MovieChat Forums > Sing Your Song (2012) Discussion > Aspect ratio and distorted archival foot...

Aspect ratio and distorted archival footage


I saw Sing Your Song today, screened at the Vancouver International Film Centre, and I thought the filmmakers made a bizarre decision of how to treat the archival footage. Whenever the old footage was in 4:3 aspect ratio, they just stretched it horizontally to fill the screen. So in the old footage it looked like Belafonte (as well as the other actors/personalities) had a comically wide head and was squat with broad shoulders. Then they would intercut with a present-day interview of Belafonte, and of course his proportions would look normal.

Did the producers think nobody would notice? The documentary was otherwise excellent, but this issue of distortion permeated the entire length of the film; it seemed so unprofessional. Could it have somehow been an error by the theatre in how it was projected? That seems unlikely but it's just unfathomable to me that the director deliberately chose for it to look like that.

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I agree. I'm only 20 minutes into this documentary (shown on HBO with the same distortion in archive footage) and it's so painful to look at, for all the wrong reasons. I'm debating whether I should even finish watching.

Ultimately, Susanne Rostock is the one to blame for this disgrace, that looks like a misconfigured TV. It's a complete lack of respect for both the subject, and the audience.

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I'm glad someone else noticed! The same issue was in the documentary The Gatekeepers (www.imdb.com/title/tt2309788/combined), with much archival footage at the wrong aspect ratio, but nobody seemed to notice that and it got an Oscar nomination. For me, issues like this undermine my confidence in the journalistic integrity of the film.

I guess the filmmakers assume it would be distracting for the audience if the picture switched back and forth from widescreen to windowboxed, but there are many, many documentaries who have accomplished this well: they incorporate archival 4:3 footage into a 16:9 film without it looking unnatural and without distorting the original images. One that sticks out because I saw it just after The Gatekeepers is Far Out Isn't Far Enough: The Tomi Ungerer Story (www.imdb.com/title/tt1974254/combined), a truly excellent doc.

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