MovieChat Forums > The Hour (2011) Discussion > SPOILER - Big issue with S2 finale

SPOILER - Big issue with S2 finale


I cringed when Freddie and Kiki are at the movies, and Freddie sends her out through the backdoor so that he can delay the two goons. The way it was shot, there was absolutely no reason why he couldn't have escaped with her.

Had the two goons been walking towards the curtain/doorway where Freddie was standing, perhaps there would be a reason for him to engage them, but they were just standing still in the lobby. Stupid.

I get that for plot reasons, Freddie had to fall into Cilenti's hands, but there was a better way to do it. It ruined the last few minutes of the finale for me.

It's a bummer that there is no S3 planned. I'd like to find out if Freddie survives. I'm assuming he does given that he was still breathing and was dumped in front of the studio -- but he took quite the beating.

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Just finished it and was thinking the same thing! They should have done it in such a way that he had to stay behind.
Freddie does survive, I read that they were planning on pushing him over to the dark side in the 3rd season.

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I read that they were planning on pushing him over to the dark side in the 3rd season

A third season has been announced? Or was that a joke?

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No. A few weeks back, the writer was quoted as saying what would have happened if there had been a 3rd season.

http://currentscene.wordpress.com

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Oh, what WOULD have been a third season! I had my hopes up there for a minute.

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Freddie's reason for staying at the cinema was to distract Cilenti's men from Kiki. Of course he could have fled with Kiki, but there would have been a good chance that Cilenti's men would have seen and followed them. So he stayed behind so that Cilenti and his goons would be busy with interrogating and beating him until "The Hour" with the interview with Kiki begins ...

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I thought it was pretty clear that he had survived, because Bel was sobbing but then she got a phone call and she suddenly perked way up, dropped the phone and ran frantically down the stairs with an expression on her face like "must get to Freddy!"....if she'd gotten a call saying Freddy had died, she'd have still been sobbing and generally looking lachrymose...the caller must have told her that Freddy was alive and she was rushing to the hospital. IMO.

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I agree. Freddy definitely survived.
Remember, when Season 2 ended, they thought there was going to be a Season 3.
So this was intended as a cliffhanger, to draw us back to the opening of Season 3 to find out if he lived or died.
lt would have started in suspense with Freddy almost dead but clinging to life, and he would have slowly recovered and more drama would have ensued. But if they wanted Freddy dead for Season 3 he would have died on the last episode of Season 2, before the very end, and they would have left us with another cliffhanger. But he didn't, and there wasn't.
Great series, and I would have definitely watched a Season 3. But it ended on a satisfying note. Well done.

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This show has a fair whack of writing that doesn't make a lot of sense. And it often descends into cheese. The cliffhanger ending was cringeworthy, and as the OP points out, the build up to it was senseless.

A virtue of programmes like this, set in a near past that overlaps our own media age, is that the writer has an opportunity to go wild with irony. With Life on Mars for example we are simultaneously able to poke fun at crime shows of the 70s while actually watching one. For many viewers, 'Fire up the Quattro' contained no irony at all and they were able to indulge in a show that violated cynical modern sensibilities.

The 2 major plotlines of The Hour invoked the RL narrative of the Suez Crisis and the Profumo Scandal. The Hour gives them a 50s style treatment, full of the era's tropes. But, it doesn't do so convincingly. It muddles itself, bouncing back and forth between a modern conspiracy theory approach and Hitchock style suspense. Basically, it forgets what it is trying to do, or at least, could be doing.

In short, as the series developed, The Hour began to take itself too seriously. It stopped being ironic and became every bit as cliched as the subject matter it should have had under the microscope.

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