Laughing My Head Off.


Reading several reviewers and their praise of this 'French film'.

Seriously.

Quand le doigt montre le ciel, l'imbécile regarde le doigt.

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lol. so true.

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I really thought this was a great film, except I wonder if it ever dawned on the filmmakers that in real life most of the kid's woes (and probably 75% of the film) would disappear if he had just gotten a bike lock.

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Yes the bike lock thing did occur to me.

No man will marry a bilakoro

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[deleted]

most of the kid's woes (and probably 75% of the film) would disappear if he had just gotten a bike lock


LOL. Definitely not a New York City kid.

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its da same. they both use euro

I live, I love, I slay, and I'm content

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I have to agree; I really could not understand why this film has received such acclaim. I liked the cinemtography, and the young boy was impeccable in his role, but the lack of character development really inhibited whatever message the film was trying to convey. I couldn't help feeling the film would have made a good first half to a longer film documenting the characters' lives. I also thought quite a bit of the film was rather melodramatic, including the scene where the hairdresser's boyfriend abandons the car in the middle of the highway. I was hoping this would be a good film, but sadly, I was disappointed.

http://writingsofdack.blogspot.com/

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If you didn't see any character development, I would have to say that you are completely blind and probably shouldn't be watching films of this calibre in the first place since they seem to be completely wasted on you

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I think the boy was fairly well-developed but Samantha fell quite short.

We know NOTHING of her motives. What does she see in this boy? Why is she taking care of him?

A bit more on her would have given this film the extra boost it needed.

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I have to agree. ALL the characters, aside from Cyril, were there to provide a function towards the story, and nothing else. The worse two were the kid who became his friend, seemingly from just asking Cyril to join in a game of football (which then he didn't turn up for), and the kid who kept stealing his bike, who was just in the film to randomly steal Cyril's bike. Samantha, his dad, the newsagent, the dealer ... all just there to provide a function to the story with very little depth to their characters.

I must surmise it was the Dardenne Brothers intention to do this, so you would concentrate on Cyril, but to me, it significantly lessened the impact of the film.

Also, Cyril changed to his accepting personality far too swiftly, and the last ten minutes were superfluous, unless they resulted in a much greater plot dynamic.

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I think you guys are getting off track.
The OP's intent is to point out that the directors are actually Belgian.
If this would've been a Flemish-speaking film they might've gotten it right more often.

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but the lack of character development really inhibited whatever message the film was trying to convey.

Really?! What film were you watching?

"Doublethink. To deliberately believe in lies, while knowing they're false." Henry Barthes

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If professional movie critics are calling it a "French film," yeah, that's bad. But if it's just an average movie viewer making that mistake, it's a little more understandable, as there are basically no geographic points of reference in this movie, aside from the little "avec le soutien de la Région Wallonie" line in the opening credits. (Well, that and the Jupiler beer can.)

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