MovieChat Forums > La vie d'Adèle (2013) Discussion > Adele - The most insipid vapid character...

Adele - The most insipid vapid character ever


I just couldn't connect with her. There was no emotion there, or was that the point?

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No emotion in Adele? Did you not notice the many, many times she cried, how she was literally red in the scene where her "friends" are grilling her, her big smile?

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I didnt believe it though. It looked forced and her face was still monotonous even while she was crying!

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I disagree. I thought "Adele" was the movie's big strength. I think the script itself had a lot of flaws. And while I don't think (because of those flaws) the movie was the masterwork a lot of people are making it out to be, Adele was a compelling enough character, (and the actress gave a compelling enough performance), to successfully carry the movie (despite those script flaws), and have me grade the movie a solid "B".

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May I ask you what flaws you think the script had? I'm just curious.

What's truth got to do with anything?

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I thought the script had a lot of "fat"; in both unnecessary scenes, and a lot of scenes going on longer then they needed to. It was as though the filmmaker couldn't bear the thought of taking a needed scapel to his work

I also thought some of the conversations between the characters were rather tedious slogs to witness. And I thought some of the movie's early scenes were clumsy, or forced. And I also thought that for a movie, that apparently takes place over the course of a number of years, the movie conveys very little sense of that length of time passing. If it wasn't for the fact that Adele goes from high school student, to teacher, I could have easily thought this story takes places over the course of just a few months.

But despite all that, I thought the movie was successfully carried by the performances/characters. Particularly "Adele" who I thought was very well acted. She brought me into the story, and made me care, despite the flaws of the script. I didn't find Emma to be quite as compelling a character, but she was solid enough. I also thought the movie was carried by the overall
Adele/Emma relationship, and the overall story that was being told, and an undercurrent of raw emotion that ran through the film.

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Thank you for your response.

I agree some scenes went on far too long, but I think that has a lot more to with editing than the script.

I didn't find the dialogue forced at all, maybe because it was in French and I had no reason to question the delivery.

I sort of agree with the amount of time passing not being clear. But I figured that the majority of viewers would know that she'd be in a college at least 3 years to get her degree and then she'd be a teacher straight off the bat. A movie I have a huge issue with the passage of time being unclear in is 12 Years a Slave. That drove me CRAZY.

I didn't find Emma that compelling at first, but after a lot of reflection I would love to see her side - I'd love to see a film from her point of view.


What's truth got to do with anything?

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I though Adele's character actually showed a lot of emotion. I felt a sympathy/empathy for her at many points during the film. As for the dislodge I thought it was brilliant, any more 'wittier' and the whole thing would come across as extremely scripted.

I agree with kennegis. The problems were "unnecessary scenes, and a lot of scenes going on longer then they needed to." as well as the lack of feeling of time (I got slightly confused as to what point she moves out of her parents house, how long she spends with Emma, how she suddenly goes from the Nursery to the Primary School Teacher). 'Time' wasn't well portrayed.

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Of course, I respect your opinion. However, I get an itch to respond with my own (counter) opinion whenever I see someone complain about how parts of a movie are "unnecessary" or "too long". Sometimes, there's certainly something to it, but more often, to me, it seems that movies tend not to have enough unnecessary scenes. This is what I like about the "slice of life" or, as is perhaps more the case here, "life" movies. They show a bit more; it doesn't all have to fit neatly into a plot that moves at a predefined pace. It doesn't require the viewer to worry about how a character that is introduced is "important later on" or some such, instead allowing the character to have their importance in the moment itself. Same with events, locations, settings, themes.

If (certain types of) movies are supposed to portray (aspects of) life, it only makes sense: not everything in life is equally important or salient or profound, but it all serves to paint a picture of a life in total. Just my two cents.

It was a bit sudden when jumps in time occurred, and it wasn't always clear, that's true enough. However, it probably would have broken the style of the movie a bit to have some kind of transitional scene, or some text on screen saying how much time had gone by, or some such. Each scene was pretty much an honest, direct representation of some aspect of the main character's life... so I understood the choice they made in that regard.

---
My vote history: http://www.imdb.com/mymovies/list?l=13037287

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I think the script itself had a lot of flaws.

Here's a fun fact: the film was almost completely unscripted. There was a script, but the director had the actresses read it only once. Much of the on-screen dialogue was, in fact, improvised. The director wanted this to achieve the utmost realism of everyday life. I agree that sometimes it seems tedious and clumsy, but then again, real life conversations tend to do the same thing, right?

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I agree that sometimes it seems tedious and clumsy, but then again, real life conversations tend to do the same thing, right?

Indeed, I much prefer the realism of improvised dialogue... just need to get the vibe going and understand the circumstances.

Hitler had the right idea

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Totally agree. She had the most believable performance I saw in years. Maybe the most believable one, she really seems like a real person.

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Nah, I disagree. I had heard a lot about both actresses ever since last year's Palme d'Or and I was blown away by Adèle, and even though I do not like Lea Seydoux from the little I've read of her in interviews I thought she was amazing too. Adèle was simply incredible. As in, very, completely credible.

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It looked forced and her face was still monotonous even while she was crying


Exactly my thoughts. The acting was pretty bad in general.

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Glad someone agrees!

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Completely disagree. The acting was fenomenal. It seemed monotnous because we are used to everything being exagerated and over-emotional and they were going for realism instead of theatrics. The way people act in films and series is mostly not at all how we actually behave and react in real life. The fact that most of this film was improvised tells us that they didn't know what the other was going to say and had to come up with a reaction on the spot. Making it an actual reaction and less acting. So calling it bad acting is a bit silly, because they were not acting most of the time.

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I didn't know that Robbie.

If that's the case, it makes a lot more sense.

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and as far as someone said a few posts back about the director not wanting to cut up his work; did they not know that over 800 hours were filmed and then edited down to the 3 hours that actually remains.

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Interesting. Thanks man.

My 100 favorite movies http://www.imdb.com/list/Uvw_F2_GMx8/
What are your favorites?

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Are you the "friend" that grilled her in the beginning? I loved everything about her. And i'm not even a lesbian

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lol good one

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I completely disagree

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There was no emotion there


Wow, it's always amazing what others take from things.

For me, Adele's performance was what made the film. Just watching all the things going through her mind- the war of her emotions. It was completely fascinating. I'm sort of a macho bloke but she made me cry. What she was feeling on the inside I thought she conveyed very well.

The scene in the girl's toilet when she went up to the other girl and kissed her, thinking the other girl wanted it too- what she felt was tangible to me.

The scenes outside when she initially met Emma made my heart want to burst open.

I've fallen in love with someone in a tight knit social environment where I felt like simply looking at the person would destroy everything about everything. That if I looked, others would realize what I felt. That forces would be set into motion that could not be revoked (like when the girls had the confrontation).

I completely understood how she must have felt, smoldering away, afraid even to name what it was she felt but having it unlocked with an innocent kiss and then agonizing until she could see that person again. The furtive, desperate nature of it was excruciating. Then the girl told her she had only been teasing her and I could feel that shrink-wrap of pain closing in on her heart just as it had begun to unfold its petals and blossom.

I like just before Emma and Adele first kiss. When they say it's nice to be there, and Emma says 'Maybe too nice'.

I could relate this to my own life- again, falling in love with a woman (with a different woman- lol, I've lived) and the thing seemed as fragile as a soap bubble. Everything we said to each other was weighted and had double meanings. Every moment we spent together before we came together had so many layers to it. It was exactly like that- one would say something and the other might respond and both of us would spend quite a long time digesting what was just said and what was just meant but unsaid.

I'd say this film captured exactly what it feels like to fall in love. It was incredibly sensual and Adele's face was captivating and I found the range of her emotions to be amazing.

Omnia illa et ante fiebant
omnia illa et rursus fient

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Then the girl told her she had only been teasing her and I could feel that shrink-wrap of pain closing in on her heart just as it had begun to unfold its petals and blossom.


Wow, brilliant interpretation.
You should also take a look at Cloud Atlas, when Robert Frobisher withdraw his hand as if stung by the old composer.

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That was thoughtful...I am sure that was she was attempting to do. But I have to say there was not a moment in the movie where she looked genuinely happy. Her expressions were blank. I couldn't understand why they spent so much time eating spaghetti, that was really weird. The only part of the movie I connected with and the connection was tenuous, was when she was intimidated by Emma's friends. Her discomfort was so real and believable. She was completely out of her element so she deferred, becoming the attentive servant. She was like a little puppy.

I understand why she felt the need to connect with someone else. The two of them didn't have a lot of common. She was a muse, but not an equal. The movie made me sad and I felt sorry for her because she didn't feel like she belonged anywhere. I can't say I enjoyed the movie, but it was an interesting approach to film making. I would have edited much of the extraneous material that didn't lend to the progression of the story.

The end was so obtuse. I was completely confused. After the longest movie ever, I am suppose to believe her closure was seeing her ex-lover happy in her career while she basically was right back where she started, lonely and desperate? What was the message? What was the life lesson? Don't cheat? I don't know, the ending was kind of cruel.

~TV is deep because life is complicated.

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Life goes on.

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Reading back over everyones comments I feel like I could've phrased this better.

My issue came not from Adele the character but Adèle Exarchopoulos - the actress.

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Go on...

What's truth got to do with anything?

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Completely disagree with the OP. Adele was the emotional epicentre of the film. I didn't find her expressions monotonous, I thought she had a very expressive face that conveyed a lot of subtext. It wasn't just happy or sad, it was very intricately layered. She also did the subtlety well.

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uh?! she gives one of the most natural performances of the last decade. I didn't believe she was an actress. I thought it was a documentary. It felt that real

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My issue came not from Adele the character but Adèle Exarchopoulos - the actress.


So I guess you meant to call this post 'Adèle - The most insipid vapid actress ever'.

Which would be equally ridiculous.

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Adele the character and Adele the actress are basically one and the same, as there was hardly any script used by the actors so what we saw on screen was what each would do in real life if they were in that position or thought they would or should do. Great improvisation!

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Adele the character and Adele the actress are basically one and the same, as there was hardly any script used by the actors so what we saw on screen was what each would do in real life if they were in that position or thought they would or should do. Great improvisation!

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Ummm, no words for such an opinion.

http://www.youtube.com/watch?v=opcKTe7ePgk

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No emotion?

What. Did you even watch this film?

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Couldn't agree more. Absolutely insipid.

Interestingly there's a topic with the title "The sex scenes ruined the realism of the movie". To me it's the exact oposite: the sex scenes were the only thing that felt real and natural.

The scene where Adele is confronted by her friends in school is so bizarre and unbelievable that I can hardly define it. Or when her friend kisses her while they're skipping class and latter dismisses her. Yeah, right. Happens all the time, just like that. The whole movie felt clumsy and unnatural (only if it's a realistic movie about some very, very bizarre and empty and clumsy people). Truth is this movie made me feel absolutely nothing. Honestly.

Ism83, if you're looking for some real drama, I strongly recommend these movies. Be prepared, they're quite intense!

- Boy A (2007)
- Okuribito (2008)
- Irreversible (2002)

Let me know if you see any of them ;-)

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Glad someone else sees what I saw Fabiopb! I agree Adele's lack of 'true' emotion made me feel nothing for her, and that's not how a movie should be. If I look into the eyes of the character, I want to feel what he/she is feeling, but her eyes were vapid. Nothing there!

I genuinely just thought 'this girl is acting... and badly at that', she isn't feeling or believing who she is'.

Yes I've seen Boy A and loved it but I'll definitely try the other 2!

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You wouldn't recognize emotion if it slapped you in the face.

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And you would know this how....

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Because Adele is all about emotion. Nothing vapid, I have no idea why you are even saying that.

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Sorry - didn't see it.

She tried but she failed. Didn't see it and didn't believe it and don't get how anyone else did frankly. Wooden is the word.

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Well no, it's not. It's your perception that failed, because plenty of others saw it and felt it.

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It's my opinion and it hasn't changed. I saw this film with a panel of film students, and the room was entirely split.

I think most people who visit this board are fans of the movie, and I was a fan of the movie but not of the actress.

So get off your high horse because my opinion isn't going to change.

Wooden - totally wooden, and terrible acting.

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Yeah ofc it's your opinion but you came off as stating it as fact. Which the majority of the people would disagree with. Because it's not wooden. At all. She got plenty of awards, plenty of people are praising her for her acting, which was terrific and as realistic as it gets.
And here you are throwing hyperbole after hyperbole about the acting: 'the most insipid vapid character EVER', 'terrible acting', ...
You don't get it, and that's fine, whatever, but plenty of others connected with her, felt her pain, felt everything she was going through, ...

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You're completely delusion because you cannot see past your own opinion.

How can I 'come off stating my opinion as fact'. Read what you just wrote?! I did no such thing! I simply stated my opinion and waited to see what others thought.

Whether or not she won awards does not change my opinion. Think of the top 10 worst performances you have ever seen in your life...? Now google those movies and I bet you half of all of them have won awards.

What you felt is not what I felt.
So get over yourself.

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Dude. If you're stating your opinion, you would be like: 'I think Adele came of as rather wooden, cause blablablah.' But instead you are like: 'Terrible acting, wooden, she is the most insipid vapid character ever.' How is that not you thinking it's a fact?

Think of the top 10 worst performances you have ever seen in your life...? Now google those movies and I bet you half of all of them have won awards.

Yeah, I guess you and I have different perceptions about what good acting is.

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90% of what people say on these pages is opinion.

How can I FACTUALLY say whether or not her acting is good?

Do you know what the definition of a fact is?

What are you - 12?

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By saying: I think, in my opinion, whatever; instead of being agressive: her acting WAS terrible, her acting WAS wooden. That's stating your opinion.
No need for an ad hominem, now come on. What are you - 12?

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Okay... well this has been fun.
Thanks.

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Looplyesi.... you're coming across as a bit of a bully. The Op has every right to her opinion as do you. You are the one throwing insults, so who is going to take YOU seriously. Not me.

I happen to agree with the op. I try to catch every film I can that wins any Cannes awards. I felt this movie was not only plagued by very shallow acting, but the script was almost non existent. Girl might be gay and tries to hide it from her mean friends. Girl meets another girl and falls for her but has to keep it secret. Girl cheats on girl and cries and cries and cries. The end. Please. If you are going to write such a vapid, shallow script as that, then you'd better find some actors who can keep it interesting because these two could not. Some really awful acting here. I have a feeling that the reason this movie was so popular was because of the sex. I'll say it was pretty damn hot too. That was about the only thing it had going for it. Yes, I think sometimes people want to see movies like this succeed for all the wrong reasons. There. Everyone has an opinion and that's mine. Now, feel free to tell me why I'm full of ****.

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>>> I have a feeling that the reason this movie was so popular was because of the sex

I would doubt that the Cannes film festival gives a movie it's highest award for no other reason other then the movie has hot sex.

As for myself, as I've said before on this board, if I was only looking for some hot sex, I'd go to a porn site for that. Or I'd go to a site (example-youtube) which has clips of the sex scenes from movies (such as "Blue is the warmest color").

What I wouldn't do, (if I was just looking for hot sex scenes) is sit through a 3-hour movie, of which about 240 of said movies, are non-sex scenes.

As nice a bonus as the hot lesbian scenes were, I give the movie thumbs up for other reasons. And there have been a lot of movies that I've given thumbs down to, that had hot sex scenes. And I appreciated those hot sex scenes, but I still gave the movies themselves a thumbs down.

Unlike you, I thought the acting was very good. (particularly the actress who played Adele.) And while the movie definitely had it's flaws, and its self-indulgences (hence, I wouldn't call it a masterpiece) I do give it a solid thumb-up . And despite the flaws, the movie had a poignancy, and an intimacy to it (not referring to the sex scenes, although they were certainly had their own "intimacy"), that was very effective, and carried the film, along with the performances. And depite the movie's flaws, the characters, and the story drew me in, and made me care.

BUT, THE SEX WAS HOT TOO. I WON'T DISPUTE THAT. But it was a bonus.

I'm not sure why you find the movie's plot so swallow and vapid. 2 people meet, they become involved, and fall for each other, their relationship develops, tension/problems eventually develop, which leads to them breaking up, which causes
pain. That has been the plot line for a great many movies, ever since people have been making movies, whether the movies were gay love stories, or straight. The movie had a lot of problems. For instance, it had a lot of "fat". But it's storyline was not 1 of the problems. It has long been 1 of the tried and true story lines of movie making.

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It's fine for you not to like a movie, and explain your reasons for not liking it. But if you're going to assume that a lot of other people really didn't like it either, and only really cared about the movie because of the sex,, then you're going to have to do more then just projecting your feelings about the film onto everybody else. Which is pretty much what you're doing.

It's one thing not to like a movie. But it's another thing to think a great many people are secretly harboring your views about the movie. What that is basically saying is

"I didn't like the movie, so I gotta believe most everybody else really didn't like it either".

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Are you addressing me here? I'm not sure because it appears you responded to your response to me. If it wasn't directed at me, my mistake and you can ignore my reply.

But if you're going to assume that a lot of other people really didn't like it either, and only really cared about the movie because of the sex,, then you're going to have to do more then just projecting your feelings about the film onto everybody else


Where did I say that a lot of other people don't like this movie? As far as I know it's just me and the Op and a few others on this site. Obviously a LOT of people LOVE this film or it wouldn't have received half the attention (and awards) that it did.

But it's another thing to think a great many people are secretly harboring your views about the movie.


Ok, that's just REALLY getting creepy. Again, if I'm wrong about who you intended to address, please ignore my comment but if you did direct it at me. What the Hell?

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My 2nd response was an add-on to my 1st response to you.

>>> Where did I say that a lot of other people don't like this movie?

You said

"I have a feeling this movie was so popular was because of the sex"

And

"Sometimes people want to see movies like this succeed for all the wrong reasons"

Which would seem to imply that you think the sex is the reason why people are giving this movie a thumbs-up. That you think that people aren't crazy about the non-sex scenes part of the movie.

And the non-sex scenes part of the movie make up the great majority of the movie. So people don't particularly like the great majority of the movie.

And this would seem to align with your own personal view of the movie. The sex scenes were hot, but you are giving thumbs down to the rest of the movie.

The 1 difference would seem to be that other people think the sex scenes are hot enough to carry the movie, and thus give the movie a thumbs-up. While you think the hot sex scenes are not enough to carry the movie. And thus you give the movie a thumbs-down.

In other words, you seem to think a lot of people agree with you, in giving the sex a thumbs up, but the rest of the movie a thumbs-down. It would just be a matter of whether or not one thinks the sex was enough to carry the movie.

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You have quite the talent for putting word's into people's mouths. I'm glad you enjoyed the film.

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And what words did I put in your mouth??

Your statement

"I have a feeling this movie was so popular was because of the sex"

seems pretty straight-forward, and seems to imply exactly what I said it implies. Which is that people like this movie because of the sex.

And the sex is the only thing that you think the movie had going for it. So you give the sex a thumbs up, and you think the reason a lot of people are giving the movie a thumbs up is because of the sex. So the big difference would be that you disagree with the idea that the sex was enough to carry the film.

Your statement

"Sometimes people want to see movies like this succeed for all the wrong reasons"

Is admittedly a bit more opaque, but since you didn't give any other inkling (other then the sex) as to what those "wrong reasons" might be, the idea that you are referring to the "sex" is a logical assumption.

You know what I'm getting tired off, on message boards?? It's people saying things, and then complaining that words are "being put in their mouths". Statements often imply underlying ideas, and I'm really getting tired of people who don't understand that. Of people who don't make the connection between the words they post, and the things those word imply.

So if you didn't state your views as well and as clearly as you could have, and thus somebody sees the implications of the words you chose, THAT'S ON YOU.

And in such a case it would also be on you to clear up what you were actually trying to say. Which I notice you made no attempt to do. Thus I have to wonder if I put any words at all in your mouth.

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I really don't understand how you can interpret: "I think that a lot of other people don't like this movie" from my line:

I have a feeling this movie was so popular was because of the sex


that just makes no sense to me but whatever. If I was that unclear, let me set the record straight. OBVIOUSLY I don't think there are a lot of other people who don't like this movie for a couple of reasons. THE AWARDS. THE CRITICAL and BOX OFFICE SUCCESS. I have NO doubt that most people who see this film like it.

Now the other statement of mine that you seem so hung up on:

Sometimes people want to see movies like this succeed for all the wrong reasons


I'll try to explain it this way. There was a documentary from years ago, that I've been trying to find on Youtube, but I don't know what it's called. It was HILARIOUS. It was a doc on the European films from the 60s-70s period that were very racy. Some of them had some pretty "naughty" stuff in them. The scenes are all interconnected with critics of time, (most who look like they starred in the films) explaining why these art films were so important. Perhaps they were. I don't know, I never saw one of them as much as I'd love to. But the clips of them are TERRIBLE. Really, REALLY BAD acting. I see little difference with the critics of those films back then and the critics of BITWC today. A script that went nowhere and acting that was pretty awful in a movie that won the Cannes top award.

Look at the winners of that award from the last 10 years. Do you honestly think it deserves the award with the rest. If you do, then that's fine. I don't and I don't feel I need to give any further explanation. Enjoy the film. You aren't alone.

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>>> I don't understand how you can interpret "I think a lot of other people don't like this movie"

I'm not saying you said that. In fact, you seem to think a lot of people DO like the movie

IT'S THE REASON YOU GIVE FOR THEM LIKING THE MOVIE, that is the issue.

You said

"I have a feeling that the reason this movie was so popular was the sex"

Now if we divide the movie into 2 parts, the sex scenes and the none-sex scenes, what you seem to be saying is that people like the movie because of the "sex scenes" part of the movie"

Rather then the " none sex scenes" part of the story also being part of the reason people liked this movie

You did not say people like this movie because of both the movie's sex, AND the movie's story/performances

You said

(again), "that the reason this movie was so popular was the sex"

And you said you thought the sex was hot, and was the 1 thing the movie had going for it.

So, you think the sex was hot, but you didn't like the story. And you imply that other people thought the sex scenes were hot, but weren't so crazy about the "non-sex scenes" part of story (you said movie was popular because of the sex)

So, that has you and other people basically thinking alike, until we get to whether the movie gets thumbs-up/thumbs down,

And the difference would be that you give the movie thumbs down because you DON'T think the hot sex scenes were enough to carry the movie.

While other people give the movie a thumbs-up, because they DO think the hot sex scenes were enough to carry the movie.

But all this ignores the idea that a lot of people probably DID like the non-sex scenes part of the movie; unlike you.

>>> Look at the winners of that award from the last 10 years

Well, off hand, I don't remember all those award winners. However, I do remember that I liked some of those films, and didn't like some others. But I don't think any of them would have been my choice for best film. But I don't think "Blue is the warmest color" is a great film either. I said it is a good, solid movie, but not a masterpiece. I do give it a thumbs-up, however, which isn't the case for all the award winners over the last 10 years.

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Now that I have looked at a list of those Cannes award winners

Starting with 2002

2002- The pianist- B

2003- Elephant- F

2004- Faherenheit 9/11- B+

2005- The child- B+

2006- The wind that shakes the barley- C

2007- 4 months 3 weeks, 2 days- B

2008- The Class- B

2009- The white ribbon- B+

2010- Uncle Boonmee- F

2011- The tree of life- C

2012- Amour- B

2013- Blue is the warmest color- B

2014- Winter sleep- Haven't seen yet

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Good God, are you for real?

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[deleted]

>>> Are you for real?

I seemed to be the last time I checked.

Look, you said what you said. If you really can't make (or understand) the connection of what you said, with what it seems to imply, (that like you, the sex scenes are the big thing people liked about the movie) so be it.

If that isn't what you were trying to say, then you still haven't made clear what you were trying to say. Your attempted explanation for the line "sometimes people want something to succeed for all the wrong reasons", isn't very clear either, as it's rather confused. There is something to be said for being concise. So, in concise and sharp terms, what is it that you are trying to say??

This issue has already gone on longer then it should have.

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I'm not throwing any insults.
And congrats, that makes two of you. I still thought it was pretty realistic, even with all the sex scenes. That's my opinion. I guess a lot of people also think the same.

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I agree with you almost 100% I actually think you liked the film more than I did. Not only were the actors terrible, but I found the script incredibly simple as well. How this won anything is beyond me.

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To me her acting of emotion was more realistic, rather than it being some dramatization of emotion.

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Could you elaborate?

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I really don't know how to? What more would you like me to say?

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"More"? I want to know WHY you thought she was vapid. And WHY you didn't feel connected.

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