The Adjani film of a similar name charts Camille's creativity and relationship with Rodin through to break down. This film is Camille post-breakdown and living in an asylum. The film is very spare, which, if you're not familiar with Bruno Dumont you need some forewarning to bear what he demands from his viewers. Juliette Binoche is magnificent. I'm not sure that I've seen her better. Filmed almost without make up and showing age and raw emotion she drives the film as the complicated character and artist that was Camille Claudel. She's very human and as a viewer I felt so sorry for her because I don't believe her behaviour - assuming its accurately portrayed - was sufficient to warrant incarceration. In the film her character describes her incarceration as worse than prison and she's right. Her brother Paul, whose impending visit forms the narrative structure, is a prig who's not far off being demented himself.
I found the film challenging as a viewing experience and rated it 7/10 as a result. Binoche gets a 9/10 for her performance from me as does the beauty of the film.
I give my respect to those who have earned it; to everyone else, I'm civil.
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