MovieChat Forums > Down Terrace (2010) Discussion > Bleak, nasty and bereft film

Bleak, nasty and bereft film


I've been watching films for 50 years, and I can't remember offhand a poorer movie than Down Terrace.

How on earth this won it's director an award for 'Best Newcomer', I can't for the life of me understand....

Full of immoral characters, leading squalid little lives and not an ounce of humanity between them.

Not a word of decent dialogue, no attempt at any proper characterization or plot-development, loud shouting in lieu of acting....did anyone care about any of these people ? This sleazy slice of Brighton exists I am sure, but why make a film about such utter dullards and their futile, bereft lives in such pinched and ugly surroundings ?

Apparently it took 8 days to shoot...what a waste of a week.

Black comedy ? What comedy ? This film has not a single saving grace....

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I agree there are areas like this in any town in the UK, watching this now, not good

8 days to shoot lol, well there was a saving grace, the end credits

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(SPOILER)

You picked up on 'immoral', 'squalid' and 'inhumane' characters - the film obviously did its job because it's *about* psychopaths. And you didn't think the father mindlessly offering to make a cup of tea before the son kills him was funny? Or the mother's 'I've poisoned you, Eric'? Or the terrible self-deluded guitar playing? To make an independent film as good (by no means perfect) as this in 8 days was a great achievement which I'm surprised such an experienced film-watcher doesn't acknowledge.

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It wasn't that the film tried to portray psychopaths per se, it was more how it tried to do so.....I personally found it simply failed to do that in any creative way.

And I'm afraid I didn't find the so-called 'black-comedy' at all funny, or wry, or in any way memorable, just dull and desperately boring.

A lack of money in making a production doesn't prevent you from drawing characterizations properly, or having the actors deliver interesting dialogue, or developing an interesting plot. DT had none of these unfortunately.

I've seen some of these actors in other productions (the Mother, and Eric in particular), and when they've had decent dialogue, they can deliver believable performances; I can't think any of them would have felt their performances stood up in DT. I am ignoring the son who played the lead, as it was clear to me that he was totally out of his depth in such a role.

I certainly do applaud any independent film-maker in trying to produce a very low-budget film -- and 8 days filming is no doubt a necessity under those circumstances -- but I just found this effort particularly unappealing and woefully dull on so many levels.

Anyways, good to swap opinions, it's certainly one of the things films are for in my view....


LR

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[deleted]

Why on earth does my commenting that this actor (in the lead-role) was totally out of his depth in that role make me a moron ?

Surely one can reasonably deduce that only by being the co-writer would he have any chance of landing such a role.

A perfect example of a director not being bold enough when casting.

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I take it you are not much of a Mike Leigh fan either, good sir?

I have also been watching films for 'nearly' 50 years and think this little slice of 'mundane weirdness' is a gem. Methinks you don't quite get the point?

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Well, to put Mike Leigh into the same category of movie as this poor effort, you might well be right, that there is clearly something I'm not getting.....just can't for the life of me think what.

Mike Leigh has an excellent track record of making movies which have something to say, however mundane the setting (Abigails Party), or odd-ball the characters (Nuts in May).....Secrets and Lies would be another classic example, and one of my favourite Brit movies of the past 20 years.

However, Leigh also gets actors who can act, produces dialogue worth listening to and exploiting plots which have some point to them.....the comparison between any Leigh film I can think of and this dreadful film I simply cannot see I'm afraid.

Pray tell.....

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As his first film, Ben Wheatley has done wonders. It bares comparison to the films of Mike Leigh, but also to Shane Meadows and in particular Dead Man's Shoes, and TwentyFourSeven. As for the acting, I thought the father and son were excellent. Personally, I could not fault it, which unfortunately can't be said for Wheatley's follow up Kill List.

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I have to disagree strongly with your last point. I found Kill List to be one of the best independent films out of the UK I have seen in years. I definitely think it showed an evolution in Wheatley from this film to Kill List, rather than a regression.

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No, it was not funny at all. I agree with lee. A total waste of time.

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You obviously haven't seen many film then. Really, no film worse? Not even The Devil's Cleavage?

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I loved this flick! The father and son had me cracking up every time they had a confrontation, and the mother showed herself to be more ruthless than any one of them (even though the son was truly out cold with the things he did.) Even though it is most definitely is "bleak and nasty, and bereft" like the OP said, but it's also got a lot of (unintentional) humor in it. I also like its documentary look and feel. And the son was funny as hell to me,whether he was hollering at this dad, or just going the hell off on everybody about anything at all. I though it was pretty darn good for a film supposedly shot in little more than over a week.

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*5 second long fart noise*

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It was a morality play, a blackly insular KSD with hammers and a Bates in suburban macro-focus. Dark, yes. Bleak, yes. But in fairness, wasn't one of its cultural genetic forebears equally as bleak? Steptoe & Son?

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horrible and boring, it lacks spirit and it has too much pretension

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I know this is a blast from the past, but I just saw this film, and I agree completely! Not funny, and a total waste of time!

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