I have to agree on the plus side. I loved the narration.
As a matter of fact, I really hadn't even noticed this movie as even being one that I'd pay attention to. I'd happened to have it on doing something else, when the narration started.
It was the narration itself that hooked me into this movie. It was the narration that allowed me to suspend disbelief and believe that this could actually happen. I do think that the writer should have set the discovery of Electron Compression in DNA as farther ahead than 2035 to give the movie a longer range, but that's a minor nit.
Not only that, but I think Hugh Ross as the narrator knocked it out of the park. In fact, I have some videos I'll be creating coming up here in the next few months and I will be contacting him to get his standard rates for VO work, and see if he can't narrate some of my videos. It's that good, and his voice is fascinating to me, especially when explaining the concepts he was explaining.
The great part was that it was so sparsely and well-used, in my opinion. It didn't keep popping up in each new scene, but seemed to be perfectly timed exactly when it was necessary, and receded back when the story and normal character dialogue was enough to propel the movement forward.
Guess it just goes to show that an audience is not a single monolithic group... but is comprised of a number of individuals who each have different tastes and preferences.
Without the narrator, I doubt this movie would have even piqued my interest. With the narration, it's quickly becoming one of my favorite fantasy love stories.
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You're makin'... me... beat... up... GRASS!
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