An Ultimately Tragic Story


I'm too young to remember the Cowsills, and I had barely even heard of them, but this documentary really sucked me in.

The thing that stands out the most is the father, Bud Cowsill, and what an absolute beast he was. It was a classic case of the abusive, alcoholic father and the passive/aggessive enabling mother. Of course, the children were the victims and the ones who paid the heavy price. Today, these situations are not tolerated, but in the 1960s there was no remedy. The mother was, of course, was a victim herself.

It occurred to me that the reason the children excelled at music from a very early age was a desperate attempt to gain their father's approval, and ultimately, his love. Throughout human history it seems that dark forces and circumstances drive the creative spirit. This is the indeed the case with the Cowsills.

The tragedy revealed in this documentary is that the children emerge into adulthood as emotional cripples who are unable to cope in society. Compounding this is the fact that the father probably stole all the money the band had made in its prime.

Seeing the "kids" all together as adults is very sad and touching. Its almost like sitting in on an AA meeting. Two of the brothers had passed, no doubt due to chronic hard drug use.

There are some nice moments in this piece, which celebrate what was unique and
magical about the band. But, the negatives really stand out to me. Its a reminder of another time, when one person had the power to destroy the lives of an entire family, and society wouldn't bat an eye. I am lucky enough to have a good father, but I knew kids with alcoholic, abusive fathers, and I saw how irrepairably damaged they became as a result. Its just a very sad circumstance.

The cruel irony is that Bud Cowsill outlived his wife.

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I got the feeling the remaining Cowsills are ok with themselves, and with their past.

Their father was the typical a-hole, like lots of men were in those days.

What I would like to know, is what happened to $20million? How did he spend all that and no one knows where it went?

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The surviving Cowsills have come to terms with their pasts, I agree. Still, they went through what no child should ever have to. There may have been many abusive, alcoholic, WW 2 vet, fathers in the 50s and 60s, but that still doesn't excuse what Bud Cowsill did to his family. Remember that two of the sons died well before their time due to hard drug use.

The 20 million dollar issue is interesting. In the doc, they say that the Cowsills sold 20 million dollars worth of records. But in those days, the actual performers din't recieve any royalties from record sales. They had to make their money by touring, and getting a share of the publishing rights. So, there was a lot of money unaccounted for (probably stolen by Bud), but it was nowhere near 20 million.

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I, too, found this documentary very interesting. Yet another family damaged by an overbearing "stage" parent. Then drugs, alcohol and other types of abuse took over.

Who knows what Bud, the dad, did with the money? Starting your adult life in debt isn't the life any parent should subject their child to, but that's what happened to the Cowsills.

Glad to see the adult kids did their best to move on. Definitely sorry that one of the brothers lost his life during Hurricane Katrina. That was definitely sad.

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Yes, it seemed that Bud really did put his children in the worst possible spot as young adults, in debt, and not prepared to cope in the real world.

I wish the documentary would have focused a little bit more on what happened to the individual kids and the mother in the aftermath of the break up. We are given snipets of information, such as Susan going to live with one of the brothers after Bud's attempted sexual assault. But they don't go into any detail regarding this time period. Perhaps this was the most painful time for the family, and they don't feel comfortable talking about it. This is understandable.

Still, more information about the life of the mother would have been helpful. Some questions linger, such as, were all the children estranged from their parents (or just the father) after the break up? She sadly died at the age of 56, and no doubt her life was a living hell. But her voice and perspective are missing from this story.

Another thing that struck me was how close the family was. In the interview with Bill, he says he had lived his entire life in a fish bowl before his father "fired" him from the family. So when the Cowsills scattered in the years following the break up, it must have been even harder on the kids to be separated from their family. Its almost a miracle that the surviving Cowsills are as well adjusted as they are.

Who's High Pitch?

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I wish the documentary would have focused a little bit more on what happened to the individual kids and the mother in the aftermath of the break up. We are given snipets of information, such as Susan going to live with one of the brothers after Bud's attempted sexual assault. But they don't go into any detail regarding this time period. Perhaps this was the most painful time for the family, and they don't feel comfortable talking about it. This is understandable.


That was one of my issues with this documentary too. They only hint about what happened after they realized that Bud had burned too many bridges in the music industry for their careers to carry on and that all their money was gone.

The Cowsills were before my time and I wouldn't say that I'm a fan of their music (fluffy pop-tunes), but I find their story fascinating. It's the oft-told pop music story of rags-to riches-and then back to rags except with little kids instead of drugged-up adult pop stars.

From my understanding, they declared bankruptcy within an amazingly short time after their last Top 40 hit. That resulted in mom and dad taking the younger siblings back to Newport, RI. Dad joined the merchant marine. Little Susan was expected to go back to school and just be a regular kid (a reverse "Hannah Montana.") She didn't adjust well to that and dropped out during 9th grade.(According to the documentary, Barbara got a job as well, but we're not informed what.)

The other siblings also ended-up scrambling for menial labor jobs. Bob Cowsill has told a story of getting a job sweeping out a garage and having to endure hearing Cowsills' songs playing on the radio as he swept. That truly must have been humbling.

Paul got drafted into the navy.

Barbara Cowsill, a lifelong chain smoker, suffered from health and mental problems and died as a result of emphysema in a mental institution. (The documentary was silent on that.)

The biggest casualty was Barry. The rest of his siblings seemed to come to terms with their lost childhood fame and fortune, but Barry didn't. He hated how his dream of rock stardom alongside his brothers was hijacked by his father's vision of them as a sort of pop version of the Von Trapps. I suspect his hard-drugging and drinking was partly fueled by his desire to prove to the world and himself that he wasn't the super-square, milk-promoting "dork" who played alongside his mom and tambourine-banging baby sister. Also, Barry truly resented how the name Cowsill became an occasional punch-line for baby-boomer comics joking about how lame the 1960's could be. Whereas his siblings could laugh off David Letterman occasionally cracking on their image, Barry would bristle and became convinced that he couldn't catch a break in the music industry because of his last name and the "square" image music industry folks attached to it. The irony, though, is that as much as he resented what The Cowsills had come to represent, Barry never got over the end of their fame. In a family filled with sad stories, Barry's was the saddest.

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Great information, thanks. That fills in the blanks a bit.

I think Bill's story is probably as sad and tragic as Barry's. We get more information about Bill's post Cowsill career than the rest. They apparently died in the same year. I didn't care for their music either, but it seems the some of the brothers were talented on some level. They said that Bill and Bob wrote and arranged most of the songs.

Bob was sort of the family hero, he managed to get into med school and became an MD. It seems every horribly dysfunctional family has someone like this.

As for Barry, he doesn't really stand out as a Cowsill, he was one of the younger ones. The clips they show of him performing as an adult aren't very impressive. I can't stand the type of music he plays. Perhaps the drugs had already taken their toll by the time these clips were made. Still, I feel for him, and what a terrible way to die. One can only imagine the horrors he witnessed.

I'm curious, do you know of any additional source material about the Cowsills? As we agreed, there is an entire chapter missing in their story.

Merchant Marines = the perfect place for Bud.

"For dark is the suede that mows like a harvest"

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Thanks for the reply.

I don't believe Bob is a MD. He does work within the medical industry, but as some sort of software engineer not as a doctor.

Why I believe Barry is sadder than Billy is because Billy did have some success in resurrecting his career as a professional musician. In Canada, he really was a very well-respected musician, but one whose addiction issues kept him from truly breaking it big. I think all the Cowsills had talent, but Billy was truly gifted. On the other hand, Barry never again really got his musical career off the ground and became paranoid that his last name was holding him back. He just couldn't let go of the past. (Susan and Bob have both given interviews discussing Barry's various issues. It's obvious from those interviews that within the family Barry really was viewed as a "lost soul" even more so than Richard.)

It's interesting that you don't think that Barry really stood-out as a Cowsill during their hey-day. From my understanding, Barry and John were the two big "pin-ups" for the teen-girl fan mags. Although the band's sound was carried by the voices of Billy and Bob, in those pre-MTV days the most recognizable "faces" of the band among their fans (adolescent girls)were Barry and John. Poor Bob and Bill with their gap-toothed smiles didn't often pass muster with Tiger Beat's editors.

As for additional source material? Just do a google search. There is tons of stuff out there with old "where are they now" interviews being especially interesting. I got interested Cowsill story when VH1 did a documentary on teen idols and briefly addressed the Cowsills as being an example of the "dark side" of that fame with interviews with Bob and Barry talking about how their family fell apart with Barry coming across as paranoid. I don't mind the Cowsills' music, but I certainly wouldn't go out of my way to hear it. However, I do find their rise and fall to be fascinating.

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"As for Barry, he doesn't really stand out as a Cowsill".

Have you listened to the bass lines he was playing??..He and John were the definite heavyweights in terms of musicianship in that family.

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Don't think The Osmonds got away unscathed. Donny Osmond suffered serious psychological problems to the point where if someone approached him, he was too petrified to even say hello - and this was when he was an adult.

I know this because he was friends with the mom of someone I knew and the first time she met Donny he was too petrified to even say hello to her.

He's gotten a lot better, but the sad fact is the 3 families you mentioned has children who had problems as adults.

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I just saw this on Showtime and I really DO remember The Cowsills. I was at that age 5, 6 and 7 years old during their heyday and very radio oriented. Learning about these things decades later is a two edge sword, one, it breaks the childhood fantasy and two it tells what really went on which was pretty sad and devastating. After these trailblazers, there was The Jackson Five, The Osmonds, The Carpenters, The Partridge Family, The DeFranco Family -- etc., etc.

My favorite kindergarten song was The Rain, The Park and Other things...when I want to feel happy, I still play it today. Always puts a smile on my face (That and Good Vibrations from the Beach Boys). It's tragic what has happened to this family but they provided wonderful musical entertainment, if even for the obligatory 5 years (I say obligatory because back then usually people lasted for 3 to 5 years if hit makers and lucky. Radio musicians beyond that hit "solid gold" and classic status).

This was a nice telling, albeit sad and devastating at points. I really liked hearing them sing as a family again -- I wish all the remaining family members well -- they deserve it.

Retrain your brain!!

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I've watched this three times now because I think its such a good and honest documentary. I also wanted to be able to identify all the male Cowsills, it was driving me nuts!

One thing that strikes me is that the mother never should have been in the band. She obviously didn't contribute anything musically, and the idea was just a publicity stunt dreamed up by the father. I don't think their mangers or the kids wanted her in the band, and I doubt she wanted to be there either. She always seemed worn out by the rigors of touring 200+ days per year.

The mother is an interesting character in the whole story, but never really get her perspective. She passed at 56, which is very sad. No doubt, she had a very difficult life.

Who's High Pitch?

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Yeah I wanted to know more about the Mom, what she did after the breakup, etc.. Great documentary though.

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[deleted]

Thanks for your thoughts. I'm not sure the abuse pattern of WW2 veterans is as widespread, but I'm of a different generation. I suppose those who witnessed the unthinkable violence of war, bring those ghosts home with them. Its another horrible aspect of war's destruction of the human soul. But, this doesn't excuse anything Bud did to his family.

Everything you say about Bud is correct, he was a monster. This documentary tries to be upbeat, but ultimately, its about Bud and what he did to each child, and the aftermath.

I find it hard to pass judgment on Barbara, as her voice is completely absent in this piece. She was a victim as well as an enabler, but did she really have a choice? Being constantly pregnant (and/or caring for newborns) puts her in a weak and vulnerable position. In that day, did she have anywhere to turn? Did you notice the scene where they interviewed Barbara's sisters? They were in constant fear of being raped by Bud.

I agree with what you say, the remaining Cowsills are not ok, as much as they try to put a happy face on things. The two brothers who did hard drugs are gone, Richard is a miserable person and Susan still has her issues.

This documentary is about much more than the Cowsills, as musicians. Its ultimately about a family tragedy.

"For dark is the suede that mows like a harvest"

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What got under my skin was the aunt (Bud's sister) who knew why Bud was so angry and could have contributed to ending the cycle and healing these kids if she would have just spoken up but like all of that generation, just kept the secret and took it to her grave. My guess is that Bud and his sister were severely neglected and/or abused by their father while their mother just sat by and watched it happen. I would bet my pension that the sister and perhaps even Bud were somehow molested by their father which is the reason why Bud was so angry and the sister kept her lips sealed.


The rumor that I've heard is that Bud Cowsill's mother had become a part-time prostitute which prompted his running away from home when he was around 14 or 15. If true then that would explain a lot about him.

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Yes it is a tragic story but is also an inspirational story when I watched all the bad things the children went through and that they had were able to survive and become successful adults and good parents their story is inspirational

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Two of the kids are dead and were heavy drug users, Richard is an emotional wreck, as is Susan and Paul. So only 2 of the kids became successful adults.

Save me from the people who would save me from myself

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I was too young to know their music but watching the doc I of course knew "Hair" and the "I love the flower girl" (not the real title) song.

Watching the doc, when they first mentioned the dad they had said that no one was a bigger fan of the group then he was, so I was thinking "Great, finally a story where the dad manages the group, and he actually likes them, is a great dad and it's a positive story, not like the Beach Boys or the Jackson 5 who's dads were tyrants".

Too bad. Another sociopathic bully who pushed his kids to the top then proceeded to tear them down. At least the Beach Boys and Jacksons were able to somewhat break free and have continued success.

Compounding this is the fact that the father probably stole all the money the band had made in its prime.


Yep, like one of the brothers said "It took me 10 years to pay taxes on money I never saw".

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All The World's A Stage

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Coming from someone who never was a fan of the Cowsills, but who's a child of the 50s who appreciates many different musical styles and cherishes those years in college radio during the late 60s and early 70s, this was a surprisingly good documentary.

If it is what it is, what is it?

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