I don't have a favourite, I like them all (to varying degrees) - I think this film perfects the realism and drama found in the preceding Studio Ghibli films (Only Yesterday, Ocean Waves and Whisper of the Heart), taking the best and strongest elements of all three and fusing them into a single narrative. Probably the studio's best "realistic" or dramatic work if you ask me.
If you live in Europe/Oceania, then you might have a chance finding them on DVD - neither Only Yesterday nor Ocean Waves (Studio Ghibli's one and only TV Movie) have seen an official release in North America.
From Up on Poppy Hill had a solid narrative and brilliant characterisation. The themes engaged with of youthful ambition and struggling with one's past was supported by admirable characters.
"I'd rather be hated for who I am, than loved for who I am not".
Great story and characters. And a realistic movie, could have been a live-action film. It's not a typical animated film. I'd compare it to The Wind Rises and Porco Rosso, of the ones I've seen.
Whisper of the Heart and From Up Poppy Hill were not made by Miyazaki though...Poppy was made by his son Goro, an Whisper by Yoshifumi Kondo.
Did you mean Ghibli?
I loved it too. I thin it shows that Miyazaki's son who directed it can come up with some great stuff. It would be one of my top Ghibli films. If I had to rate them, the top would look like
Princess Mononoke - Miyazaki Whisper of the Hears - Kondo Laputa- Miyazaki Porco Rosso - Miyazaki From Up Poppy Hill - Goro Miyazaki
In the beginning there was nothing, and it exploded.
OP: Me too! What a BEAUTIFUL movie, in all respects! I can never get over how artistically beautiful all studio Ghibli movies are (you can basically pause the movie at any frame and you have a perfect painting), but this one also has such a lovely story and character development. The whole clubhouse setting and storyline made me so nostalgic for the times when students were actually passionate about learning and about activism (I'm not saying that students nowdays don't care about these things at all, but I fear that the proportion of students who do care is much lower). And then the personal story of Umi and Shun was simple but engaging and really sweet. This movie had avoided a common story-telling flaw of Miyazaki's movies, namely being a bit all over the place in the second half (Nausicaa and Howl's moving castle being the prime examples of this, as well as Spirited Away, to some extent).
I am a fan of the more down-to-earth films by Miyazaki senior, so my favorite ones are:
The Wind Rises Totoro Castle in the Sky (that one is literally not "down to Earth" but still less epic than some other ones) Kiki's Delivery Service
I think Princess Mononoke is the best among the more epic ones.
**Edit: PS: I forgot to mention Whisper of the Heart, which is quite similar to this one. Another lovely film, but it's usually not included in the lists of "essential" Miyazaki movies because he didn't direct it.
It's always nice to hear the thoughts of another fan of Miyazaki's gentler films.
I really love Umi's interactions with her grandmother, her mother, her sister, and Shun. I got this one out of the library once and watched it several times. I alternated between the original Japanese version and the English dub, because I really liked both.
I've always found it very interesting that Miyazaki has directed (and/or written) 3 distinct different types of movies: war epics, nightmares, and family films suitable for younger children. Porco Rosso is the one of the few that does not fit into a single category and is really a hybrid.