I agree with you all that 'Collaborator' is one grand film. Since I have fond memories of enjoying Martin Donovan's acting performances in Hal Hartly's indie movies in the 90s, I'm soooo pleased that his début as writer/director lives up to the high standard set by Hal's oeuvre.
[SPOILER ALERT: best see the film first afore reading what's written below.]
As “they” say, and as Robert Longfellow (Martin Donovan) states explicitly, a writer should write about her/his own experiences. That Martin chooses to shine a light on that authorial life-experience-harvesting process adds another delicious layer of self-deprecating humour to this witty pic.
The three elder women onna bench struck me as a knowing and comic gender-inverted nod to the classical tradition of the Greek chorus, as spectators commenting on the drama unfolding before them. Even though they try to intervene with a phone call, alas, it is to no avail!
I agree with zeus that, on the evidence presented in the film, it's unfair to characterise Robert as a “user” of women; a flawed character, perhaps (and aren't we all?), but not a user. He may be moving towards estrangement from his wife and children, but it seems more than likely that his hostage experience will lead him away from an (unconsummated) affair with Emma (Olivia Williams) and back towards valuing his family. I also had little sympathy with Gus (David Morse), although the double-standard contrast with Robert's elder brother could have been made more explicit, for my taste: the former kills two men ad hoc in the USA, is rightly reviled as a murderer, and is (wrongly) shot dead by a state-employed gunman; meanwhile the latter became a state-employed gunman, killed ten times as many people or more in Viet Nam, and is lauded as a (US nationist's) hero.
@zeus: “I find the gun thing stupid. How do u miss that? I'm a stickler for detail :D”
Did you mean...
(A) Gus's pistol barrel shown protruding from the slider after he shot the phone, indicating an empty gun and magazine; or
(B) The cop sniper, having seen through his scope that Gus had properly disarmed his pistol and himself, fails to make a disabling shot on a stationary target (eg: right shoulder), but kills Gus with a head shot; or
(C) Something else that I missed?
I'm hoping Martin will continue developing his talent as a writer/director/actor, and I give 'Collaborator' 9/10 stars.
PS: thanks for the pointer to 'The Sunset Limited'; I'm looking forward to enjoying it shortly.
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