Farmiga's Film Acts as an Honest Portrayal of Process
As a general statement, Hollywood's portrayal of people of faith, especially the Christian faith, has been agenda-ridden to say the least. No doubt, Christianity in the United States has provided a deep well of potential stories for the critically minded filmmaker. A phenomena I have always found interesting is how the most radical, judgmental, bigoted religious individuals tend to be the loudest and thus are viewed as the spokespeople for their faction. Understandably, these very charismatic individuals are easier to make films out of. But then again, since when was good filmmaking supposed to be easy? In Higher Ground Vera Farmiga takes the propensity for questioning, the skepticism toward a system driven by sound bytes, and the honest pursuit of truth that is the story of Carolyn Briggs and portrays it with grace and great intentionality.
The film is peppered with many comical moments, but then so it religion. A common critique of religion is how it makes taboo many of life's pleasures and necessities and refuses to have a sense of humor about the searching that must occur when trying to comprehend its mysticism. Higher Ground does neither. It actually addresses the way religion makes sexual acts taboo through humor when Corinne's close friend, Anika, encourages her to begin drawing her husband's penis for him to spice up their lovemaking. The question of speaking in tongues is also not off the agenda as Corinne wrestles with that as well.
I believe that Christian or not, viewers will appreciate the conflict in the story as Farmiga's character begins to deal with the larger, more daunting questions for religion, such as, "A cliche religious phrase doesn't give me comfort when their is deep pain and loss. Is there something more to this system than having the right answer? What do I do when these religious slogans seem to be just one more way of avoiding tough questions? Where is God in all of this?"
Normally, this is the point in the movie where the main character has this sudden realization that everything in Christianity is just a grand facade, that they have been a fool for believing it, they allow themselves to be enlightened, and all of the people of faith in the movie are shown for the unintelligent fools that they are. Farmiga's adaptation is quite different. Corinne allows herself to process. Ultimately she does have to break away from the system she has been a part of, but not as a damnation of the system, as a perspective-giving separation. Multiple scenes in the movie depict Corinne caught in a moment of enlightenment and simultaneously longing for the church (the community and the system) from which she came. Even her final speech as she leaves the church for the last time is gracious and complimentary towards the individuals in the church who have cared for her and who she admires.
I would highly recommend this film to the religious individual or the so-called "seeker." In Farmiga's depiction and Briggs' personal narrative both will find an inviting place to honestly engage questions of faith and spirituality.