"I don't really know who this is for."
Cameron Crowe.
True, but this was also a project of Kelly Curtis (the band's manager, who served as a producer) so I'm not sure how much freedom Crowe had, or if Curtis had ground rules or what. This wasn't just Cameron Crowe getting a wild hair up his butt to make this movie about this band, it's more about (as Cameron has said in interviews) the band's manager pestering Cameron for years to make this movie, and since the time seemed right, and Cameron was the obvious choice, agreeing to it. I think Crowe is a big enough fan of the band that he would be more interested in showing their whole career, as opposed to just focusing on the early years. I would think (speculation mind you) that he would be interested in perhaps showing people who stopped following them after the decline of grunge what else this band was capable of. As the film stands it seems like it is pandering to casual fans who just know the first 2-3 albums and don't really care about their lesser known works or career as a whole. That seems more like a business decision as opposed to an artistic one, which is why I suspect Kelly may have had more to do with it than we might think. I don't know though. But what a wasted opportunity this film was, it actually makes me kind of sad.
"IF THE DEVIL HAD A NAME, IT WOULD BE CHUCK FINLEY!!"
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jenaries27
12 years ago
No Code and Yield are my favorites,too, so I can see where you're coming from. I would have liked less about Andy Wood and more about that era (although I get that the MLB thing was important to their arc as a band). Overall, though, I actually liked the movie. I had also been a Ten Club member since the mid-90's but I let my membership lapse. I really disliked the Avocado record and thought the most recent one was just alright. The movie made me remember a time when i was crazy about them. It made me remember why I saw them live 33 times. It actually made me excited to see them again (I skipped their last go round). I guess I know in my heart that they will never make another album of the quality of No Code and Yield (or even Vitalogy which I also love). The film was not perfect by any stretch, but the nostalgia made it worth it for me. And I will always love Cameron Crowe for being a big old music nerd...even if Singles did suck.
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