Gypsy subplot
Did the whole "gypsy curse" subplot bother anyone?
I don't mean from the point of view of political correctness (though it did seem highly sterotypical to me,) but because it dictated the unsatisfying ending. It's what Checkov (is supposed to have) said about putting a gun on stage in the first act means it has to be fired by the end of the play. Once the gypsy woman cursed him, we had to see a tragedy play out...but that hacneyed strategem seemed so at odds with the overall psychology of the film, not to mention the sensitivity of the performances and direction.
It seems to me if the gypsy woman, brother and daughter were rethought we would have had a far more satisfying ending and therefore a much better movie...or am I missing something crucial here?