Two questions: Death Row Studios Scene and Jerry's Involvement....
1. I may have missed it, but what was the deal with the muscular guy, in his whitey-tightys, sitting on the floor in the fetal position? Was it mentioned what the point of that was or why they were doing that to that guy?
Was this some sort of weird Death Row initiation ceremony (like fraternities do)?
Was this guy a member of some enemy gang or production studio?
Was he getting payback for something he did?
It wasn't made clear to me, but I may have missed some dialog or reference.
2. Why was E mad at Jerry toward the end of the movie? I heard and read about the general environment of the music industry pre-Napter and digital downloads. I do take note that Dre and Cube went to do their own thing (Cube mainly because he didn't like or trust Jerry and Dre probably because Cube left and he was intrigued by Death Row). However, from what I saw, both Dre and Cube went to other labels. They didn't break off and form their own labels until the late 90s. Cube still had to "answer" to Bryan Turner who managed him.
From what I saw in the movie, Jerry talked to him fairly respectful and was the first to take a chance on him. He helped N.W.A. become a household name. From the movie here are some of the things that I saw of Jerry:
1. He stood up for them when the cops were being bullies.
2. He warned them of potential problems (legal and judicial) if they continued bad-mouthing the cops. However, N.W.A. did what they wanted and Jerry stuck by them.
3. Even after being threatened at his home by either Suge or Cube's posse, he stayed.
4. He was emotionally invested in the group. The scene I'm thinking of is when they were all in the house listening to Cube's new album which dissed N.W.A. and had some "antisemitic" lyrics.
5. Aside from maybe a few instances, he treated E as a business partner. The movie didn't show if they had a platonic relationship, but I could see some closeness in the scenes they did show.
6. I don't know the details of their contracts or how much Jerry's fee was, but I would imagine it couldn't have been that far out of the standard industry terms of that time. Again, I don't know if he took more from N.W.A. than his other/former clients.
7. THIS ONE IS MOST IMPORTANT. I was nine when Straight Outta Compton was released. I really didn't get in to rap until the East vs. West BS that was going on in the early-mid 90s. However, from what the movie showed, at the time, rap (especially gangsta rap) was way underground (as-in only in LA) at the time. I'm a white-collar Caucasian from the Midwest. I tried to think of myself in Jerry and Bryan's position. There is no way in hell I would have gotten involved in a music group of a fairly unknown genre traditionally made up of Blondie and the Sugarhill Gang, formed by a former drug dealer and gang-banger, who sang about killing cops and committing crimes. Would have never happened for me or all of my inner circle. The tremendous faith that Jerry had in N.W.A., at least in what the film showed, was incredible. The unconventional locations that Jerry toured with them, meeting poor, uneducated people on the fringe of society, and who were likely all strapped to the 9s, deserves and applause. I would equate it to one of the members from N.W.A. managing a country group in the deep south. I can't remember another 'fish out of water' that was this poignant.
With that all being said, what is the general consensus about Jerry Heller? It was obvious from the film that Cube, and possibly Dre, hated his guts. I'm going to go out on a limb here, and maybe be chastised for it; but, from Eazy's singles I've listened to, he was not that good of a rap artist to me. I always found his voice to be nasally and squeaky. I'm not trying to dance on someone's grave or anything, but Dre and Cube were both far more talented than Eazy. To me, the argument can be made that, had Eazy lived, I can't see him continuing on in a successful singing career. Boyz-n-tha-Hood was, by far, the best single he ever put out. Grant it, in 1987, they weren't domestically known. However, none of his other released singles broke #40 on the US charts. I don't even need to comment on Dre and Cube's successes.
I would admit that there was a significant financial angle to Jerry's relationship with N.W.A., and eventually Eazy. However, I would wonder how much longer Eazy would have lasted had he gone out and tried to produce his own album. Most music artists are not good businessmen and most businessmen are not good music artists.
The contrast between Cube and Dre against Eazy is unparalleled. Cube and Dre are outliers. They made the right choice to go off on their own. However, if the movie was trying to make Jerry appear as a villain or manipulative towards N.W.A. and Eazy, I'm not buying it.
BTW...The entire cast did an excellent job. I was pleasantly surprised in the quality and success of this film. When I saw Pac in the studio, I got a chill up my back. That actor had to be channeling him. Bravo.