My thoughts


I saw this the other night, loved it. it's not just arbitrary imagery, I can see how one could be put off about that fact that they were expecting a horror film or giallo homage, it's neither.

It sounds corny, but to me it's about loss of innocence. Here's our main character going to Italy to work on a film. He misses his mom, his home, and his family friendly films. Now he's thrust into the real world of jaded people who are bored with their job (receptionist), mean to others (Francesco) and womanizing a holes (Santini). He's bullied and disturbed by the imagery onscreen, but as Santini puts it, 'it's imitates real life'. The rotting fruit is representative of how things get ugly as they get older, life is drained. When Santini offers him the olive, he says 'where I come from, we eat the seed', and Gilderoy does, changing his ways, conforming to their jaded ways. He even almost finds himself yelling at an actress against his will. When that actress is fired and a new one comes in, she's all bright eyed and green, like how he used to be. He's become just like the others... bitter and now speaking dubbed Italian

The breaking point is when is mom sends the disturbing letter about the dead chickens, he realizes there's no escape from the ugly realities of life. What was once a solace is now gone. When he wakes up and finds himself onscreen, he's essentially finding himself becoming one with the harshness in the film, and in the final shot he literally becomes engulfed in the screen.

I had a wild theory that he might be a character from the film, interacting with his makers. I don't think it's that deep though, i could be wrong. There are some details that still don't make sense, leading me to believe there more to it.

Either way, I loved it. Visually its amazing and it spoke to me about life and how we are all rotting fruit

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Really nice post and a theory of the film with which I could agree. I would add that the sound is amazing too.

Keep silent unless what you are going to say is more important than silence.

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>>and it spoke to me about life and how we are all rotting fruit

So millions of dollars poured into movies like this to tell someone that we're all fruit that are rotting and that growing old is a miserable experience. These are the times that art is actually meaningless and it urges me to say "Art. What about it?"

2013 Most Anticipated - Stoker, The Spectacular Now, Frances Ha

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Our views on art differ but you can rest assured that Peter Strickland would not have had a multi-million backing for his film.

to tell someone that we're all fruit that are rotting and that growing old is a miserable experience
Having seen the film, I don't think that's what the OP meant. The film is too subtle to show, as opposed to tell, any one thing. The OP has taken this from it for him or herself. The film allows a pluarity of meaning.
Keep silent unless what you are going to say is more important than silence.

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"Rest assured Peter Strickland would not have had a muli million backing..."

Yes he would. His film was financed by the National Lottery. It could have been about Tiddly Winks and he still would have received the same funding.

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I really like the idea of Gilderoy being a manipulated character in a fictional film (not even The Equestrian Vortex - that could be a film within a film within a film) - my personal view has always been that the corridors and staff at Berberian suggest a medical environment, and that Gilderoy is actually a delusional patient - but add both theories together and you get the outline for a brilliant Giallo film. Full circle result!

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