Does people believe this movie misrepresents Mexico as a country?
I'm surprised there were at least two people from Mexico (at 'user reviews') complaining that EL INFIERNO denigrates Mexicans and it's not a real representation of the country's reality.
They said the same about LOS OLVIDADOS from Luis Buñuel (1950, http://www.imdb.com/title/tt0042804/), and I think the resemblances don't stop there.
I understand that people (maybe many of them) all over the world that gets to see the movie might think everyone in Mexico lives this reality. Let it remain their own problem and ignorance. The fact is: this movie reflects a reality in Mexico for many real people, and this has nothing to do with the point we (mexicans) find it pleasant or not. I celebrate it's a black comedy because the other option would be too much to stand for me. Still, I am pretty sure nobody who watches this movie has the choice of ignoring its content.
Besides, I’ve heard that the way the director approaches the story, from Benny’s point of view, tries to justify his decisions. This is simply absurd. We saw a previous movie from this director: LA LEY DE HERODES, where an ordinary man becomes one of the most corrupt politicians in 1940’s Mexico. The approach is the same but I don’t find that the circumstances surrounding this evolution justify at all the corruption or that the movie it’s a form of celebration of bribery and the sort.
I am Mexican, and happily, I don’t live right now the reality Benny lives in the movie. Still, I know people who do, places like that and certainly politicians and other authorities pretty much as the ones portrayed in the movie. EL INFIERNO is just a movie and a parallel reality might occur anywhere. By itself it’s good, serious cinematography. We can take it as criticism or just a story in a place similar to Mexico if we are happy with this.
We Mexicans get bored when people from other countries think of us as wearing a big moustache, a big hat, eating chile and beans all the time or shouting “andale!” as Speedy Gonzales (an American cartoon, by the way) and giving bribes here and there. But I am sure Italians feel the same about the big moustaches, the pizza, the mafia and so. There are plenty of examples of this and there’s no need to elaborate. But clichés reflect reality, whether we like it or not, even when they are not the whole reality. We Mexicans recognize most of characters in this movie as familiar, but of course, as any educated people can elaborate, there are many educated Mexicans, who eat more than just chile and tortillas and who doesn’t go by saying “andale!” at every moment, just as much as most of Italians doesn’t belong to the Mafia, or cook pizza all day long with a broad smile in their faces. So I don’t take any offence from the characters in the movie and no other should.
People who think Estrada went too far or made a lousy movie, might expect a sunny, colorful and happy-ending movie. Something that potential tourism watches around the globe and think: “Mexico is wonderful, let’s go there on our next vacations” as in "Walk on the clouds" or mystic and colorful as "Like water for chocolate" (both from director Alfonso Arau). Something we could be proud to call our representative in all countries. But I say this wouldn’t reflect every Mexican’s reality as well. Still, Mexico remains a great site, an incredible place to visit and at a time (they are no opposite approaches) having many things to work on to enhance, just as most countries have.
EL INFIERNO is a story that begins simply and funny, and ends up leaving something in our minds to think about. Something serious. It’s not everyone’s reality but it certainly could be. It doesn’t justify anyone, but gives an understandable explanation for people who is as simply minded as to think people in a happy surrounding just chooses to follow an evil path. Causes are complex, solution is complex. If we get closer to the causes chances are we are in the way to work on the solution.
But in the end it’s just a movie, and a good movie by the way.