The Camera Never Moves
All edits are sharp cuts. All the action takes place in a single frame. I don't think I've ever seen cinematography exactly like that before. Not since the silent film days, at least.
shareAll edits are sharp cuts. All the action takes place in a single frame. I don't think I've ever seen cinematography exactly like that before. Not since the silent film days, at least.
shareYes it is deliberatly made that way. Every scene is uncut so everything must work in that single take, resulting in as many as 214 re-takes for one scene (according to interview with Roy Andersson). Andersson is one of the most unique filmmakers of our time. I can only think of Alejandro Jodorowsky who is anything close to this (yet different)
Antiparanoia is the eerie feeling that nothing is connected to anything else
Andersson is one of the most unique filmmakers of our time. I can only think of Alejandro Jodorowsky who is anything close to this (yet different)
It moves a tiny bit in the horse scenes, if you look carefully.
shareI'm guessing you didn't see Other Roy then
shareAndersson is hardly the only filmmaker to do this. Jacques Tati utilized a similar technique in many of his films, as did Jarmusch in Stranger Than Paradise. Major long-take practitioners such as Chantal Akerman and Apichatpong Weerasethakul do as well. And of course there are plenty of Ozu films where the camera is entirely static, although he does cut within the shot.
shareWell, then I have seen a few of them, just not as memorable as this one. Good to see the old masterpieces are not forgotten.
shareThe camera is not static in Stranger Than Paradise though, but each scene is in one take.
HI-F___ING-YA
Nicholas Cage Deadfall
Oscar Predictions 2016 imdb.com/list/ls033120110/