MovieChat Forums > Bella addormentata (2012) Discussion > Humane and thought-provoking

Humane and thought-provoking


I found this to be a very compelling film that uses numerous storylines in order to deal with a delicate subject matter from several points of view (political, ethical, religious). Personally I felt that the politician's segment was sometimes unengaging and slightly disconnected from the others: even though I understand the meaning of the subplot involving the psychiatrist, it could have been cut out entirely and Beffardi's dilemma would have come across just as effectively. On the other hand, I wish Rossa's storyline had been longer and more developed because her interactions with Pallido are the most touching scenes in the film. Despite dealing with a depressing subject matter, I really appreciated the hopeful ending and the fact that love is seen as such a powerful force that it can shake the characters' beliefs. The acting is another strong aspect, with a couple of exceptions: Toni Servillo, who is just adequate and monotone, and Brenno Placido, whose scene with his sister sounds like a theatrical Shakespearian monologue. The one actor that gives an impressive performance is Fabrizio Falco, who does wonders with his physical presence and limited dialogue, creating an unsettling and intimidating character but without hitting a single false note. The ladies though are uniformly terrific: Maya Sansa is heartbreaking in her brief screentime, Alba Rohrwacher brings a lot of childlike innocence to her character and Isabelle Huppert is dependably excellent in an over-the-top role that plays to her strengths. The art direction and cinematography are also impressive, particularly when it comes to Divina Madre's segment: the dark rooms and numerous props in her house successfully create a creepy and uneasy atmosphere.

Thoughts? What did everybody like/hate about it?

http://tinyurl.com/cly7x4s

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Can't wait to see this film! It looks great!

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I agree it was compelling (apart from the politician's segment, which I honestly struggled to stay awake in) and I liked the even-handed approach from Bellocchio and the other writers to what is, as you say, a delicate subject matter; this film could easily have been preachy and tedious. Prior to watching this at a festival screening a few months ago I had no knowledge of the real-life case that inspired the film and I think this is another reason why I found the film so rewarding to watch, for the most part. Maya Sansa was at my screening and she said that the topic is something very personal to Italians and something they find difficult to talk about (I think she was also talking about the real life case). The acting is generally great, apart from Servillo (the scene you mentioned with his sister desperately needed a more skilled actor) and Hubbert was superb in one certain scene. I also wish Rossa's narrative had been explored more as I found this story especially fascinating. I felt hugely for the character and Sansa is both electrifying and heartrending in this role, one of those supporting performances whereby the actor's formidable presence is felt from the get-go and you miss when he or she's not around.

I hope it eventually recieves a wide worldwide release.

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I'm pretty much with the pair that have seen and enjoyed the movie, but, why the Servillo critiques??? He was Superb in this movie. In fact, I believe he's one of the finest actors in the world right now. Brilliant, in a performance much different from ones in THE GREAT BEAUTY, IL DIVO, GOMMORRAH etc. Understated, yes, but, powerful nonetheless. And, Servillo has just won his FOURTH Italian 'Oscar' (with SIX total nominations).

My major issue with the movie is it's structure. While most of the parts were well done, the whole isn't quite the sum of its parts. Huppert's section in particular dragged it down (she was fine as usual).

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I am glad you liked it.

As far as I am concerned, he can be theatrical in a phony and distracting way. In films like The Great Beauty, Il divo, The Consequences of Love or, worst of all, It Was the Son, I am always aware that I am watching an actor putting on fake tics and fake accents rather than a character behaving seamlessly, as if he had to resort to that stuff to impress the audience with his amazing transformations and hide his lack of depth. On the other hand, he is occasionally capable of doing fine understated work when he just drops the ACTING! techniques and focuses on the interiority: A Quiet Life is my favourite performance from him.

And, Servillo has just won his FOURTH Italian 'Oscar' (with SIX total nominations).
Giuseppe Battiston was robbed.

FYC: http://oi44.tinypic.com/2uh73gn.jpg

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[Toni Servillo]can be theatrical in a phony and distracting way. In films like The Great Beauty, Il divo, The Consequences of Love or, worst of all, It Was the Son, I am always aware that I am watching an actor putting on fake tics and fake accents rather than a character behaving seamlessly, as if he had to resort to that stuff to impress the audience with his amazing transformations and hide his lack of depth.


Of course, some accuse Meryl Streep of the same 'tics' and 'fake accents' and 'amazing transformations and hide his/her lack of depth.'

To each his own. I think Streep and Servillo are as fine as any actors right now.

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