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I disagree. I think this miniseries, in its own way and in its own style, pointed up the sheer hypocrisy and mismanagement of the war. And I think the blithe ignorance of the ruling class and the aristocracy and the powers that be is very spot on. You might watch the film Oh! What a Lovely War (1969) for another take on the war -- not the same, but not dissimilar.
You have to remember that this miniseries is viewing all events through the story of one's man's life, and that his life is both a viewpoint and a metaphor. The whole concept of "parade" (facade, false front, show) can also easily refer to the fake "All Is Well", "We're Doing Great" facade that the powers that be pasted over the gross mismanagement and entirely unnecessary carnage that the war consisted of. As Christopher becomes increasingly disillusioned by the ridiculous mismanagement of the war, he also becomes disillusioned with his own pretenses of living a "happy" and "proper" marriage. Both are lies, and Christopher finally sheds the lies.
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