I think the ending SAVES the film. I was getting incredibly annoyed with Laura's character, especially in the middle section of the film, to the point where I was wondering if she was actually written to come off like she's mentally disabled. Which was a shame, because this frustration with her horrible and seemingly nonsensical decision making was ruining what was otherwise a VERY creepy, interestingly filmed experience.
But the ending totally justifies her bizarre behavior! Once we know that, we can explain all her earlier weirdness (carefully examining the bookcase - like you're going to find your missing father there? agreeing to go back in the house at all, for any reason?) as "Laura-vision", and view it as all part of the extended freaky psychotic episode it actually is.
For example, I think in the "real" world, Laura actually convinced Nestor to go back into the house, instead of the seriously off conversation in the truck they appeared to have. In the room with the bookcase he even seems to be annoyed that they're there and trying to convince her to leave with him - something that doesn't make sense unless its actually Laura who wants to be there, which turns out to be true.
It may lose the "what the hell kind of supernatural nonsense is going on here?" sense of dread at this point, but the tension is sustained by the newly revealed madness of Laura. For example, that shot of her just tilting her head at him as Nestor dies is simply disturbing. At that point I was simultaneously frightened of and cheering for her, as those two men pretty much got what they deserved.
Finally, I just love the epilogue with her "daughter". It's so sweet, like a happy ending for Laura, while still managing to creep the viewer out and prevent any "is she or isn't she dead?" confusion in regards to the little girl. Its wonderful. I love The Silent House.
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