MovieChat Forums > Identity (2010) Discussion > Well, it's started better than Luther.

Well, it's started better than Luther.



And Keeley Hawes is much prettier as the central detective.

Hmmmm.



reply

Agreed - much better than Luther (I watched the first episode of that but no more) but...

I switched it off when the police went into the school. The way they tried to capture "Smith" was stupid*, I lost interest and no longer cared.

Up until that moment the police had been behaving intelligently. Then they're stupid just so they could have a chase scene - when they could have behaved intelligently and still had a chase scene.

Smacks of interference - I'd be surprised if it was in the original script.

I might watch it next week, if I'm not washing the dog.

Steve

* What you do is have Smith called to the office where you have him cornered, you don't try to find him in a large library with multiple exits and only two cops with no backup - and I understand they *never* called for backup.

reply

Then you saw more of Luther than I did. I lasted twenty minutes. This has followed the same tedious pattern with the female boss (a la Blue Murder and Lewis and Luther and Prime Suspect ) and the multi-ethnic cast. We have yet to come across the one with the alcohol/domestic problems but I'm sure it's on its way. Like you I don't quite buy the suspect yet and hope the plot has some new avenues to go down: if not, it's already played its hand and we can move on to something else.

Regrettably Keeley Hawes seems to have abandoned the femme fatale schtick for something a little more mumsy. Hmmm. Reserving judgement on that; reserving judgement on the whole thing.

Very odd that there are so few posts on this new series, esp given the presence of Miss Hawes. Luther attracted a deal of attention from the off.


reply

Luther comparison is interesting- ex-Wire actors both playing tortured but brilliant cops. Who’s up next Dominic West or Clark Peters?

reply

If Smith had been called to the office he would probably have become suspicious and gotten out of the place instead of going to the office.

reply

Trite, vacuous, dated. Paycheck time. Usual token black who looks the same as the guy on "Waking The Dead." I thought the Met had trouble recruiting ethnic minorities into the top jobs.

Where's this country's "Breaking Bad" et al? Just surprise us. Don't care how.

reply

That’s Shaun Parkes (token black cop) who took the lead in a much fresher looking cop show, Moses Jones, earlier this year and wasn’t full of clichés and token casting.
I like David Harewood’s quote who said he had played more London cops than there are in the Met.

reply

Well after watching the first episode of Identity I'm still reserving my judgement until I've seen another two or three episodes. But my initial opinions are, it's poorly written. Characters come across as a little stupid IMO as well.

How they couldn't figure out until near the end that the one thing that connected all the victims they were all unfaithful is beyond me.

Keeley's is a talented actress, but she is being underused up to now. Obviously first episode things could get better as the series continues and I hope it does, but at the moment I don't think this show is going to be for me unfortunately.

reply

"How they couldn't figure out until near the end that the one thing that connected all the victims they were all unfaithful is beyond me"

Well, the point is that psychopaths are psychopaths and pretty much nihilistic, that is to say they don't care about anything. Quite why the writers here think that a human being with murderous tendencies would trouble himself about the infidelity of his victims is a mystery. There are reportedly a couple of dozen serial killers loose in the United States at any given time and I cannot imagine that any one of them studies their victims to see whether or not they are unfaithful to their spouses before deciding whether or not to bludgeon them to death or slit their throats. The whole premise just does not make any sense, and believability is the cornerstone of all drama, even if it's set in the future or a supernatural world, it has to make sense in its own terms. A murderer who selects victims on the basis of their disloyalty to another is a very difficult stretch.









reply