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To Kill a Mockingbird


It wasn't until lying awake in the wee hours after watching this movie, which, yes, is quite good, that I realized it's an homage to To Kill a Mockingbird. Scout/Skunk, Calpurnia isn't Black and is blended with Maudie, and the Ewells live in the same neighborhood as the Finches and the Radleys. The latter leads to all the movie's troubles, of course. And I guess I'd have to say that it leads to killing a mockingbird in the end, which is quite sad.

No, the plot and theme are not the same, but look at all the character parallels, and I'm sure you'll see there are too many to be coincidence.

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There are only seven stories in the world. Anything can parallel anything if you look closely enough. You only ever notice what you're looking for.

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7 stories in the world? I think with so many people and cultures in the world there are probably a lot more than that.

Are you talking of like 7 books from the Bible or something? That being said the films are similar, and its good to have a modern retelling of To Kill a Mockingbird, with a similar story but more modern plotlines.

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I agree, everything is really a variation on a theme but stories become memorable when they are told in unique/inspired ways. I enjoyed this movie, if one can say "enjoyed" about such a relentlessly sad tale.

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I had precisely the same thought, though it came to me while watching the film in a scene where Skunk is walking towards the camera. I thought, "She looks like someone," and it came to me that her haircut and face were almost exactly the same as Mary Badham who played Scout in "To Kill a Mockingbird." I also noticed that Skunk and Scout are similar names, as are Jed (Skunk's brother) and Jem (Scout's brother). The villains, Mr. Ewell in TKAM and Mr. Oswald in Broken, are both single fathers struggling to raise teen daughters who are having inappropriate sex. Rick Buckley is certainly a Boo Radley type. In TKAM, the mysterious Boo rescues Scout and saves her life. In Broken, Oswald rescues Skunk and saves her life. Both Skunk's and Scout's fathers are gentle, well-liked lawyers who take everyone's problems on themselves. I agree with Julia (above)... the parallels are too many to be coincidental.

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Daniel Clay,the author of Broken : My starting point were the family structures in To Kill a Mocking Bird and how society has changed in the 80 or so years since the events depicted in that novel took place. Once I had that starting point I wanted to write about life as I saw it at the time I was writing, mad and cruel and random yet always capablef surprising you and always somehow worthwhile.

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can you cite please

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Yes, I couldn't help but think of Scout and "To Kill a Mockingbird" as I was watching this. Echoes of TKaM right down to the boy who befriends the sister and brother (Dill in "Mockingbird"/Dillon in "Broken").

I love the homage to that classic film, yet it's wonderful how this film still has a spirit that's all its own. Terrific story, editing, soundtrack & performances.

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I'm embarrassed to say I didn't see the parallels. I really must re-read TKAM - it's been over 20 years.

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Julia , you nailed it. I've just watched the trailer for the first time. And straight as I saw the young girl , I thought Scout. And I'm guessing the gauche goofy kid being led away in handcuffs might be a Boo Radley clone?

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Reading this I just slapped my hand to my forehead in the "how did I not see that" way. VEry well put!

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It's not a coincidence, it's just a modern retelling. There were some differences between the book and the movie, where in the book the mockingbird (Rick) is killed by Oswald :(

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We are the angry mob...

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**** SPOILERS FOLLOW: (BOTH BOOK- AND FILM-RELATED)****

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The problem with "Broken" is that it has none of "Mockingbird"'s moral core. In "Mockingbird," Atticus teaches Scout the importance of standing up for what is right, no matter the cost; in "Broken" (the film version, anyway), teacher Mike touches briefly on the definition of courage, but in general the entire cast spends its time cowering from or being battered, both verbally and physically, by the ridiculously cartoonish Oswald family. What I found most disturbing was the difference in treatment of the "Boo" character between "Mockingbird" and "Broken": while her encounters with Boo teach Scout that she shouldn't judge people by their odd appearance or reclusive behavior, and that anyone can choose to act selflessly and heroically, Rick (the "Boo" in "Broken") is not only a victim but, in the end, a sort of monster. What's worse is that, between "Broken" the book and "Broken" the movie, Rick loses his one semi-heroic moment: in the book, Oswald finally crosses a line that even the infuriatingly lax (as portrayed in both the book and the film, anyway) British legal system can't ignore: he kills Rick and is arrested for murder. (Indirectly, at least, therefore, Rick is responsible for removing psychopathic Oswald from civilized society.) In the movie, Rick kills himself... and we see Oswald, (seemingly) contrite and changed for the better by the death of his daughter Susan (who expires, in the movie, quite conveniently as the result of-- presumably-- an ectopic pregnancy), tenderly cradling comatose Skunk in his arms while he phones for an ambulance. In short, in "Broken" the movie, the real monster (Oswald) gets to play hero... while the real not-monster (Rick-slant-"Boo"), who became monstrous only after the real monster made him so (by beating him savagely and without provocation earlier on), is deprived of all agency and is-- like Susan-- a "problem" conveniently disposed of.

Or something like that. Oswald's supposed change at the end of the film really irritated me. Maybe it's just me the eternal cynic-- though, no, pretty much all of "Broken" encourages a cynical worldview-- but I really wanted to see a tag scene-- "... a week later," or something like that-- when Oswald was back to battering, berating, and bullying his neighbors-- and they, once again (and most unlike Atticus Finch), were letting him get away with it.

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I too have only just watched - I liked the evolution of Oswald, that he became both hero and monster without either cancelling out the other, because people often really are that complex.

But I was rather disturbed by Rick's evolution into a murderer. The moral of the story there seemed to be in the vein of 'the harshness of the world will provoke mentally ill people to a path of dangerous psychopathy from which no amount of love and respect from friends and family can save them', and that didn't sit comfortably with me AT ALL.

For me, that was a sour note in an otherwise wonderful movie.

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I thought there was only a surface comparison to Kill A Mocking Bird. The core aspect to KAMB was the unlawful arrest of a black man who had been falsely accused of rape in a small Southern US town and the brave defense of him by Scout's father. Nothing in this movie had a parallel story to that book/movie.

I felt this movie had too many story lines. One of them in my opinion could have been dropped, such as the whole Oswald family mess. I kept thinking what a hell of a cul de sac to live in.

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Excellent points!

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