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interesting test case


There's been a ton of talk over the past couple of years that there aren't many good movies starring older women anymore. It was even addressed in an acceptance speech during the Oscars this year. Now we've got a film written, directed by, and starring a woman in her late middle age and it's subject matter is about familial relations and rediscovering yourself later in life - two subjects that should have mass appeal for older women.

My guess is that it won't be on a ton of screens, but a fair enough amount that it should get word of mouth, if there's any to be had, and a small enough number that if there is an underserved audience out there then the $/screen should be a decent amount. That in turn should generate a desire on the part of investors to duplicate the movie's success.

If the movie is successful, but it's not followed by a number of copycats then the critics out there will probably have a point. If it's successful and there are a lot of copycats and they're also moderately to wildly successful, then the critics' complaint well have been affirmed. If the movie is a flop then the critics' argument will take a hit. Their argument can't be dismissed outright, based on one movie, but it will be hard to keep arguing that a lack of older women in film is some kind of injustice if there really isn't an audience for their stories.

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Interesting points, and I'm glad you brought this up. However, persoally, I feel flack along these lines is a little late.

I think there's a lot aimed at older women ... and men ... now. After all, our favorite stars are aging, and they're bringing us along with them. Look at Sly.

I'm sure there is a host of stuff out there that I'm not thinking of, but, mostly, look at Meryl. She's not always a character actor in movies these days, many revovle around her middle-aged crises. I just saw October Gale with Patricia Clarkson that was decent. In fact, I hadn't thought about it before, but ... she's not that old, but the "October" in the title might have referred a little to her character.

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There's been a ton of talk over the past couple of years that there aren't many good movies starring older women anymore. It was even addressed in an acceptance speech during the Oscars this year. Now we've got a film written, directed by, and starring a woman in her late middle age and it's subject matter is about familial relations and rediscovering yourself later in life - two subjects that should have mass appeal for older women.

Yet somehow the story of a woman rediscovering herself feels like such a tired cliche. It seems even some of the reviews for this movie felt that way.

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When logic and science aren't on your side, you always lose.

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Well that's also true, but tired and cliche stories have been run of the mill in Hollywood for a while now, so I would think that would actually serve as an adequate control in a test case

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She wasn't rediscovering herself. She went to California for well intended reasons that she handled in a dumb way but in doing so she discovered life. Life after the death of a child. Life after divorce. Life after being a workaholic control freak. I think the only change in her core personality was an effort to lighten up.

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