Adam (the history teacher) is seen having drawn a huge tangled mess on the blackboard with the words 'control' at all the places where the web connects. This is of course similar to a spiderweb.

It's funny that Anthony (the actor) has an obessesion with blueberries and his wife does not want to buy them. Now does a blueberry not look like the squishy soft abdomen of a female spider? And he even wants to put them into a blender.

Isn't the huge monstrosity that looms over the city a reference to the famous sculpture Maman by artist Louise Bourgeois, which is displayed in Ottowa (so even though the film takes place in Toronto most Canadians would know it, probably) It's interesting that to the artist the spider symbolises benign protection, and not oppression. See link.

https://en.m.wikipedia.org/wiki/Maman_(sculpture)

However, could one not instead take the film completely literally? They really are doppelgangers. His colleague recommends the movie because he wants to tell Adam that he knows he has a sidejob as an actor. Anthony has the job as an actor as a way of venting his frustrations over his "real" job, as his mother says, which is to take care of the big spider in his apartment. Notice he picks roles where he is on submissive situations (a bellboy subservient to a socialite woman, a man being brutally arrested by the police), he also vents his anger by watching spiders being crushed, or as mentioned above by blending blueberries. Some people have speculated what the deal with the porter is and why he wants the key to the nightclub. Maybe he knows Anthony has a big spider in his apartment, and so has something on him

Now the reason Adam smiles when he sees the big spider is because he realizes that this is the manifestation of what he has taught at the university. As mentioned he obsessively draws webs on the blackboard, and is obssed with thoughts on control, and things being hidden from people, as a way of keeping power. it turns out that the Marx dictum he mentions to his class, that history repeats itself, the first time as tragedy, the next time as farce is actually true. There really is this big spider in Toronto, just as the sculpture in Ottawa. The dream he had of the woman on the ceiling with the spiderhead was simply a premonition caused by external stimuli.

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Another minor point about the blueberries, and the change in power balance between A and his wife.
Helen had not bought him blueberries as requested, and he spoke sharply about it. (Although there was some question about his attitude to blueberries. A tells his mother he doesn't care for blueberries, and she insists, "Yes, you do!" So apparently the blueberries represent something he is ambivalent about or in denial about.)
In the final minutes of the film, A comes home, opens the refrigerator, and notes that the fridge has been stocked with multiple cartons of blueberries. Helen is being dutiful, following his requests, trying to win his love and approval. That signifies he is in a strong position in relation to Helen.



Basta, basta, basta.

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But he does not begin to eat the blueberries, does he? Or seem especially excited about it? It seems he just observes: wow that's a lot of blue berries.

It seems that since you just call him A, you believe Adam and Anthony are the same person. I am not so sure. After reading about Jose Saramaga - who I never heard about before, but will definately want to read - he writes only fantasy novels, which would point towards a true doppelganger syndrome and not a psychoanalytical - or what one should call it - explanation. Also the synopsis of the novel seems to indicate that Adam and Anthony really are substantially different individuals and not two aspects of the same individual.

Issabella Rosselini is also an interesting choice as the mother, because she made all these funny sketeches on how insects have sex (a spider technically not being an insect, but anyway) Here she just seems to be some sinister controlling force. Her apartment is exquisitely designed, and how can Adam the bit actor afford all this fine furniture? While the hardworking teacher hardly has any furniture.

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I'm not entirely sure of Saramago's intention; he may have meant there to be literally two different men. But the movie diverges drastically from the novel, and I think it intended Adam and Anthony to be two "halves" of the same person. There are a few direct hints, such as Adam's mother startling him by mentioning his one-time dream of being an actor - that wasn't him, it was his doppelganger. There is the fact that Adam seems to know what the mysterious key is for. There is the flashback of his girlfriend discovering his wedding-ring tan line and flipping out. I'm pretty sure they are meant to be the same man.

I remember Rosselini's insect sketches very well! Her female bedbug was particularly memorable.

Re: furniture - In my view of the film, in which there is really only one man in two parts, the teacher with little furniture is the unfaithful husband who has recently moved out of his and his wife's home. He is in a new bachelor's apartment and has not yet furnished it.

Basta, basta, basta.

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This is very interesting.....the film is vey different from the novel in one huge way : the novel does not have any spiders....

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There's something else going on with those films though. They remind me of Propaganda Films and that, with the Dictatorship... It's weirdly comical. The entire film, as creepy and eerie as it is, has these subtle moments... It's hard to Pinpoint the reasoning. However, I love the analysis here.

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[deleted]

Nice post - but the dream sequence with the model walking on the ceiling happens at the halfway point in the film. About 45 minutes in.



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Good catch, BruceL, but I don't think that changes the director's motif at all.

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Agree :)

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😀

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If I'm not mistaken, the last scene (#4) is Adam not Anthony. This is Adam waking up the next morning. He's trying on Anthony's cloth's. Clearly new to him and he even discovers the letter that he returned to Anthony in the hotel room when they first meet. Anthony has died in the car already. Isn't this Adam waking up in the morning.
The reference to the spider, that I'm not sure about. But I am sure, the last scene is Adam not Anthony.

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You're probably right, and I knew I would run into this problem when I wrote my analysis - Which is which in any given scene. In the end, I don't think it matters because this is NOT a doppelganger tale. Enemy is about the power dynamic in relationships, thus, Anthony is Adam and Adam is Anthony. Still a good catch, though.

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wow, didnt expect a reply so long after your original post. Thanks for taking the time. Hey I did some more research on the movie. Its actually nothing at all about what we thought....now this might spin you out a little, but read this write up about it.....its a total twist on how I viewed the film!

https://shoton35.com/2014/06/05/enemy-in-depth-analysis/

Let me know what you think.

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I would love to read that link but when I clicked on it, it was dead. I've read reviews that compare the film to the book and state that the book is quite different. I'm interested in actually reading the book. If you have another link to that same analysis, I'd love to read it. In the meantime, I've put up some analysis on what I believe to be a treatment of Jung's shadow theme in Walter Hill's Streets of Fire. It's on here. So are my thoughts on the themes of narcissism portrayed in Fresh Horses. I'd be interested to read your opinions on those dissertations.

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Strange, I'll try and send it again....
https://shoton35.com/2014/06/05/enemy-in-depth-analysis/

I wont tag it as a URL so maybe just cut and paste the link into your browser.

Or search "enemy in depth analysis" and click on the link "shot on 35".

To give you an idea, its all about Anthony's (Adam) split personality disorder spilt personality and a very complex timeline of events. Its not at all straight forward and I'll have to watch it again a few times to get it.

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It actually can be about what you thought. It's not a documentary but a piece of art. Usually good art is subtle and vague and thus subject to interpretation. This one sure is.
Don't stress out on what it "should" mean as there is no "should". Even what it was supposedly meant to be is immaterial if that even existed. A good piece of art has a life of it's own outside of the creator. More often than not the creator doesn't know what they meant by it.

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I just watched it and came here looking for many answers, found them all in yout post. Brllliant.

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He also has a spider lamp (looming over him as he researches on his laptop). :)

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[deleted]

Why thank you?

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Good take on the Sipder motif.

Here is an nice link with an explanation of the movie in general.

https://youtu.be/v9AWkqRwd1I

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