Flawed Errol Morris film
This is a flawed documentary and here's why.
He's got a complete raving nutcase of a subject and he never confronts her in the lies. She's lying from beginning to end: She says she wasn't a prostitute/call girl. She says she took Kurt voluntarily. She says those nude photos weren't of her. She even says she didn't "flee" England.
He either doesn't confront her on the lies. Or he doesn't dig up the counter-witness to the event (Kurt or Moscowitz or one of her fellow callgirls). The Daily Mirror guy who initially dug up the nude photos was good, but we needed much more of that. The spread eagle story is given without any cross examination. It seemed very peculiar. She has these restraints to begin with. Why did she own/bring restraints if: she's holding him voluntarily and she's _not_ a dominatrix (as she claims). Also, did KC help in any with the restraining? Simple stuff like her not liking the word "flee"-- ask her how her fleeing differs in any way from the conventional definition of word "fleeing": she used disguises, an assumed identity to leave England/enter Canada (a felony, I believe).
I was annoyed watching 90 minutes of her lies without really seeing her get any rebuttal. There were so many photos of her. They're incontrovertible. "The Thin Blue Line" was a masterwork of initially showing a fictitious story and gently, ineluctably revealing the facts. This film, really, only showed her side of the events.
If Kurt didn't want to come on film, couldn't he have interviewed with Morris so he could know the right questions with which to nail her? By his not appearing, we really are given the impression that he went willingly with her. Then again, she is such an utter nutcase and the events are so bizarre, perhaps he didn't want to revisit the memory of the events and her madness.