Patricia Highsmith


I became interested in this movie because it's based on a novel of hers. One of my all-time favorite movies is Strangers on a Train, which featured a fantastic performance by Robert Walker, who died too young. Then there was The Amazing Mr. Ripley, which was another outstanding movie based on a Highsmith book (actually there is a series of books). I will most likely see this movie, but I cannot believe I'm the only Highsmith fan who has posted on this board.

Boo Hoo! Let me wipe away the tears with my PLASTIC hand!--Lindsey McDonald (Angel)

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Well, it's THE TALENTED MR. RIPLEY but I suppose you are a real fan who simply misremembered. As for Highsmith fans, I suspect most of them are either dead or not following IMDB (Wait! Isn't that the same thing?) She is not a popular author at the moment, and maybe never again. She was good, though, no question about that.

Some reviews of this film have mentioned TTMR, usually to say they liked it more than this one. But we don't seem to have had a fervent fan here.

So fire away, Highsmigh fan. And maybe others will pop up.

I recently watched the film of TTMR, and I have to say it was terrific. I had forgotten all the fine young actors in it. As for the book, I read it so long ago I don't recall much about it.

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Yes, I did misremember, and I appreciated Strangers on a Train more. Did you see that? It's a true classic. Another author who is gone and mostly forgotten is Vera Caspary, who wrote another classic, Laura, a great film.

Boo Hoo! Let me wipe away the tears with my PLASTIC hand!--Lindsey McDonald (Angel)

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To me, STRANGERS ON A TRAIN is classic because of its plot, not its acting, but that's not the film's fault. I just like the more naturalistic acting styles that came in a few years later. And knowing a bit about psychopaths (of course, so does Patricia Highsmith ) I found the character's not having the right tone, somehow. I don't think he is simplistic, exactly, but in TTMR PH finally got it to perfection. Helped by Matt Damon, with his perpetually worried expression of someone who is just trying to get along in a world he wants so much to be part of -- and then all these things keep making trouble for him...

I say this having loved SOAT when I saw it in a film festival. And then I saw it again last year, and I felt disappointed.

But its a classic, no doubt about it. A lot of films are that have acting styles or other elements that now seem dated. Just the way it goes. And some of the old ones can still be mesmerizing, especially to people who haven't been exposed to subtlety in screen writing. Or sometimes to people who like the style. Or who like to watch the development of film ideas.

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One of the main reasons it's a classic is Hitchcock, who directed it beautifully! It's one of his best. And Farley Granger and Ruth Roman were never great actors. Robert Walker, however, was amazing.

You're right about Matt Damon, and with Jude Law and Gwyneth Paltrow just being so beautiful and golden, the epitome of all he wanted, it's easy to understand. Also another great performance by the late Phillip Seymour Hoffman.

Boo Hoo! Let me wipe away the tears with my PLASTIC hand!--Lindsey McDonald (Angel)

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If you liked Ripley you should see the original film version - Plein Soleil - from 1960 and starring Alain Delon, a very convincing Ripley. There's also Ripley's Game with, this time, John Malkovich as Ripley. Not a great film but wonderful scenery in north-east Italy.

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As for the scenery, this one is terrific: Greecs, Crete, Istanbul...The cityscapes have been CGI'd, ofr course, to return them to 1962, but it doesn't show.

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this is a great recommend tool:
http://chooseyourhighsmith.com/choose#_=_



my personal philosophy: http://tinyurl.com/kyd5nk8

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'Strangers On A Train' is a classic. It's still the best Patricia Highsmith adaptation ever filmed.

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