Old but perhaps overlooked news


From: http://latimesblogs.latimes.com/movies/2011/05/terrence-malick-looks-to-imax-documentary-to-extend-tree-of-life-explorations.html

This was maybe missed by some in the frenzy of TTOL's Cannes participation and subsequent release. Article from link above quoted below:

Terrence Malick left a lot of “The Tree of Life” footage on the cutting room floor. But the writer-director’s elaborate visual presentation of the birth of the universe and the origin of life may have a second life in an Imax documentary.

The publicity-phobic maker of “The New World” and “The Thin Red Line” has been developing a documentary called “Voyage of Time.” It was originally designed as a companion piece to “Tree of Life,” which opens in Los Angeles and New York on Friday. But the producers of “Tree of Life” were concerned that two films—one fiction, one not—covering similar ground might confuse audiences, and decided to push back “Voyage of Time” to an unspecified future date.

“It was important not to cannibalize ‘Tree of Life,’” says Bill Pohlad, whose River Road Entertainment financed “Tree of Life” and is one of the producers of “Voyage of Time.” “But we want to do it. He just has to find the time to do it,” Pohlad said of Malick, who recently completed photography and several reshoots on an untitled film starring Ben Affleck and Rachel McAdams that is by one account even more experimental than “Tree of Life.”

“Voyage of Time” will be narrated by “Tree of Life” star Brad Pitt and display “the whole of time, from the birth of the universe to its final collapse,” according to a confidential outline for the film obtained by The Times. A team of more than 20 advisors will “ensure the film is both aesthetically unique and scientifically accurate.”

According to a treatment for the documentary, “Voyage of Time” will cover the first signs of life, bacteria, cellular pioneers, first love, consciousness, the ascent of humanity, life and death and the end of the universe.

The business plan, heavily illustrated with images of jellyfish, crocodile embryo, nebular clouds, a slot canyon in Utah and Jupiter’s moon Ganymede, includes testimonial letters from Francis Ford Coppola, Martin Scorsese and Steven Spielberg, who promises that “Voyage of Time” will “be a memorable combination of art and science that will inspire as well as educate.”

reply

It's almost as if Terence is channeling God :O If he makes this movie, will there be any point anyone else making a film again? A film that covers everything, sounds pretty final to me :D

reply

Sounds amazing... get goose bump thinking about it!

I do hope he uses better special effects (some of the scenes in the creation sequence looked very CGI) but the space sequences made ups or that! :P

reply

Voyage of Time is basically Qasida (with the exception that Qasida opens with a minotaur-like creature waking from sleep and closing with his hibernation).

The whole of Q uses the concept of sleep being the bedrock of consciousness. From the cosmogony of unconsciousness arises the formation of the universe, the Big Bang, the birth of the sun, Earth's formation, the cyclical appearance of a comet, and the formation of life. Q brings the viewer on a "Voyage of Time" from the birth of the universe to Earth's Ice Age. In the snows of Earth, the Minotaur's hibernation brings us back into sleep. Voyage only differs from Qasida in that the latter would have been seeded with mythological archetypes.

Q opens with "Apsu." Apsu is (and I copy and paste from authoritative sources):

"A primeval Sumero-Akkadian god who personifies the primordial abyss of sweet waters underneath the earth. He is the consort of Tiamat, the primordial abyss of salt waters of Chaos. In the later mythology of the Enuma Elish, the sweet water mingled with the bitter waters of the sea and with a third watery element, perhaps cloud, the first gods were engendered. The waters of Apsu were thought of as held immobile underground by the 'spell' of Ea in a death-like sleep, but it is also said that Ea had Apsu fall asleep and had killed him. From the clay of Apsu man was fashioned. This appears to be a Sumerian myth, because in the Enuma Elish, Kingu's blood serves this purpose. Apsu's vizir, Mummu, was imprisioned in a house built on his body." [www.pantheon.org]

The other variant, "Apzu," means: "A Babylonian Deity from a creation myth "When above the heavens did not yet exist nor the earth below, Apsu the freshwater ocean was there, the first, the begetter, and Tiamat, the saltwater sea, she who bore them all; they were still mixing their waters, and no pasture land had yet been formed, nor even a reed marsh."

Malick's treatment of Apsu uses the idea of the creature dreaming. We as viewers in a partially multimdedia formast Malick planned, would have followed him out to something resembling the realm of the dead (involving the dead lying in mists, a strange castle, a boat and a slain dragon-like beast.

The next section opens with the appearance of light, which would have been depicted with a laser breaking into the primordial chaos. Much like Tree of Life, the music opening the creation would have been jubilant-sounding, in this case a "Hallelujah Chorus" leading to the first shot of the cosmos' formation. Then, the first source of light gives birth to quasars and the proto-Solar System before the sun rises over ancestral earth and its molten ocean.

This is primarily how the script plays out:

Ancestral Moon>Volcanoes – Infant Earth>Geothermal Areas – Dawn> Meteors, Electric Skies, Raging Sea>Gondawanaland>Atoms, Crystals>First Life>Supernova, Comet, Aurora>Devonian Forests>Insects>Devonian Shore, Lungfish (Age of Amphibians)>Eggs (emerging from one world into another)>Age of Dinosaurs>Great Comet>Death of Dinosaurs>Raging Sea, Other Cataclysms>Tertiary Rain Forest (mammals, primates)>Quaternary Wildlife>Australopithecus>Hibernating creatures (sleep = link to dreaming God, first images, where sleep ties up Q: widens out onto psychic night that will be theme of screenplay ("...we are the stuff of dreams ..."The Tempest")>Ice Age Sights>Eclipse>Melting snow


There are many particulars which I am not at libery to quote. But you have a sense of Q, and how it more closely resembles the concept of Voyage of Time than The Tree of Life.

p

Don't be surprised if this gets pulled, so copy and save if you are so inclined.

reply

Fascinating. Thanks for sharing Paul.

reply

Wow, great read thanks for this!

I hope he gets better funding so the dinosaurs look a bit better then they were in TTOL... If the imagery throughout is a good at TTOL the cgi doesn't matter a smuch...

I hope they include the space sequence from TTOL :P

reply

Amazing research. Thanks so much for sharing.

I hope Malick gets the funding he needs to finish Voyage soon, if he doesn't have it already.

reply

[deleted]

[deleted]

They are testimonials so the production can find more money --- the filming is essentially done, but needs more money for post-work.

reply

Malick should aim to finish this one sooner rather than later. Traditional 70mm IMAX projection isn't going to be around too much longer.

reply

[deleted]

What do you think will come next and replace it? And could Voyage just as well be presented that way?
70mm could be replaced adequately with 8K digital projection. The problem is that there hasn't been a lot of development of projection technology for resolutions that high, because it's overkill for pretty much everything but IMAX screens.
I've heard IMAX want to phase out film projection in the next few years, and if they were the company they once were I'd be confident that they'd fund 8K R&D, but in recent years they've become all about profit maximisation at the expense of the quality their brand was built on. If they go with 4K projectors, which I heard they might, the image would look very bad on their giant screens, and the quality that Voyage was shot at wouldn't be perceptible.
So, fingers crossed that they'll do the right thing and invest in developing specialised digital projectors for their screens, so that Voyage can be presented just as well, whenever it's released. In any case, it would be nice to see The Voyage of Time in 70mm film as a last hurrah for the format.

reply

[deleted]

[deleted]

I have no idea. Possibly those directors that gave salutations ?

reply

[deleted]

I would hazard to say that they have all the footage they need, that its in the editing stages and that more money is needed for effects houses etc. The big thing I heard is that it needs "funding."

reply

I wish they would tease us with some new news or a poster or something :PPPP

getting a bit empty here and quiet and its not fair lol! especially when he has 3 other films that he aint speaking about :P!

reply

Now don't get too excited, as dunno if this guy, Fabien Lemercier, has 'insider knowledge' to back-up his speculation or not, but he says that Voyage of Time is a possible contender for Cannes this year:
http://cineuropa.org/2011/nw.aspx?t=newsdetail&l=en&did=216317

It stood out for me, because if he is just guessing, wouldn't the 'Untitled' project have been a better bet?

reply

I hope so! seems so far away though :(

reply

If this is true, I'm gonna cream my pants.

reply