Yes, the intent of this film was to present an intriguing drama, not to weigh in on history and/or lay out the factual arguments. The focal point was in the head of the Helen Mirren character, who believed in her client's innocence, but her belief system was being shaken. That's what makes good, subtle drama: Internal conflict. For the purpose of making it work, Spector was given a plausible excuse. Without that uncertainty, we'd merely have an inexcusable villain, which would be (I believe) accurate history but simple-minded drama. Instead, Pacino was brilliant and the Pacino/Mirren exchanges fascinated me. But none of this is a basis to reflect upon the actual murder or trial. It's disturbing to see people opining about the real situation because they "saw" it here.
That being said, it seems unreasonable to me that Mamet used the real names, thus provoking condemnations and strange discussions. Perhaps he was deliberately courting controversy, and thus notoriety. If that was his plan, it's working.
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