What was Carl's problem?
Another fine performance from the extraordinarily versatile Martin Savage, Carl is portrayed as a coiled spring of a man, bristling with hostility and anger towards his extended family in general and the shattered Ronny in particular. Mike Leigh will have his reasons for letting Carl's grievances remain obscure, the inference plain enough that not everyone's pain will have vapour trails as evident as Mary or Ken, and is recognisable to any of us totally perplexed by the complicated behaviour by those closest to us. (Also Carl's aggression is in stark contrast to Gerri & Tom's sensitive and gently wisecracking approach to interacting with the people that move in and around their everyday lives).
However Carl's appearance, albeit briefly, was of such intensity and so unnerving that I couldn't help but wonder about the history of the relationship between father and son that lead to such an irretrievable breakdown.
A powerfully poignant scene has Mary asking Ronny if his son is married to which he admits in tones of sadness and bemusement of not knowing. David Bradley's performance is faultless: barely having half a dozen lines of dialogue his soulful eyes, eloquent silences and a jaw clenched in a determined retention of some shred of dignity tell us more about Ronny's character than any beautifully constructed sub-plot could ever hope to convey.
The stories of these characters, and of how the unhappiest might fare after the end of the film will haunt me for many weeks to come, but it's Carl scarred poltergeist of a man that provokes my imagination the most.
"I don't like the look of the abyss".