MovieChat Forums > Madea's Witness Protection (2012) Discussion > Dressing up like a fat black woman is so...

Dressing up like a fat black woman is so 1999


When will these god forsaken movies end? Are there really enough people out there who enjoy this to continue to fund Tyler Perry's horribly unfunny pieces of trash?

Dressing up like a fat black woman stopped being funny after the first Big Momma's House.

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It is not trash. Now Lottery Ticket, Soul Plane, and The Cookout were trash and barely made any money. Also, I find Tyler Perry's movies funny and they send out positive messages.

Also, Big Momma's House was released in 2000. So make sure you do your research next time.

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Lottery Ticket was bad, but it was at the very least entertaining. And somewhat original. This recycled garbage that Tyler Perry keeps throwing at us can't seriously be making you laugh?

Formula for every Tyler Perry movie:

Man dressed up as fat black woman + scenes with white people that make them uncomfortable + some life lesson that family will always be there for you

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I'm sorry but you thought Lottery Ticket was original? It was really just a rip-off of Friday. But of course most of Tyler Perry's films still go through the same formula. But so do Adam Sandler movies (which are funny but people are saying they suck) and American Pie movies but I still enjoy those.

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or better yet a movie with a bunch of crazy white people with a midget that can skateboard doing disgusting senseless stunts and call it entertainment and comedy.

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I hope someone will be bold enough to do something different. But as long as the Madea movies make money, people will see it.

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Dressing up like a fat black woman is so 1999


And the stuff he wears in these movies is so unflattering. You know damn well he has nicer dresses than that at home ;)

"Pffft, my suspension of disbelief has higher standards than that"

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YESS LOL

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Actually it's so 1974. Flip Wilson did it back then. His female alter ego was a wman named Geraldine. What Tyler Perry is doing is not original.

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