MovieChat Forums > American Pickers (2010) Discussion > focus of show becoming more narrow?

focus of show becoming more narrow?


I've been watching since the beginning, and it seems that the primary focus of the "picking" (don't care to get into the "it's all staged, you moron" discussion)is focused on transportation objects?

Earlier seasons seemed to show a more eclectic selection of objects--now it seems it's mainly bicycle-, motorbike-, or automotive-related.

Case in point: recent episode spent just about all its time with an elderly motorcycle stunt man, picking his costumes, etc.

Sometimes I think they would step over a colonial table, in order to get to the completely rusted through frame of an old Indian or Harley.

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Earlier seasons seemed to show a more eclectic selection of objects--now it seems it's mainly bicycle-, motorbike-, or automotive-related.

I'm not a regular viewer, so I can't comment on "change of focus."

But, Mike has always been interested in bikes of all kinds. I lost count of the times he had an orgasm over some rusted, old shell of a bike-part that he had to dig out of the dirt -- that I wouldn't look at twice. Very boring.

I'd much rather see old furniture, tools, and machinery.

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Wolfe is exercising his creator/executive producer/director muscle.

Wolfe’s “business” sells to businesses like Cracker Barrel, Ruby Tuesday, Ruby’s Diner, and other Americana themed restaurants. Look at his “wish list” and you can see that he leans heavily towards petroliania, transportation, and other items suited to those types of décor. He also has an affinity for motorcycles. Fritz has a thing for advertising.

How did the transportation/advertising rut begin? The answer is most likely when he became a director; which Wolfe says came about as a result of his initial naïveté and inexperience about reality TV shows and how they are made.

Wolfe has a huge ego and he wasn’t happy with the direction of the show’s early episodes, i.e., he wasn’t going to let the producers force him to do “stupid sh!t.” So he snagged a director’s title, along with executive producer, and now he dictates what will and will not appear on the show. Trouble is, Wolfe the director, caters to his areas of expertise (tunnel vision) which leads to his propensity to feature “lather, rinse, repeat” episodes of motorcycles and signage.

With filming a show and making guest appearances, it’s important to not get caught up in the hype and lose site [sic] of who you are and what you want to express as a person.

“All of a sudden you realize, once you get at a certain level (read: successful TV show), you don’t have to say yes to everything. I used to say yes to every single thing they threw in front of me, and I don’t anymore. Where before, I always felt I had to. You have to do it the right way though. I say no more often now, but I explain why I’m saying no to them.”


Despite being the show creator, Mike doesn’t get anything for the spin-offs. Unfortunately, being new and using the wrong type of lawyer cost him.

“Reality is, I was too new for the show to have given me all of that anyway. I was smart enough to ask for an EP title and creator title. I did get that. Now I’m going to start directing the show for season five. In the past, our directors would stay a month and leave. No one knows my business like I do. In reality TV they always ask you to do stupid *beep* They’re always struggling for storyline. But I wanted to make the picks so powerful that they were the storyline.”


.... Like tomorrow, I have my EP from History flying into Nashville and we’re going to sit down and talk about season five. They are listening to me. It’s not just a title I have as an EP. In fact, when I started, I didn’t even know what an EP was. My cameraman was telling me, ‘Hey dude, you’re the EP. You’re the boss. Tell him how you feel.’ I was like, I’m his boss? (laughs) Then I got to the point I’d joke and say, ‘Hey don’t make me pull out the EP’ (laughs).

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